Mass unemployment, venues closed, economy in the dump and the stimulus set to run out at the end of July. What's an artist in America to do? On this episode of Money 4 Nothing, a podcast about music and capitalism, we talk to Professor Kenneth Bindas about the Federal Music Project of the 1930s. As part of FDR's New Deal and the Works Progress Administration, the project set out to employ musicians during the Great Depression while offering some affordable entertainment across the country. Seeing similarities between then and today, we discuss this extraordinary time period and imagine what a similar project could look like today.

Tekashi 6ix9ine called out the Billboard charts for being rigged by the return of pay for play....and he's kind of right. Everything you didn't know about payola in 2020 and getting a song on the radio. Plus, the joy of Future and the Atlanta rapper's sustained success. 

The man, the myth, the legend, the imitator, the symbol. Saxon Baird and Sam Backer delve into the myth of Prince, going beyond just his hits, to deconstruct all things related to one of the most unique and eccentric artists in recent history. Matt Thorne, writer and author of the book 'Prince: The Man and His Music,' joins the pod to discuss. 

On the second episode of Money 4 Nothing, a podcast about music and capitalism, hosts Sam Backer and Saxon Baird discuss the financial impact of the Covid-19 pandemic on live music and the forces behind the music industry's shift towards live performances and musical experiences. Plus, Travis Scott on Fortnite, jam bands ahead of the streaming curve, Saudi Arabia buying into Live Nation, Post Malone doing Nirvana and how much watching a concert online sucks when there are no live shows.  

On the inaugural episode of Money 4 Nothing, a podcast about music and capitalism, Sam Backer and Saxon Baird delve into the critical praise of Fiona Apple's 'Fetch the Bolt Cutters' and the mechanisms behind numerical ratings, Pitchfork, and the role of music criticism today.