It's time to sum up another album and take a look at Revolver as whole, rather than a series of parts.

Does the album deserve the oft-sited "best of all time" monicker? How does it compare to the likes of Pet Sounds? And is it even faintly representative of what was going on in the charts at the time?

(Apologies for the quality of Andrew's audio - thanks to technical issues, he's a lot less clear than usual - JG)

Rankings: Track-by-track Ranking

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JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: JG McQuarrie and not AI. You can kind of tell.

Time to round off Revolver with the mighty Tomorrow Never Knows, as JG and Andrew take a dive into psychedelia. Or do they?

Does the song deserve its towering reputation and Capital-I Importance? Do we think Lennon really understood what it was he was writing about? And just how critical is George Martin this time out?

Rankings: Track-by-track Ranking

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JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: Some technology, JG McQuarrie, but definitely no AI

Revolver is nearly done but before we get to the totemic final track, there's Got To Get You Into My Life to tackle.

Does the song work as a Motown/Stax homage? Does it matter that it's actually about drugs? And how are the guitars sounding at this point in the album?

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: Super Human Being, JG McQuarrie (and not AI)

It's time for George's third go-around on Revolver as I Want To Tell You takes its spot in the limelight. Can George justify an unprecedented three songs on an album? Does the song succeed in capturing the uncapturable flow of ideas he wanted to express? And just what could put Andrew off JG? (You know, apart from everything)

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: JG McQuarrie, and not AI

Time to visit a medical practitioner for this episode as JG and Andrew pay a visit to Doctor Robert.

Is it really about some alleged New York doctor? Is the NHS a worthy recipient of a Lennon lyric? And can the Beat Bugs really be the best cover version of this song?

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: A resident of Sol III, JG McQuarrie, and not by machine.

This podcast is definitely for someone but also, in a very real sense, For No One.

Does the song's air of detached melancholy work? How good is that solo? And can any of the cover versions manage to capture the austere distance of the original?

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: An Earthling named JG McQuarrie and not AI

Time for something tuneful this episode as JG and Andrew tackle And Your Bird Can Sing. Does the song maintain the quality of the album? How much fun can be contained in one song? And are there any interesting cover versions?

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: alleged Human, JG McQuarrie, and not AI

It's time to let a little light into our lives this time out as Good Day Sunshine emerges from behind the clouds to kick off Side 2.

How does the song work as an opener for the second side? Are there any outstanding moments? And why (oh why, oh why) does Robbie Williams's godawful "Angels" get a mention? Plus, "excitingly", how long can two old men ramble on for before getting to the sodding point already?

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: A Human calling himself JG McQuarrie, and not AI

Surrealism, pretentious, or something else is the question posed as Revolver's first side bows out with She Said, She Said.

Does the song round the first side off in a satisfactory way? Does it suffer from (probably) not having McCartney on it? And what has Peggy Suicide got to do with any of this?

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced by: JG McQuarrie and not AI, ever

It's time for a brightly-lit stroll down happiness lane as Yellow Submarine joyfully bobs into sight.

Why is the song compared to A Day In The Life? Is it "just" a children's song or is there really a deeper meaning? And how many films can be inspired by Beatles song titles?

Rankings: Track-by-track Ranking

eMail: [email protected]

Instagram: beatlesstuffology

JG's Blog: Judgementally Reviews…

Andrew’s Blog: Stuffology

Produced By: JG McQuarrie, in a land of submarines