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This year, King Gizzard & The Lizard Wizard are celebrating their 10th anniversary. To mark the occasion, they were all set to do some of their biggest shows ever. Instead, the Melbourne band couldn’t even be in the same room to make their 16th album.
Not ones to withdraw from a challenge, King Gizz devised a new game plan. It was a working arrangement that resulted in one of their best and most cohesive albums yet.
Simply called K.G., it explores the microtonal territory they first experimented with on 2017’s Flying Microtonal Banana. The group’s Joey Walker speaks here to Richard Kingsmill about those ideas, how they managed to keep the chemistry between them, and the intensity of their worldwide fanbase which they’ve steadily built across the past decade.
By triplej, triple j5
55 ratings
This year, King Gizzard & The Lizard Wizard are celebrating their 10th anniversary. To mark the occasion, they were all set to do some of their biggest shows ever. Instead, the Melbourne band couldn’t even be in the same room to make their 16th album.
Not ones to withdraw from a challenge, King Gizz devised a new game plan. It was a working arrangement that resulted in one of their best and most cohesive albums yet.
Simply called K.G., it explores the microtonal territory they first experimented with on 2017’s Flying Microtonal Banana. The group’s Joey Walker speaks here to Richard Kingsmill about those ideas, how they managed to keep the chemistry between them, and the intensity of their worldwide fanbase which they’ve steadily built across the past decade.

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