A panoramic new history of the revolutionary decades between 1760 and 1825, from North America and Europe to Haiti and Spanish America, showing how progress and reaction went hand in hand.

The revolutions that raged across Europe and the Americas over seven decades, from 1760 to 1825, created the modern world. Revolutionaries shattered empires, toppled social hierarchies, and birthed a world of republics. But old injustices lingered on and the powerful engines of revolutionary change created new and insidious forms of inequality.

In The Age of Revolutions (Basic Books, 2024), historian Nathan Perl-Rosenthal offers the first narrative history of this entire era. Through a kaleidoscope of lives both familiar and unknown-from John Adams, Toussaint Louverture, and Napoleon to an ambitious French naturalist and a seditious Peruvian nun-he retells the revolutionary epic as a generational story. The first revolutionary generation, fired by radical ideas, struggled to slip the hierarchical bonds of the old order. Their failures moulded a second generation, more adept at mass organizing but with an illiberal tint. The sweeping political transformations they accomplished after 1800 engrained forms of inequality and racial hierarchy in modern politics that remain with us today.

A breath taking history spanning three continents, The Age of Revolutions uncovers how the period's grand political transformations emerged across oceans and, slowly and unevenly, over generations.

Nathan Perl-Rosenthal is a professor of history at the University of Southern California. His writing has appeared in the Wall Street Journal, the Atlantic, the Nation, and the Los Angeles Times.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood?

In the context of late nineteenth-century Egyptomania, Cleopatra’s eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine’s mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II.

Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

The Enlightenment's Most Dangerous Woman: Émilie du Châtelet and the Making of Modern Philosophy (Oxford UP, 2024) introduces the work and legacy of philosopher Émilie Du Châtelet. As the Enlightenment gained momentum throughout Europe, Châtelet broke through the many barriers facing women at the time and published a major philosophical treatise in French. Due to her proclamation that a true philosopher must remain an independent thinker rather than a disciple of some supposedly great man like Isaac Newton or René Descartes, Châtelet posed a threat to an emerging consensus in the Enlightenment. The Enlightenment's Most Dangerous Woman highlights the exclusion of women from colleges and academies in Europe and the fear of rupturing the gender-based order.

Andrew Janiak is Professor of Philosophy and Bass Fellow at Duke University.

Caleb Zakarin is editor at the New Books Network.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950 (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship.

Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.

Yasemin Ipek is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this rich intellectual history of the French-Jewish philosopher Emmanuel Levinas's Talmudic lectures in Paris, Ethan Kleinberg addresses Levinas's Jewish life and its relation to his philosophical writings while making an argument for the role and importance of Levinas's Talmudic lessons.

Pairing each chapter with a related Talmudic lecture, Kleinberg uses the distinction Levinas presents between "God on Our Side" and "God on God's Side" to provide two discrete and at times conflicting approaches to Levinas's Talmudic readings. One is historically situated and argued from "our side" while the other uses Levinas's Talmudic readings themselves to approach the issues as timeless and derived from "God on God's own side." In Emmanuel Levinas's Talmudic Turn: Philosophy and Jewish Thought (Stanford UP, 2021), Kleinberg asks whether the ethical message and moral urgency of Levinas's Talmudic lectures can be extended beyond the texts and beliefs of a chosen people, religion, or even the seemingly primary unit of the self.

Touching on Western philosophy, French Enlightenment universalism, and the Lithuanian Talmudic tradition, Kleinberg provides readers with a boundary-pushing investigation into the origins, influences, and causes of Levinas's turn to and use of Talmud.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

This book tells the remarkable life of Balthild of Francia (c. 633-80), a seventh-century Anglo-Saxon slave who became a queen of France. Described in contemporary sources as beautiful and intelligent, she rose to power through her marriage to the short-lived King Clovis II. As regent for her young son, she promoted social and political reforms in Francia that included the rescue and rehousing of Christian slaves who, like Balthild herself, had been caught up in the human-trafficking practices of the mid-seventh century.

Implicated in the violent politics of the era, Balthild spent the remainder of her life in the convent of Chelles where a unique cache of surviving relics and personal items, including her hair, were protected and dispersed as relics over the following centuries. In the nineteenth century, Balthild's anti-slave trade policies were recalled for new audiences when she was adopted as an icon for the cause of the abolition of the slave trade and installed as one of the twenty illustrious women whose statues are situated in the Luxembourg Gardens in Paris.

