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Dan and Conrad investigate a distress signal and discover Isaac Sutton, filmmaker and movie blogger, who diverts their course to investigate Sunshine (2007) – Danny Boyle's largely overlooked but arguably most influential film. It features Cillian Murphy, Rose Byrne, Chris Evans and Michelle Yeoh among a diverse crew on a mission to restart our ailing sun and save the planet. Eight astronauts strapped to the back of a bomb. But does it bomb? Or did it reignite serious sci-fi?
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"Something's wrong with you. More than you being just... female," says angsty teenager Brigitte to her suddenly feisty, pet-hungry sister in Ginger Snaps – a 2000 Canadian horror film written by Karen Walton and John Fawcett and directed by the latter. Dan and Conrad try desperately to avoid mansplaining while deciding if this is a strangely overlooked landmark in the werewolf genre with a unique perspective on the female experience of puberty and high school... or whether it should be sent back to the oubliette with its hairless tail between its legs.
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The new Dark Crystal series on Netflix has given us an insatiable appetite for the fantasy worlds of Jim Henson, so we've plucked another of the company's films out of the oubliette. It's the tale of a young girl who argues with her parents and, after making a terrible wish about a family member that shockingly comes true, sets off on an adventure into a wild fantasy world to set the world to rights. No, it's not Labyrinth – it's MirrorMask (2005), written by none other than Neil Gaiman, featuring cutting-edge CGI and set in a post-apocalyptic hellscape: Brighton. What could go wrong? Quite a lot, actually.
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Dan and Conrad are stranded on an alien planet with Dennis Quaid, Louis Gossett Jr. and some remote control turtles. Yes, it's Wolfgang Petersen's 80s sci-fi epic Enemy Mine. Will they learn to get along to survive? Or will they get dragged into what looks suspiciously like the sarlacc pit?
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Duncan Skiles, director of 'The Clovehitch Killer', joins us to discuss the 80s remake of 'The Blob', directed by Chuck Russell and co-written by Frank Darabont. It creeps. And leaps. And, indeed, glides and slides. But does this gloopy body horror-infused update of the 50s classic deserve to ooze out of the oubliette?
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Jeff Palermo of the SciFi Onscreen podcast invites Conrad and Dan to the basement of an old church, where they discover John Carpenter's Prince of Darkness (1987) sealed in a canister of green goo. Is it this combination of quantum physics and biblical disaster a mind-blowing jewel in the horror master's crown, or a forgettable bunch of lame zombie kills in beige corridors?
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Dan and Conrad go on a lovely pleasure cruise for a summer break, but find themselves trapped in a (Bermuda) Triangle time-loop purgatory with Melissa George and a barefoot nondescript beach bum who apparently morphed into Liam Hemsworth. Will they escape the twisty psychological terrors of Christopher Smith's sci-fi horror thriller?
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Lance Guest, star of Halloween II and The Last Starfighter, join Dan and Conrad as they seal themselves in sensory deprivation tanks and regress to 1980, where they discover the trippy world of Ken Russell's Altered States. William Hurt and Blair Brown play academics who explore the far reaches of human ancestral memory – that is, when they're not interrupting sex to talk about cancer and exploring Mexico in fetching knee socks. Is it a groundbreaking, psychedelic sci-fi or "quantum, friggin' dumb limbo mumbo jumbo!"?
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Let's get small! Dan and Conrad are injected into the butt of the 1987 Spielberg-produced summer blockbuster with the incredible shrinking box office: Joe Dante's Innerspace. Starring Dennis Quaid, Martin Short and Meg Ryan, this sci-fi comedy adventure about an Ant-Man style miniaturisation experiment gone awry has all the ingredients of a crowd-pleasing hit but vanished without trace. Did it deserve its fate, or should Innerspace be re-enlarged for all to see?
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Dan and Conrad venture into the lair of Guillermo Del Toro and George R. R. Martin's favourite dragon: Vermithrax Pejorative, the undisputed star of Disney's 1981 fantasy adventure, Dragonslayer. It has everything you want in a family movie: full-frontal male nudity, Emperor Palpatine being torched to a cinder, and a Disney Princess getting her foot gnawed off by a sock puppet. But does it deserve to escape from its lair to terrorise small villages, or should it be felled by an exploding wizard?
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