Script Apart with Al Horner

Midnight Mass with Mike Flanagan


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Mike Flanagan is one of the defining horror storytellers of the last decade. He’s a trusted custodian of tales by some of the greatest horror authors of all time, with Stephen King, Shirley Jackson and Edgar Allan Poe just some of the names he’s adapted into acclaimed shows and movies. His credits as a writer, director and showrunner include The Haunting of Hill House, The Haunting of Bly Manor and The Shining sequel Doctor Sleep. No work is more personal to the filmmaker, however, than 2021’s astonishing vampire drama Midnight Mass. 

In the conversation you’re about to hear, Mike delves into his show’s creation, going back in time over a decade to a version of Midnight Mass he intended to write as a novel. The story of its evolution into one of the most moving meditations on religion in memory (not to mention one of Netflix’s most acclaimed ever series) is the story of a series of huge life changes for the 44-year-old, as his relationship to alcohol, faith, family and other facets of his life began to alter.

The show starred Zach Gilford as Riley, a recovering addict returning to his small isolated hometown of Crockett Island after serving four years in prison for killing someone in a drunk-driving incident. There he reunites with an old flame, named Erin Greene, played by Kate Siegel, Mike’s partner and frequent collaborator. Erin is pregnant, but that pregnancy takes an unexpected turn following the arrival of an enigmatic young priest on the island, who unleashes upon members of the local church-going community a series of seemingly impossible miracles. What follows is an unholy, blood-soaked baptism, as the line between what’s miraculous and what’s monstrous becomes dangerously blurred.

Discover why Mike’s love for Midnight Mass is so great, he still has the angel-slash-vampire’s prosthetic wings in his garage. Find out all about abandoned plans for a second season of the show, in which Riley was to be revived as the show’s antagonist. And learn why there’s a musicality to monologues that makes them a joy to write (with some tips on how to write your own).

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on [email protected].

Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.

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