On the Media

On April 20, 2023, BuzzFeed CEO Jonah Peretti announced that BuzzFeed would be closing down its newsroom and laying off 15 percent of its staff. The news came amidst a deluge of headlines about struggles in the media industry, including: layoffs at NBC, Vox, NPR, Spotify, Insider, News Corp, ABC, and Gannett; the closure of MTV news; bankruptcy at Vice. But the end of BuzzFeed News in particular symbolized the end of an era. BuzzFeed's rapid rise and success in the late aughts and 2010s helped define the style and format of digital media. In 2013, BuzzFeed was getting 130 million unique viewers a month. Disney made an offer to buy BuzzFeed for half a billion dollars that same year, which Peretti turned down. In 2016, BuzzFeed was valued at $1.7 billion. And then, last fiscal quarter, BuzzFeed reported $106 million in net losses. In this conversation, Brooke talks with Ben Smith, the Editor-in-Chief and co-founder of Semafor and author of the new book, Traffic: Genius, Rivalry, and Delusion in the Billion-Dollar Race to Go Viral, about his goals in building a newsroom at BuzzFeed, the lessons he learned, and what he thinks about the future of of news.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

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This week, the CEO of OpenAI testified at a senate hearing about the dangers of artificial intelligence and called for its regulation. On this week’s On the Media, how long-term fears about AI are shaping perceptions of the technology today, and steps Congress could take to fix problems with internet platforms. Plus, debunking myths about the writers’ strike.

1. Will Oremus [@WillOremus], technology and the digital world reporter for The Washington Post, on the fears and hopes circulating around AI in Congress and Silicon Valley. Listen.

2. Emily St. James [@emilystjams], TV critic turned TV writer, on the age-old myths around Hollywood writers' strikes. Listen.

3. Cory Doctorow [@doctorow], journalist, activist, and the author of Red Team Blue, on solutions to the enshittification of the internet. Listen.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

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On Tuesday we entered the third week of one of the largest entertainment strikes in recent memory, the first TV writer's strike since 2007. More than 11,000 people are participating in the action by the Writers Guild of America, resulting in shows like The Tonight Show and Last Week Tonight going dark. 

At the heart of the strike are concerns about the changes streamers like Netflix have presented for writer pay and career development. For one, the streamers don’t pay writers residuals, the cut of money they would traditionally get every time their show was rerun on television. Now writers are more likely to be paid for the number of days they work on any given show. But while writer's fight for a new contract some old myths are resurfacing about the strike's impact, including the idea that when writers stopped working in 2007, there was an explosion of reality tv shows. For this week's podcast extra, Brooke speaks with former TV critic turned TV writer Emily St. James about some of the less than true notions about the current strike and previous strikes and why they keep circulating. 

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

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This week, E. Jean Carroll was awarded 5 million dollars in damages in a trial that found Donald J. Trump liable for sexual abuse and defamation. Shortly after, Trump mocked Carroll in a town hall on CNN. On this week’s On the Media, hear what Carroll’s case, and its coverage, tells us about the progress of the Me Too Movement. Plus, how Big Tech has made the internet harder to use.

1. Our host Brooke Gladstone [@OTMBrooke] on what the CNN town hall actually revealed. Listen.

2. Rebecca Traister [@rtraister], writer-at-large for New York Magazine, and author of Good and Mad: The Revolutionary Power of Women’s Anger, on what E. Jean Carroll's case can tell us about the #MeToo movement. Listen.

3. Cory Doctorow [@doctorow], journalist, activist, and the author of Red Team Blue, on the political attitudes and technical mechanisms that lead to the decline of platforms online. Listen.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

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If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME! For our longtime listeners who have heard these episodes before, your weekly dose of On the Media will be available as ever, on Friday afternoon. Enjoy!

