Let's Netflix & Chill Podcast

Frontier is a Canadian historical drama television series co-created by Rob Blackie and Peter Blackie, chronicling the North American fur trade in colonial Canada/Rupert's Land, sometime in the late 1700s or early 1800s.

When the CIA's top asset -- his identity known to no one -- uncovers agency secrets, he triggers a global hunt by assassins set loose by his ex-colleague

Dave Chappelle called What’s in a Name?, in which the comic calls the students who pushed back against the transphobic jokes in his standup special The Closer “unfair” and “instruments of oppression.”

The comic sounds off on cancel culture, feminism, getting bad reviews from his wife, and his life-changing epiphany.

The series features an ensemble cast led by Lance Reddick as the clones of Albert Wesker, Ella Balinska and Adeline Rudolph as Wesker's adopted children, Tamara Smart and Siena Agudong portrays the daughters' younger selves, and Paola Núñez as James Marcus's daughter Evelyn. It alternates between two timelines, following Jade and Billie Wesker during their days in New Raccoon City where they discover their father's and Umbrella Corporation's dark secrets, and 14 years in the future, where Jade tries to survive the end of the world.

A young girl stows away on the ship of a legendary sea monster hunter, turning his life upside down as they venture into uncharted waters.

Lucia's achievement of a perfect family is threatened by her son's loose living, dirty mouthed girlfriend and possible in laws that are not what she pictured for him.

In this hour, she reflects on how far she has come as a first-generation daughter of Mexican immigrants, and how she looks on her past and present life differently now that she has even just a little bit more money

God's Favorite Idiot is an American apocalyptic workplace comedy television series created by and starring Ben Falcone for Netflix. The series consists of sixteen episodes, and the first batch of eight episodes premiered on June 15, 2022

You Don’t Know Me is based on a novel by Imran Mahmood, and it uses a unique device to build its story: The protagonist tells his story as a closing argument in his own defense at his murder trial. It worked in the novel, but does that translate to TV?