In this lecture, Kenyon offers a critical and introspective analysis of “Not a Second Time,” a John Lennon composition from With the Beatles that has baffled fans, critics, and even the band themselves. Often cited as one of Lennon’s weakest early efforts, the song nonetheless presents a unique opportunity for study. Kenyon examines the track’s fragmented melodic development, harmonic aimlessness, and the infamous “Aeolian cadence” praised by The Times critic William Mann—an observation Lennon would later mock. The lecture explores the song’s disjointed middle eight, unresolved cadences, and jarring phrase structures, asking how such an unfocused piece ended up on a Beatles album. Yet, Kenyon argues that even flawed material can reveal much about the songwriting process. Through this lens, “Not a Second Time” becomes a case study in unrealized potential, artistic intuition, and the value of editorial rigor within collaborative composition. A must-listen for those interested in artistic misfires and how they inform musical growth.

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