南洋放送局Nanyang Radio Podcast

藝術家李紫彤發起的愛滋加密貨幣計劃「帕斯提貨幣」，2019年底在劉仁凱策劃的《瘟疫的慢性處方》展覽期間分兩地展出。而這個計劃也是臺灣首度結合病毒仿生和區塊鏈貨幣的藝術實驗。下集除了邀請到中國「傳送門」Podcast主持人吳建儒和藝術家一起聊聊這個區塊鏈貨幣計劃，以及在COVID-19疫情期間透過藝術敘事體現的不同實踐面向，更討論到酷兒文化如何翻轉主流價值的認定，以及公衛政策對於HIV與COVID-19疫情的相似軍事化修辭等。（「傳送門」是由廣東時代美術館媒介實驗室策劃的藝術調查播客，透過與不同領域的嘉賓對話，探索數字化時代的多樣性技術發展與機構的未來圖景，每月以不定期的方式更新。本集為「『傳送門』計劃：疫病、移工、原鄉、全球南方」系列。） #LeeTzuTung #HIV #COVID19 #傳送門 #WuJianRu #cryptocurrencies #pandemic

藝術家李紫彤發起的愛滋加密貨幣計劃「帕斯提貨幣」，2019年底在劉仁凱策劃的《瘟疫的慢性處方》展覽期間分兩地展出。而這個計劃也是臺灣首度結合病毒仿生和區塊鏈貨幣的藝術實驗。在這一集裡，我們特別邀請到廣東時代美術館的「傳送門」播客（Podcast）主持人吳建儒和藝術家一起聊聊這個區塊鏈貨幣計劃，以及在COVID-19疫情期間透過藝術敘事體現的不同實踐面向，進而分享病毒反映的不同地理文化差異。（「傳送門」是由廣東時代美術館媒介實驗室策劃的藝術調查播客，透過與不同領域的嘉賓對話，探索數字化時代的多樣性技術發展與機構的未來圖景，每月以不定期的方式更新 。本集亦為「『傳送門』計劃：疫病、移工、原鄉、全球南方」系列。） #LeeTzuTung #HIV #COVID19 #傳送門 #WuJianRu #cryptocurrencies #pandemic

位於南臺灣的東港緊鄰高、屏的交界，隔著臺灣海峽與琉球鄉相望。這裏以三年一科的東港迎王平安祭典和黑鮪魚而聞名，為重要的近海與遠洋基地，擁有漁船1160艘和舢舨402艘，印尼籍漁工就超過2700名，補充了臺灣漁業的勞動力缺口。這幾年來有越來越多的人注意到東港外籍漁工的存在，例如在YouTube上流傳著王船祭的漁工表演影片，正是印尼漁工組成的樂團成員的「搖擺大鼓陣」。究竟，這些漁工如何成為王船祭裡的另類主角？而在看似熱情參與的背後，又有什麼趣味或無奈的心情？在連兩集的南洋放送局裡，主持人Rikey與客座主持人吳庭寬將訪問到一位印尼漁工Hadi，他將分享他如何從爪哇島的小村莊來到東港，又如何透過音樂抒發人在異鄉的心緒。（本集為「『傳送門』計劃：疫病、移工、原鄉、全球南方」系列／Music: "Wandra - Kelangan", "Selangkung Rong Langkung"; recorded by Et@t; specially thanks to Wu Ting-kuan）

位於南臺灣的東港緊鄰高、屏的交界，隔著臺灣海峽與琉球鄉相望。這裏以三年一科的東港迎王平安祭典和黑鮪魚而聞名，為重要的近海與遠洋基地，擁有漁船1160艘和舢舨402艘，印尼籍漁工就超過2700名，補充了臺灣漁業的勞動力缺口。這幾年來有越來越多的人注意到東港外籍漁工的存在，例如在YouTube上流傳著王船祭的漁工表演影片，正是印尼漁工組成的樂團成員的「搖擺大鼓陣」。究竟，這些漁工如何成為王船祭裡的另類主角？而在看似熱情參與的背後，又有什麼趣味或無奈的心情？在連兩集的南洋放送局裡，主持人Rikey與客座主持人吳庭寬將訪問到一位印尼漁工Hadi，他將分享他如何從爪哇島的小村莊來到東港，又如何透過音樂抒發人在異鄉的心緒。（本集為「『傳送門』計劃：疫病、移工、原鄉、全球南方」系列／Music: PMR, "Judul-Judulan" [1987]: Recorded by Et@t）

