Today, I’m thrilled to announce my interview with the brilliant director Michael Greif, who completed a rare trifecta this season, directing the Broadway productions of Hell’s Kitchen, Days of Wine and Roses, and The Notebook. Tune in today to hear him share insights from his storied career, including the personal significance of directing at the Shubert Theater, how a production of MACHINAL jumpstarted his career, the challenges and rewards of reviving ANGELS IN AMERICA, what drove him to accept a position as the artistic director of the La Jolla Playhouse, developing and refocusing NEXT TO NORMAL with Tom Kitt and Brian Yorkey, why he uses music in many of his plays, why NEVER GONNA DANCE couldn’t ultimately succeed, the joy of collaborating with Patti LuPone, his long tenure with The Public Theater, how he addresses the cast of every production of RENT, the special qualities he saw in Idina Menzel and Maleah Joi Moon at the beginning of their careers, why he decided to bring Schele Williams on as his co-director for THE NOTEBOOK, the play of his that almost moved to Broadway, the musical rule that he discovered while working on GIANT, WAR PAINT, and IF/THEN, and so much more.