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BWA-HA-HA! Keith Giffen and J.M. DeMatties may not have originally set out to turn DC’s signature superteam into a workplace sitcom, but with artist Kevin Maguire they produced a screwball series still treasured by fans. With a roster assembled largely out of desperation and a constantly shifting status quo, Justice League International reinterpreted how the superhero would be perceived in a post-Crisis, post-Watchmen comics landscape by leaning into the absurdity instead of making its subject grimmer and grittier.
By Justin Zyduck and Jim Cannon5
3333 ratings
BWA-HA-HA! Keith Giffen and J.M. DeMatties may not have originally set out to turn DC’s signature superteam into a workplace sitcom, but with artist Kevin Maguire they produced a screwball series still treasured by fans. With a roster assembled largely out of desperation and a constantly shifting status quo, Justice League International reinterpreted how the superhero would be perceived in a post-Crisis, post-Watchmen comics landscape by leaning into the absurdity instead of making its subject grimmer and grittier.

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