We meet poet, artist and filmmaker Julianknxx. We explore themes within his work of inheritance, loss and belonging as he crosses the boundaries between written word, music and visual art.

Sierra Leonian artist Julianknxx uses his personal history as a prism to deconstruct dominant perspectives on African art, history, and culture. Rich with symbolism, his work conveys the Black experience of defining and redefining the self, rejecting labels to form new collective narratives.

Offering song and music as forms of resistance, the exhibition invokes new understandings of what it means to be caught between, and to be of, multiple places. Choirs and musicians from cities across Europe give voice to a single refrain: ‘We are what’s left of us’, transforming the Curve into a collaborative space of communication. As the philosopher Édouard Glissant has written: ‘you can change with the Other while being yourself, you are not one, you are multiple, and you are yourself.’

Julianknxx’s work merges his poetic practice with films and performance; he engages in a form of existential inquiry that at once seeks to find ways of expressing the ineffable realities of human experiences while examining the structures through which we live. In casting his own practice as a ‘living archive’ or an ‘history from below’, Julianknxx draws on West African traditions of oral history to reframe how we construct both local and global perspectives. He does this through a body of work that challenges fixed ideas of identity and unravels linear Western historical and socio-political narratives, attempting to reconcile how it feels to exist primarily in liminal spaces.

Follow @JulianKnxx

Visit #JulianKnxx’s two new exhibitions @BuroStedelijk, Amsterdam until 24th April and @CAMGulbenkian, Lisbon until 2nd June 2025.

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