Alexandra Shulman joins me this week to talk about life on both sides of the divide: editor and writer. At the helm of Vogue, she spent 25 years herding journalists. Now she has a column in the Mail on Sunday and has this year published a book that blends memoir with fashion history, Clothes and Other Things that Matter. We talk about the article that changed her career, the challenge of writing two novels with a full-time job, and the value of storytelling in journalism.

This week, from my living room in London, I speak to Robert Webb in his loft study (also in London). By the time Robert published his memoir How Not To Be A Boy in 2017, he’d already achieved huge success as an actor and performer (memorably, of course, in Peep Show). We discuss that book and his new novel Come Again; how his instinct to entertain translates from the screen to the page, and how years of writing comedy sketches gave him insight into characterisation.

Kiley Reid joins me for this episode of In Writing, recorded when she visited London in February to promote her bestselling debut novel Such A Fun Age. Kiley is a graduate of the famous Iowa Writers’ Workshop, where she shaped this novel, and we talk about how the feedback of other writers helped her hone it, how to flesh out fiction with well-researched fact, and why it’s essential to “write to your obsessions”.

This week’s guest is the sharp and funny Hugo Rifkind, award-winning columnist for The Times. In the attic of his house in north London – not long before recording a podcast in person started to look like insanity – we had a great discussion about his journalistic career, how he approaches the (nightmarish) challenge of a weekly opinion column, and what he’s learnt about writing satire from his very funny diary series, My Week.

The second series of In Writing is here in the midst of a pandemic, and while going into writers’ workspaces may not be practical for a while, that doesn’t mean we can’t pretend. This week, from my duvet fort in London, I speak to Curtis Sittenfeld in her small, distraction-free study (which she likens to Harry Potter’s under-stair bedroom) in Minneapolis, Minnesota. Curtis is the author of five bestselling novels, including Prep, American Wife and Eligible, and a book of short stories, You Think It, I’ll Say It; she’s now promoting her sixth novel, Rodham, which tantalisingly imagines what might have happened if Hillary Clinton had decided not to marry Bill. In our interview, she shares her insight into structuring a book (and why that process is so crucial); the value of a well-placed sex scene; and how to “set yourself up for writing success” with some serious time management.

In this last episode of the series, Charlie Brooker – the man behind Black Mirror, the BBC’s Wipe shows, Dead Set, Nathan Barley, TV Go Home and more – invites me into his messy, makeshift study. We talk about his unique career trajectory, the process of writing a Netflix show, and the ongoing, necessary pain of taking feedback on your work.

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This week, in a garden cabin in Sussex, I speak to Anna Hope: the author of two historical novels – Wake and The Ballroom – and Expectation, one of the most talked-about books of 2019. Anna was an actress when, in her early thirties, she started taking creative writing courses; she reflects on that transition, the struggles she went through before being published, and how she found her flow as an author.

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For a while I’ve been looking for a chance to pick Andrew Billen’s brain about how he writes his insightful, revealing profiles of celebrities and politicians for The Times, and in this episode I visit him at his family home in Oxford to do just that. Andrew looks back on 30 years of interviews, talks me through his ‘essay plan’, and reveals some of the most and least successful encounters he’s had in his career.

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The author of Animals and Adults – and winner of Best Debut Screenwriter at last year’s British Independent Film Awards – Emma Jane Unsworth welcomes me into her twinkly Brighton flat. She talks about how to overcome the moments of self-loathing that come with any creative project; postnatal depression and recovery; and why she never gets the ending right on a first try.

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Author of Call Me By Your Name and its recent sequel Find Me, Andre Aciman tells me what it’s like to see your novel get a second life in film (and the new flock of young fans who followed); why he has no interest in realism, and why it’s valuable to read all your reviews.

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