Pannill, Jordan, and Shayoni discuss Joshua Chambers-Letson's recent essay on the "studies protocols" of performance studies, performing arts in carceral institutions, and 11Reflections: San Francisco, a devised piece reflecting on the experience of Arab-American identity in post 9/11 America.

Recorded in-person at ASTR 2024 in Seattle, Washington, Sarah Bay-Cheng, Pannill Camp, and Harvey Young discuss what a second Trump term might mean for arts and academia, the final edition of PAJ: A Journal of Performance and Art, and a recording of the classic Split Britches piece, Belle Reprieve.

Pannill, Miriam and Brian discuss Shane Boyle's book, The Arts of Logistics: Artistic Production in Supply Chain Capitalism, then are joined by Doug Eacho of University of Toronto to talk about reading Marx's Capital with performance in mind. Finally, we talk about Theater in Quarantine's remote theater production, Nosferatu.

Pannill, Brian, and Shayoni discuss the concept paper for Archiving Latine theater published by the Latinx Theater Commons on Howlround, recent stories about academic department closings, and the continuing efforts to regulate political expression on campuses.

Back from summer hiatus, Pannill and the Daughters of Lorraine, a.k.a Jordan Ealey and Leticia Ridley discuss Diana Taylor's new article on digital presence, Raygun's controversial performance in the Olympic breaking competition, and the unionization of off-Broadway theater.

Pannill, Brian, and Shayoni discuss Alisa Zhulina's new book, Theater of Capital, the Wilma Theatre's production of My Mama and the Full-Scale Invasion by Sasha Denisova, and the 10th anniversary convening of the Latinx Theatre Commons.

Pannill, Leticia, and Miriam discuss Suhaila Meera's article about "Little Amal," the large scale puppet drawing attention to the plight of displaced children, the trend toward earlier curtain times for theatre, and Faye Driscoll's dance performance work, including Thank You for Coming and Come On In.

Pannill and Brian discuss Eric Mayer-Garcia's recent article, "Theorizing Performance Archives through the Critic's Labor," Alexis Soloski's novel Here in the Dark, and the 2024 musical film Mean Girls.

Pannill, Miriam, and Shayoni discuss Rustom Bharucha's recent book, The Second Wave, about cultural responses to the pandemic, speech and protest on campus regarding the war in Israel and Gaza, and the essay Decomposition Instead of Collapse - Dear Theatre, Be Like Soil.

Recorded in Providence, Rhode Island, site of ASTR 2023, Sarah, Harvey and Pannill discuss “The Work of Art in the Age of Digital Commodification,” a forthcoming essay by Annie Dorsen and Sam Gill, the current moment in conservative cultural politics and what it means for theatre makers and scholars in the US, and the legacy of Matthew Perry.