In the latest installment of my re-interview subseries, We Meet Again, we get to chat for a second time with luminous, talented, and hilarious Madi Diaz. Madi just put out a brand new LP called Fatal Optimist, and we definitely deep into it in this chat. We talk about what led to this record being so spare and stripped back, the magic of demos, the effect of space on sound, and more. We also get into her "heartbreak trilogy," her experience earning two Grammy nominations for her last record Weird Faith, and her utter relentlessness - as an artist, as a writer, and as a curious human. I always have immense fun talking with Madi, and this talk is a blast. I hope you enjoy. Thanks for listening.

In this chat, we get to meet singer-songwriter, multi-instrumentalist Jens Lekman. Jens has just put out a new record, entitled Songs for Other People's Weddings, and it comes alongside a novel of the same name by David Levithan. The two collab'd on this very narrative project, telling a story about a wedding singer named J. who has a slightly tumultuous love story with a woman named V. Both are out now, and in this conversation, Jens and I dig deep on the lore of the album, the backstory, the narrative junctures, and what it was like for him to craft a "story album" (something he is a self-proclaimed non-fan on). We talk humor in songs, fact vs. fiction (and which is the better truth-teller), as well as his real life side gig as a wedding singer for hire. Thanks for listening.

Time for another edition of We Meet Again, the subseries of Meet Our Makers where I re-interview folks from the show's past, this time with niceties and introductions out of the way, clearing the room for more intimate and casual conversation. This time we have Nina Nastasia back on, who I had on last time alongside Jeff MacLeod to talk about their band Jolie Laide's debut LP. Now the band is back with their sophomore album, Creatures, which is out now, but this time I have Nina solo. We chat about the new album, how it's been growing the band (they've since added two new members), as well as how her songwriting and relationship to music-making has changed over time. We also talk about her new solo release, Songs for a World of Trouble, which at the time of this recording hadn't even been announced yet, but is now out - and only on her Bandcamp. We talk about a lot more, too - guitar, Steve Albini, Spotify - and it was so lovely to have her back. Thanks for listening.

In this episode, we get to meet The Swell Season. Comprised of singers, songwriters, musicians Glen Hansard and Marketa Irglova, you may know them best as the leads of the John Carney film Once, back from 2007, which won an Oscar for its immortal "Falling Slowly". And while we do touch upon the film in this conversation - including its legacy, the shocks of that time, and why they don't get tired of speaking about it, even nearly 20 years on - we focus first and foremost on their brand new album, Forward, which is out now. We talk about the production, songwriting, and performance of the album, the dynamics of it, but also what led to them reconnecting after so many years away from being in the studio as a duo. It's a lovely chat, with a talented pair of people I've been watching since 2007, so I was happy to connect. Thank you for listening.

In this episode, we get to meet singer, songwriter, producer, multi-instrumentalist Patrick Wolf. Patrick is back after a 14-year album absence with a brand new collection called Crying The Neck (an archaic phrase we get into the symbolism of), which is out now. In this chat, Patrick and I talk a lot about the new album - its themes of loss, mourning, celebration - and why this album means so much to him, not only because it was inspired largely by the loss of his mother, but because it exists. This album follows on the heels of that absence, and he feels so excited to be back, happy, and healthy. We touch on those years spent in between, what was going on, and how and why he found himself leaving that time and entering this new era. He's stoked to get onto the next project, and that fire is palpable. I was honored to chat with him. Thank you for listening.

In this episode we get to meet Meg Remy, the driving force behind the chameleonic indie rock project, U.S. Girls. Remy may be the driver, but the group around her is always changing - both in terms of style and personnel - depending on what track a given project is taking. This time, it's new album Scratch It, which was recorded live to tape in Nashville with a group of Nashville musicians. In this chat, we talk a lot about the album, which is being dubbed her "rock record" by many (though not really by Remy herself), including the production, themes, ideas, and history of it. We also talk about the band as a whole and what it really is, is not, and everything in between. We touch on the epic first single "Bookends" and what it says about human life, as well as her first stint at film scoring. Thank you for listening.

In this chat, we get to meet Amy Millan. Amy is best known as co-bandleader of the Canadian band Stars, as well as her side gig as a member of Broken Social Scene. But now, she has a brand new solo record out - her third, in fact, and first since 2009 - called I Went to Find You. In this conversation, we talk a lot about this new record, from its thematic inspirations to its initiation, from the close collaboration she found with co-songwriter and co-producer Jay McCarrol to what it means for her to back in a solo capacity after all these years. We do, of course, talk about Stars, especially their 2004 album Set Yourself on Fire, whose 20th birthday the band is still celebrating. We touch on what that album means to her now, to us the listeners now, some band lore, and more. It's been many years in the making, this conversation, and I'm thrilled it finally happened. Thank you for listening.

In this chat we get to meet Swedish Italo-disco duo, Sally Shapiro. Made up of producer Johan Ageborn and singer Sally Shapiro (which is a pseudonym for the anonymous woman behind the mic, as well as the band name), the elusive duo just put out a new album, Ready to Live a Lie, and has been operating mostly in anonymity since their beginning back in the 2000s, with the release of the big first single "I'll Be By Your Side". While Johan is certainly the more public persona, Sally herself has retained her near-totally obsucred identity, a la Burial, since the start. In this chat, we talk about the brand new record - including the production, writing, and inspirations behind it - as well as some band history, including why they chose to go the anonymous route in the first place, and how they hold onto that in the ever-increasingly digital era. They barely do any interviews (especially Sally), so I was very grateful they came on. Thank you for listening.

In this chat, we get to meet Lido Pimienta. Lido is a singer, songwriter, producer, who just put out her newest record, La Belleza, via ANTI-. We talk a lot about the album, with special focus on the genre of it — which, for Lido, is something new: classical music. Where her previous work was sort of an avant-garde electronic pop kind of thing, La Belleza is steeped in classical music tradition, composition, and structure. We talk about what led Lido to try her hand at this style, which she had previously felt was sort of blocked off from her, and how she feels like she got in there and made a space for herself to belong. We talk about the writing of the record, genre pigeon holing, shirking societal expectations, working with coproducer Owen Pallett, and more. Thank you for listening.

In this chat, we get to meet Merrill Garbus of Tune-Yards. Garbus started Tune-Yards as a solo project, but quickly transformed into a duo with musical and life partner Nate Brenner, and they have now released their brand new LP, Better Dreaming, on 4AD. In this chat, Merrill and I go deep on the personal, global, emotional, and sociopolitical themes and inspirations behind the new record, as well as the production, writing, and composition process. We also touch a bit on Tune-Yards early years, and end up diving deep into the significance of art (both making it and having it in our lives), and of simply being alive, in this moment, now - and how radical that can be. Thank you for listening.