Presented by Mo Lou(莫奴) and Stéphane Verlet-Bottéro (among other names) in 2020 Taipei Biennale for "The School of Mutants" curatorial and research program, this podcast explores the ruins of the incomplete University of African Future in Dakar in this program, one of the few remaining traces of former diplomatic relations between Senegal and Taiwan, which supported the project in the late 1990s. The brutalist architecture included neo-Sudanese auditoriums, and a reversed concrete pyramid for library: a radical design for a pan-African utopia. Unearthing the remnants of this and other post-independence infrastructures of knowledge, Hamedine Kane and Stéphane Verlet-Bottéro’s work "The School of Mutants", in collaboration with a number of artists, researchers and specialists, delves into the broader archives of Afro-Asianism. This conversation aims to re-visit this historical sequence of political partnership between Taiwan and Senegal, and discuss its speculative potential to consider and amplify current transformative scenarios in the Global South. Intended as a dialogue, it invites experts in the field to examine how these questions are thought across Asia, from the perspective of theoretical arguments in postcolonial studies as well as political and historical discourse. The interview is conducted in English as answers and in Chinese as questions. A part of the audio piece of this project is also played in the end of the first sequel and the beginning of the second sequel. (本集為「『傳送門』計劃：疫病、移工、原鄉、全球南方」系列／Recorded by Compound Ears Studio)

Presented by Mo Lou(莫奴) and Stéphane Verlet-Bottéro (among other names) in 2020 Taipei Biennale for "The School of Mutants" curatorial and research program, this podcast explores the ruins of the incomplete University of African Future in Dakar in this program, one of the few remaining traces of former diplomatic relations between Senegal and Taiwan, which supported the project in the late 1990s. The brutalist architecture included neo-Sudanese auditoriums, and a reversed concrete pyramid for library: a radical design for a pan-African utopia. Unearthing the remnants of this and other post-independence infrastructures of knowledge, Hamedine Kane and Stéphane Verlet-Bottéro’s work "The School of Mutants", in collaboration with a number of artists, researchers and specialists, delves into the broader archives of Afro-Asianism. This conversation aims to re-visit this historical sequence of political partnership between Taiwan and Senegal, and discuss its speculative potential to consider and amplify current transformative scenarios in the Global South. Intended as a dialogue, it invites experts in the field to examine how these questions are thought across Asia, from the perspective of theoretical arguments in postcolonial studies as well as political and historical discourse. The interview is conducted in English as answers and in Chinese as questions. A part of the audio piece of this project is also played in the end of the first sequel and the beginning of the second sequel. (本集為「『傳送門』計劃：疫病、移工、原鄉、全球南方」系列／Recorded by Compound Ears Studio)

Indonesian migrant workers’ body experiences in labour, daily routines, and cultural performances represent nation-building and memories of resistance to colonialism. As a proof of workers’ patriotism, Red and White flags flaunt in Indonesian grocery stores, restaurants, at rallies, and on the hilltops in foreign land. However, their absence on Independence Square implies unfulfilled struggle. (Sima Wu Ting-kuan)

印尼移工在勞動、日常生活與文化展演上的身體經驗，反映著國族的建構與反抗殖民的記憶。作為移工愛國情操的證明，紅白旗飄揚在異鄉的印尼雜貨店、餐館、街頭抗爭與山峰上。然而，移工在獨立廣場的缺席，也暗示著未完成的抗爭（吳庭寬）。

