As the 1970s wore on, John Lennon found himself at a crossroads. Was he a pop singer or an artist? Would he continue to be a musician at all, or instead would he retreat into quiet family life? Enter David Bowie, who managed to find a way to help John be all of those things at once, while at the same time making Bowie bigger than ever in the United States. Bowie’s tales about John involve the usual vices, drugs like cocaine – but also some very unexpected and unorthodox hallucinogens on the backstreets of Hong Kong.For more info on BLOOD ON THE TRACKS and other great shows, visit the <a href="https://www.doubleelvis.com/">Double Elvis website</a> and follow Double Elvis on <a href="https://twitter.com/DoubleElvisfm">Twitter</a> and <a href="https://www.instagram.com/doubleelvis/">Instagram</a>. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>See <a href="https://omnystudio.com/listener">omnystudio.com/listener</a> for privacy information.

As the 1970s wore on, John Lennon found himself at a crossroads. Was he a pop singer or an artist? Would he continue to be a musician at all, or instead would he retreat into quiet family life? Enter David Bowie, who managed to find a way to help John be all of those things at once, while at the same time making Bowie bigger than ever in the United States. Bowie’s tales about John involve the usual vices, drugs like cocaine – but also some very unexpected and unorthodox hallucinogens on the backstreets of Hong Kong. For more info on BLOOD ON THE TRACKS and other great shows, visit the Double Elvis website and follow Double Elvis on Twitter and Instagram. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

As the 1970s wore on, John Lennon found himself at a crossroads. Was he a pop singer or an artist? Would he continue to be a musician at all, or instead would he retreat into quiet family life? Enter David Bowie, who managed to find a way to help John be all of those things at once, while at the same time making Bowie bigger than ever in the United States. Bowie’s tales about John involve the usual vices, drugs like cocaine –&nbsp;but also some very unexpected and unorthodox hallucinogens on the backstreets of Hong Kong.For more info on BLOOD ON THE TRACKS and other great shows, visit the <a href="https://www.doubleelvis.com/" rel="noopener noreferrer">Double Elvis website</a> and follow Double Elvis on <a href="https://twitter.com/DoubleElvisfm" rel="noopener noreferrer">Twitter</a> and <a href="https://www.instagram.com/doubleelvis/" rel="noopener noreferrer">Instagram</a>. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com" rel="noopener noreferrer">https://www.iheartpodcastnetwork.com</a>See <a href="https://omnystudio.com/listener" rel="noopener noreferrer">omnystudio.com/listener</a> for privacy information.

John Lennon & David Bowie (The John Lennon Story, Chapter 7)

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

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In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album&nbsp;Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album,&nbsp;Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

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John Lennon & David Bowie (The John Lennon Story, Chapter 7)

John Lennon & David Bowie (The John Lennon Story, Chapter 7)

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