In Richard Curtis’ Love Actually, a selection of mainly white and middle-class Londoners seem to be living in a parallel universe – one in which the war on terror never happened and the ’90s never ended. What kinds of love are really on offer in this misty-eyed vision of modern Britain?

Following Novara FM’s investigation into Die Hard, Eleanor Penny tackles another festive Alan Rickman vehicle with Nathalie Olah, author of Bad Taste and Steal As Much As You Can.

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