—本文亦為作者受邀參與2020台北藝術節「亞當計劃」所撰寫之專文。

通過無線電波的放送，〈南洋放送局〉連結了兩個重要的歷史時空，即1935年在新公園、台北公會堂（今中山堂）、太平公學校（今大稻埕太平國小）等地舉辦的始政四十年臺灣博覽會，以及當日本昭和天皇親自宣讀的「終戰詔書」，在1945年8月15日通過廣播對殖民地和全界放送，這是天皇的聲音第一次經由電波為世人所聽見，內容卻是宣告日本無條件投降：「大東亞共榮圈」的夢想瓦解了。在延伸的兩場節目裡，我們將介紹1940年《臺灣遞信協會雜誌》第三期裡刊出島進的〈電波は躍進する（放送今昔物語）〉這篇文章，並以電波輻射軌跡當作日本從台灣向東南亞輸出大東亞共榮圈理念之表徵；同時我們也邀到翻譯這篇文章的歷史學者賴英泰、策展人高森信男與我們聊聊廣播放送、殖民歷史，以及被想像（或媒介）的共同體。

第三集、第四集來賓：

高森信男

南洋Nanyang群島資料庫Nusantara Archive數位荒原No Man's Land日治時期廣播

通過無線電波的放送，〈南洋放送局〉連結了兩個重要的歷史時空，即1935年在新公園、台北公會堂（今中山堂）、太平公學校（今大稻埕太平國小）等地舉辦的始政四十年臺灣博覽會，以及當日本昭和天皇親自宣讀的「終戰詔書」，在1945年8月15日通過廣播對殖民地和全界放送，這是天皇的聲音第一次經由電波為世人所聽見，內容卻是宣告日本無條件投降：「大東亞共榮圈」的夢想瓦解了。在延伸的兩場節目裡，我們將介紹1940年《臺灣遞信協會雜誌》第三期裡刊出島進的〈電波は躍進する（放送今昔物語）〉這篇文章，並以電波輻射軌跡當作日本從台灣向東南亞輸出大東亞共榮圈理念之表徵；同時我們也邀到翻譯這篇文章的歷史學者賴英泰、策展人高森信男與我們聊聊廣播放送、殖民歷史，以及被想像（或媒介）的共同體。

第三集、第四集來賓：

高森信男

南洋Nanyang群島資料庫Nusantara Archive數位荒原No Man's Land日治時期廣播

This radio program is stemmed from the “Nanyang Radio Station: An Audio Guide for 228 Peace Memorial Park” during Petamu Project, co-organized by Nusantara Archive and Open-Contemporary Art Center in 2018. The 228 Peace Memorial Park was formerly known as Taipei New Park, the second exhibition venue of Taiwan Expo in 1935. The original project was presented in two ways – a radio-based installation and an audio-guided tour. As the tour reached its end, all of the participants followed the voice guidance, heading towards Taiwan Radiobroadcasting Booth situated in the center of the park. Despite the fact that the booth is no longer in use, still it is imaginable that the civilians had gathered here and been stunned by the broadcast of Gyokuon-hōsō (“The Imperial Rescript on Surrender”) – announcing the unconditional surrender of Imperial Japan to the Allies in Taiwan, which was served as the industrial base modernized along with Japan’s Southern expansion, while immersing in the sense of “being united” created by the radio wave. All of a sudden, the Taiwanese general public had no choice but to change their identification since the broadcast was an official announcement of the unclaimed future existing way before the change which people might wish to happen.

這個節目的起點是群島資料庫與打開—當代藝術工作站在2018年合作的「邊境旅行」展覽中，以228和平紀念公園（即「新公園」，1935年總督府舉辦的始政四十年臺灣博覽會第二會場）為歷史背景的語音導覽行動。這個原名為〈為228和平紀念公園所做的聲音導覽〉的計畫包含收音機版與導覽版。而在與博物館合作的實體導覽的尾聲，一行人跟隨著聲音的指示，最後走到了日本人當初在新公園中心設置的「廣播放送塔」。儘管現在它已經不使用了，我們依然可以想像當初日本天皇宣布戰敗時，群眾在這裡傾聽「玉音放送」宣達的震撼—及其所創造的一體感—在臺灣這個隨著帝國擴張而成為現代化、工業化的南進基地上，本島人一夕被迫轉換認同，人心尚不及思變，廣播已宣告無主的未來 。

Episode 2: Wu Ting-kuan, Linda Linarta, Au Sow-Yee (Audio Guide)

台北新公園Nanyang南洋1935台灣博覽會群島資料庫Nusantara Archive數位荒原No Man's Land