Imaginary Worlds

Think of all the movies and TV shows that reference Star Wars. Most of those scenes are pretty forgettable -- except for a scene in the 1994 film Clerks, which set off a debate that's still going on today. One of the characters notes that the second Death Star in Return of the Jedi was still under construction when it got blown up. So there must have been independent contractors still trying to finish the job. Is it fair that they got killed along with the Imperial Army and the Stormtroopers? Judge Matthew Sciarrino, Josh Gilliland of the podcast Legal Geeks and economist Zachary Feinstein of Washington University in St. Louis discuss the value "good guys" should place on the lives of "bad guys." ** This is part VI is a series that will probably go on forever about the influence of Star Wars **Learn more about your ad choices. Visit megaphone.fm/adchoices

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The Amazon series The Man in the High Castle is based on a 1962 novel by Philip K. Dick, which imagines what would've happened to America if the Axis Powers won World War II. In this scenario, Nazi Germany imposes their ideology on the East Coast and the Midwest, while Japan rules the West Coast through cultural imperialism. The storytelling from director and executive producer Dan Percival is top notch, but the production design from Drew Boughton also takes center stage -- all posing the same disturbing question. How much would we resist fascism? Season 2 begins on December 16th. Learn more about your ad choices. Visit megaphone.fm/adchoices

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How much does an author's point of view influence her stories? And do those stories in turn influence us? Professor Anthony Gierzynski argues that reading Harry Potter can make people more tolerant of diversity, and more resistant to unreasonable authority. Andrew Slack, creator of the Harry Potter Alliance, explains how JK Rowling inspired him to want to change the world. And the HPA's Jackson Bird explains how being a political activist changed him in ways he never expected.  ** This is part 6 in a 6-part series on magic and fantasy.**Learn more about your ad choices. Visit megaphone.fm/adchoices

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Harry was being a jerk -- or that's what a lot of kids and teens thought when they read the last few books of JK Rowling's series. Some adult readers chocked up Harry's quick temper, anxiety and defensiveness to typical teen angst. But what if Harry Potter was suffering from PTSD? The writers July Westhale and Sarah Gailey explain how JK Rowling captured the nature of trauma, and why re-reading Harry Potter helped them heal. Also, Casper ter Kuile and Vanessa Zoltan of the podcast Harry Potter and the Sacred Text discuss the burden of being the boy who lived. ** This is part 5 of a 6-part series on magic and fantasy. **Learn more about your ad choices. Visit megaphone.fm/adchoices

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Every 11-year old goes through this, right? Your teacher places a brown wizard's cap your head, and the hat tells you what your defining characteristic is. You are brave, or loyal, or ambitious, or intellectual. Plus, your whole school is sorted into personality types. If that were real life, parents and educators would be horrified -- but it's a fantasy that Harry Potter fans have thought about for years. James Madison University professor Elisabeth Gumnior, and Vanessa Zoltan and Casper ter Kuile of the podcast Harry Potter and the Sacred Text weigh in on the enduring appeal of the Sorting Hat at Hogwarts School of Witchcraft and Wizardry. Also featuring Kate Essig and Martin Cahill.** This is part four in a six-part series on magic and fantasy. **Learn more about your ad choices. Visit megaphone.fm/adchoices

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Hocus Pocus. Abracadabra. Those words imply that magic is silly because it can solve problems far too easily. Fantasy novelists strive to avoid those types of situations when they design magic systems from scratch. Patrick Rothfuss (author of The Kingkiller Chronicle) explains how most magic systems can be divided into two camps: poetic magic and scientific magic. Tor critic Martin Cahill appreciates Rothfuss's work because he weaves both types of magic into his stories. And psychology professor Carol Nemeroff reveals why our brains are hardwired to believe in magical thinking. **This is part 3 in a 6 part series on magic and fantasy.**Learn more about your ad choices. Visit megaphone.fm/adchoices

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J.R.R. Tolkien not only kicked off the modern fantasy genre, he also made maps an indispensable part of any fantasy book. Tolkien spent decades mapping out Middle-earth on graph paper -- and giving everything a name -- because he was inventing a world from scratch. Many of his maps weren't even published until after he died, but today's fantasy cartographers owe a great debt to his work. They also have a post-modern understanding that to create a believable fantasy map, they have to sow doubt in the minds of readers as to whether we should trust the mapmakers. With Isaac Stewart, Priscilla Spencer, Ethan Gilsdorf and Stefan Ekman.** This is part 2 in a 6 part series on magic and fantasy.**Learn more about your ad choices. Visit megaphone.fm/adchoices

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J.R.R. Tolkien wanted his work to be taken seriously. But his magnum opus The Lord of the Rings was unlike most of great literature of the mid-20th century, which was modernist or tackled the great issues of the day. And wasn't The Hobbit a children's book? The critics wondered, is this sequel supposed to be serious literature for adults? But there was a group of people who took Middle-earth very seriously and pushed this cult classic into the mainstream -- they just weren't the people Tolkien had expected. Wheaton College professor Michael Drout, Gary Lachman ("Turn Off Your Mind: The Mystic Sixties and the Dark Side of Aquarius") and Ethan Gilsdorf ("Fantasy Freaks and Gaming Geeks") explain how and why Tolkien became a folk hero to the counter-culture -- whether he liked it or not. ***This is the first in a six-part series on Magic and Fantasy***Learn more about your ad choices. Visit megaphone.fm/adchoices

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In the continuation of my behind-the-scenes mini-series, I revisit the first interview I ever recorded for Imaginary Worlds -- the puppeteer Stephanie D'Abruzzo, who is best known for performing as Kate Monster in the Broadway musical Avenue Q. I interviewed Stephanie for an episode that compared puppets to computer generated characters, but she had so many interesting things to say about the craft of puppeteering which didn't fit into that early episode. In other words, she can tell you how to get to Sesame Street. Learn more about your ad choices. Visit megaphone.fm/adchoices

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This week, I pull the curtain back on my process and look at two public radio stories I reported back in 2008 when I began to find my voice as a reporter -- and started to realize that I might want to have my own show where I could geek out freely. Along for ride is my former editor at Studio 360 and mentor: David Krasnow. We talk about what goes into making an audio feature, why I needed more "sign posting," and how hard it is to not sound like Ira Glass. Learn more about your ad choices. Visit megaphone.fm/adchoices

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