Although critical to her age, because of the remote time period and the specialized nature of the sources, Balthild is little known today. Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint (Oxford UP, 2024) will correct this oversight by shining a light on a fascinating and courageous figure whose legacy long outlived the era to which she belonged.

New Books in Late Antiquity is Presented by Ancient Jew Review

Isabel Moreira is Distinguished Professor in the Department of History at the University of Utah

Michael Motia teaches in the classics and religious studies department at UMass Boston

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this episode of High Theory, Nina Studer tells us about alcohol. The restrictions and prohibitions, medical and moral discourses surrounding alcohol reveal a great deal about a given society in a particular historical moment. Nina uses alcohol as a lens to analyze the history of French colonization in North Africa. Who consumed alcohol, in what places, how much, and what kinds, what was viewed as healthy and what was viewed as dangerous, even criminal, can help us approach larger questions of gender, class, and nation.

If you want to learn more, check out her new book, Hour of Absinthe: A Cultural History of France's Most Notorious Drink (McGill-Queens University Press, 2024). The book explores how the mythologizing of one distilled alcohol led to the creation and fabrication of a vast modern folklore. Mystique and moralizing both arose from the spirit’s relationship with empire. Some claim that French soldiers were given daily absinthe rations during France’s military conquest of Algeria to protect them against heat, diseases, and contaminated water. In fact, the overenthusiastic adoption of the drink by these soldiers, and subsequently by French settlers, was perceived as a threat to France’s colonial ambitions - an anxiety that migrated into French medicine. At the height of its popularity in the late nineteenth century, absinthe reigned in the bars, cafés, and restaurants of France and its colonial empire. Yet by the time it was banned in 1915, the famous green fairy had become the green peril, feared for its connection with declining birth rates and its apparent capacity to induce degeneration, madness, and murderous rage in its consumers.

Dr. Nina Studer is a historian working on the 19th and 20th century history of French colonies in North Africa and the Middle East. Her work focuses on the history of drinks, in particular tea, coffee, Fanta/Coca-Cola, Orangina, wine and absinthe. Her doctorate, published as 

The Hidden Patients: North African Women in French Colonial Psychiatry (Böhlau, 2015) is available via Open Access. Currently she works as an associate researcher at the Institut Éthique Histoire Humanités at the University of Geneva, part of Dr. Francesca Arena’s team looking into the medical history of wet dreams between the 18th and the 20th century. The SNSF-project has the title: “Nuits polluantes: masculinité et médecine en Suisse et en France (XVIII – XX siècles)”.

The image for this episode is an advertisement for the Algerian wine "Sénéclauze" from 1933, from the personal collection of Nina S. Studer. Many thanks to Nina for sharing it with us.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Sideways Migration: Being French in London (Routledge, 2025) examines the relationship between migration and socioeconomic status. In particular, it charts a set of middle-class aspirations that lead people to move to a nearby nation that is similar in wealth and social indicators - a type of horizontal relocation that it terms "sideways migration." It chronicles the experiences of a diverse group of French middle-class citizens who moved to London during the late 20th and early 21st centuries. 

Based on longitudinal ethnographic fieldwork over a ten-year period, this book engages at length with their strategies of emplacement through the lens of Pierre Bourdieu's concept of social space. Against a backdrop of heightened anxieties about immigration, the disruptions of the Brexit process and, more recently, a pandemic, it shows how middle-class migration is affected by processes of dislocation and relocation, settling and unsettling, and the search for belonging. This book points to new directions for understanding transnationalism among middle-class migrants through its consideration of the French emigration apparatus and the role of the multisite French nation in the lives of its citizens living abroad. It will be key reading for scholars and students interested in emigration and migration from anthropology, sociology, geography, political science, history, and international studies.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film.

A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this episode, Alisa interviews Dr. Trevor Wilson about his new book, Alexandre Kojève and the Specters of Russian Philosophy (Northwestern University Press, 2024). Their conversation delves into the intellectual currents of interwar Europe, placing the enigmatic figure of Alexandre Kojève into this unique cultural landscape. The conversation touches on how key philosophical concepts shift in translation, the influence of émigré culture, and the broader currents of Russian philosophy, including the philosophy of Sophia and Kojève’s vision of the "end of history." Dr. Wilson also reflects on the challenges of translating philosophical texts written in multiple languages (and Kojève’s notoriously illegible Russian handwriting).

Beyond philosophy, the conversation explores writing routines and the often-overlooked infrastructures that make academic work possible.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies