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In this rich conversation, Guadalupe Nettel joins Adam Biles at Shakespeare and Company to explore the themes of her short story collection The Accidentals. They delve into the complexities of perception and the uncanny, the deep strangeness embedded in familial relationships, and the porous boundary between nature and human nature. Nettel discusses how her stories often begin with a striking image and unfold through a character’s voice, frequently taking shape in the liminal space between realism and the fantastic. The conversation touches on the lasting psychological and social effects of the pandemic, the emotional and moral ambiguities of parenthood, and the hidden influence of family histories. Nature—particularly animal behaviour—serves both as metaphor and mirror, challenging the illusion of human superiority. The episode also examines the short story form, translation as reincarnation, and literature’s power to illuminate the cracks in our perceived reality.
Buy The Accidentals here: https://www.shakespeareandcompany.com/books/the-accidentals-2
Guadalupe Nettel is a Mexican author of award-winning novels and short story collections. Her work has been translated into more than twenty languages and adapted for theatre and film. Still Born, her most recent novel, was shortlisted for the 2023 International Booker Prize. In 2008 she received a PhD in Literature from the EHESS in Paris. She has edited cultural and literary magazines such as Número Cero and Revista de la Universidad de México. She lives in Paris as a writer in residence at the Columbia University Institute for Ideas and Imagination.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Hosted on Acast. See acast.com/privacy for more information.
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In this rich conversation, Guadalupe Nettel joins Adam Biles at Shakespeare and Company to explore the themes of her short story collection The Accidentals. They delve into the complexities of perception and the uncanny, the deep strangeness embedded in familial relationships, and the porous boundary between nature and human nature. Nettel discusses how her stories often begin with a striking image and unfold through a character’s voice, frequently taking shape in the liminal space between realism and the fantastic. The conversation touches on the lasting psychological and social effects of the pandemic, the emotional and moral ambiguities of parenthood, and the hidden influence of family histories. Nature—particularly animal behaviour—serves both as metaphor and mirror, challenging the illusion of human superiority. The episode also examines the short story form, translation as reincarnation, and literature’s power to illuminate the cracks in our perceived reality.
Buy The Accidentals here: https://www.shakespeareandcompany.com/books/the-accidentals-2
Guadalupe Nettel is a Mexican author of award-winning novels and short story collections. Her work has been translated into more than twenty languages and adapted for theatre and film. Still Born, her most recent novel, was shortlisted for the 2023 International Booker Prize. In 2008 she received a PhD in Literature from the EHESS in Paris. She has edited cultural and literary magazines such as Número Cero and Revista de la Universidad de México. She lives in Paris as a writer in residence at the Columbia University Institute for Ideas and Imagination.
Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Hosted on Acast. See acast.com/privacy for more information.
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