The great French director Claire Denis’ newest film, High Life, opens with us alone on a small spaceship with Robert Pattinson and a young child. The girl is presumably his own, though we don’t know who they are, or why they’re there, so we can’t be sure. A fair stretch of the first part of the movie shows Pattinson living on this ship, tending to its lush garden, keeping the ship operating, and, most importantly, taking care of the toddler, revealing an unusual, but touching, representation of