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In Micah Loewinger's introduction to this interview, he shared this personal anecdote:
"Before I landed a job at this show, I worked for a few years, on and off, at a couple record stores around New York City. And some of my favorite albums to this day, were recommended to me by my coworkers. Men and women who I consider to be archivists –– not just of old formats like vinyl records, CDs, and cassettes –– but of underappreciated artists and niche genres. A knowledge of music history that can only come from a lifetime of obsessive listening, research, and curation.
Nowadays, I pay for Spotify. I try to learn about music off the app and then save it for later listening on Spotify, but sometimes I find myself just letting its recommendation algorithm queue up the next track, and the next. And it definitely works. Spotify has helped me discover great music, but it’s never been as revelatory as a personal recommendation from a friend or an expert at a record store or an independent radio station.
This feeling … that I’ve traded convenience for something deeper is what made me want to read Filterworld: How Algorithms Flattened Culture by Kyle Chayka, a staff writer at the New Yorker."
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].
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In Micah Loewinger's introduction to this interview, he shared this personal anecdote:
"Before I landed a job at this show, I worked for a few years, on and off, at a couple record stores around New York City. And some of my favorite albums to this day, were recommended to me by my coworkers. Men and women who I consider to be archivists –– not just of old formats like vinyl records, CDs, and cassettes –– but of underappreciated artists and niche genres. A knowledge of music history that can only come from a lifetime of obsessive listening, research, and curation.
Nowadays, I pay for Spotify. I try to learn about music off the app and then save it for later listening on Spotify, but sometimes I find myself just letting its recommendation algorithm queue up the next track, and the next. And it definitely works. Spotify has helped me discover great music, but it’s never been as revelatory as a personal recommendation from a friend or an expert at a record store or an independent radio station.
This feeling … that I’ve traded convenience for something deeper is what made me want to read Filterworld: How Algorithms Flattened Culture by Kyle Chayka, a staff writer at the New Yorker."
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].
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