Opera is to ordinary singing what Olympians are to dog walkers. It takes years of dedication, practice and coaching to develop a fully rounded and mature operatic voice. So, how well do you know your mezzo soprano from your contralto? In this episode, Stephen and Joanna shed light into the rarefied world of the opera voice, exploring what it takes to become one of the true ‘greats’.

Having previously fallen down a wormhole in Part 1, Joanna and Stephen start with Jimi Hendrix’s illustrious Mayfair neighbour, George Friedrich Handel (albeit 200 years apart) exploring the legacy of this German-born genius; they also wonder what happened to Joanna’s little red Ferrari and finally get back to business with Britten and Butterworth.

Some extraordinary songs transport us to another time or dimension. This week our classical duo explore compositions which move us to our very core by taking a tour through the evolution of the song itself. Diving into folk melodies, arias, Victorian parlour music and beyond.

Why does Opera make some people (maybe you?) run for the hills? In this episode Joanna and Stephen dig down into the big questions… Like, when did Opera become posh? How did it evolve from musical drama? And can it be reduced to 6 emotions: Admiration, Hatred, Love, Desire, Joy, Sadness and Sorrow - according to René Descart?

Who is the finest singer of all time? And what makes a legendary voice? Is it technique, style, phrasing or simply magic? This week Joanna and Stephen discuss their favourite singers, find out why do we fall in love with certain voices, and (the burning question) what does Joanna think of Stephen’s voice?

From 'Jaws' to 'Genevieve', 'Gone with the Wind' and 'Bond', every brilliant movie has to have a great theme tune. But who were the composers who wrote these iconic pieces of music? In this episode, Joanna and Stephen dive into the greatest film scores ever written.

The 18th century saw Great Britain referred to as “Das Land ohne Musik” - the land without music by continental Europeans. Quite the damning reviews. But why? And more importantly, is it true? Joanna and Stephen launch into the archives of great British composers like Tallis, Elgar, Byrd, Gibbons and Vaughan Williams in search of our national melodies and some home grown ‘kultur’.

In this episode Joanna Lumley and her husband Stephen Barlow tackle a biggie - the Symphony. We’ve probably all heard these types of composition - usually involving full orchestras and four distinct movements - but where did they originate from? Who wrote the best ones? What are the building blocks of a symphony? And what’s harder to conduct, a symphony or an opera?

Sex, death, betrayal: all the good stuff. Puccini has it all. If you’re a total beginner or an opera aficionado, this episode is about the amazing operas of Italian composer Giacomo Puccini, the glorious melodies and how they capture his characters perfectly. This week Joanna and Stephen peel back the layers of Puccini’s most celebrated operas ‘Madame Butterfly’, ‘La Bohème’, ‘Tosca’ and ‘Turandot’.

Joanna Lumley has a few questions about her husband’s profession. As well as being a composer and pianist, Stephen Barlow is a conductor - but what does that actually mean? What is it that a conductor actually does? Do they set the speed of the music? How long have they been around for? Are they really needed at all? In this episode Stephen answers these questions and takes us behind the velvet curtain into the backstage life of the conductor.