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In 1975, at the age of twenty-nine, John Bennet got a job at The New Yorker, under the editorship of William Shawn. He was first placed on the copy desk. Eventually, he edited Pauline Kael, Seymour Hersh, John McPhee, Alma Guillermoprieto, Oliver Sacks, Robert Caro, Elizabeth Kolbert, Bill Finnegan, and many others. In 2001, he started teaching courses in magazine writing at Columbia Journalism School. He became, over decades, a mentor to generations of authors, editors, and students—recipients of his unimpeachable proofs and compassionate, bullshit-free counsel. Shortly before he died—of cancer, in the summer of 2022—he spoke about how life took him from a dirt farm in Athens, Texas, to literary heights, shaping some of the greatest nonfiction stories of his time.
By Betsy Morais
Edited by Amanda Darrach and Mark Van Hare.
4.5
7171 ratings
In 1975, at the age of twenty-nine, John Bennet got a job at The New Yorker, under the editorship of William Shawn. He was first placed on the copy desk. Eventually, he edited Pauline Kael, Seymour Hersh, John McPhee, Alma Guillermoprieto, Oliver Sacks, Robert Caro, Elizabeth Kolbert, Bill Finnegan, and many others. In 2001, he started teaching courses in magazine writing at Columbia Journalism School. He became, over decades, a mentor to generations of authors, editors, and students—recipients of his unimpeachable proofs and compassionate, bullshit-free counsel. Shortly before he died—of cancer, in the summer of 2022—he spoke about how life took him from a dirt farm in Athens, Texas, to literary heights, shaping some of the greatest nonfiction stories of his time.
By Betsy Morais
Edited by Amanda Darrach and Mark Van Hare.
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