Composer Jeff Danna (The Good Dinosaur, The Boondock Saints) joins me on The Film Scorer podcast just before we wrap up season 5! Oddly enough, I've listened to quite a bit of music from the Silent Hill franchise over the last 15 months or so, and it turns out that Jeff "scored" the two film adaptations from earlier in the 2000s (I used "scored" in quotes because the real story is a bit more complicated than that). So of course, I used our conversation as an excuse to ask all about Silent Hill, including why the first film never got a proper score release, and he tells me about having to re-record and re-create every single musical sound from Akira Yamaoka's game scores for the films. Quite a feat.

Of course, Jeff didn't come on the show to talk about Silent Hill movies from 15-20 years ago. Instead, we spend most of our time talking about his score for the hit Netflix series The Hunting Wives. The conversation goes from creating a unique palette for east Texas (particularly through the Croatian prim), scoring sexiness (the key is not aiming for sexy music), and plenty more. Along the way, we get pretty in-depth about what makes for a good theme, when you need to cast one aside and start over, and how thematic music requires a commitment from the composer and the director; after all, the latter has to be comfortable with a a musical commitment to their characters, as character and theme become intertwined.

Jeff's score, and much of his other music, is available on all major platforms while The Hunting Wives is currently streaming on Netflix. You can find out more about Jeff on his website.