Episode 5: There's Something About Radio

Highly politicized, partisan companies like Salem have a hold on the airwaves — and they don’t plan to give it up. Senior Vice President of Salem, Phil Boyce speaks candidly to Katie about the personalities he handpicked to spread Salem’s message and about the company’s plans to expand into the media world off the airwaves. And in this final episode of the series we ask the perennial question: peddling election denialism seems to be a solid business model — but is it legal? 

The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. 

With support from the Fund for Investigative Journalism.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME! For our longtime listeners who have heard these episodes before, your weekly dose of On the Media will be available as ever, on Friday afternoon. Enjoy!

Episode 4: From The Extreme to The Mainstream

In the 1970s, talk radio was hitting its stride, with hosts and listeners from all political persuasions. But the radio dial was about to change forever. Community needs assessments, requirements to offer public service programs and multiple perspectives, and limits on how many stations a single company could own were all eradicated. Technological and legal changes would consolidate the radio industry exponentially, allowing conservative talk radio hosts like Rush Limbaugh to take over the airwaves. In this episode, we look at radio’s last four decades to understand how we got to where we are today, and how conservative talk radio came to dominate a medium that once thrived on varied viewpoints.

The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. 

With support from the Fund for Investigative Journalism.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME! For our longtime listeners who have heard these episodes before, your weekly dose of On the Media will be available as ever, on Friday afternoon. Enjoy!

Episode 3: The Liberal Bias Boogeyman

How did the right get their vice grip of the airwaves, all the while arguing that they were being silenced and censored by a liberal media? In this episode we look at the early history of American radio to reveal that censorship of far-right and progressive voices alike was once common on radio. And we learn how, in the post-war and Civil Rights period, the US government encouraged more diverse viewpoints on the airwaves — until it didn’t.

The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan. Special thanks this episode to Tianyi Wang.

With support from the Fund for Investigative Journalism.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME! For our longtime listeners who have heard these episodes before, your weekly dose of On the Media will be available as ever, on Friday afternoon. Enjoy!

Episode 2: From Pulpit to Politics

How did the little-known Salem Media Group come to have an outsized political influence? In this episode we trace the company’s rise to power from its scrappy start in the 1970s to the present day — a growth that paralleled and eventually became inextricable from the growth of the Religious Right. We learn that Salem is tightly networked with right wing political strategists, pollsters, big donors, far right leaders and Republican party mainstays thanks to their involvement with the Council for National Policy — a secretive group of Evangelical and conservative leaders. For decades, the CNP has been working behind the scenes to get a specific, highly influential subset of voters to act. And Salem has been a megaphone for their cause.

The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan.

With support from the Fund for Investigative Journalism.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you discovered this series through Apple podcasts, or because you heard that we won a Peabody Award for our work; WELCOME!

SUBSCRIBE TO ON THE MEDIA TO LISTEN TO THE OTHER 4 EPISODES IN THE SERIES

Episode 1: The True Believers

In 2016, Christian talk radio host Eric Metaxas begrudgingly encouraged his listeners to vote for then-presidential candidate Donald Trump. By 2020, he pledged his life to fighting the “stolen election” while talking with Trump on the air. Ahead of the midterm elections, Metaxas and many of his fellow talk radio hosts made sure the falsehood of massive 2020 election fraud was top of mind — on the airwaves and beyond. And while election-denying candidates didn't do as well as many on the right had hoped, at least 170 such candidates have been elected to state and national offices, some of whom will be in charge of future elections. We meet the company whose hosts never backed down from the lies of the stolen 2020 election: Salem Media Group, the largest Christian, conservative multimedia company in the country – and perhaps the most influential media company you’ve never heard of.

The Divided Dial was edited by On the Media's executive producer, Katya Rogers. With production support from Max Balton and fact-checking by Tom Colligan, Sona Avakian, and Graham Hacia. Music and sound design by Jared Paul. Jennifer Munson is our technical director. Art by Michael Brennan.

With support from the Fund for Investigative Journalism.

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Two decades have passed since George W. Bush gave his “Mission Accomplished” speech about the U.S. invasion of Iraq. On this week’s On the Media, hear how Iraqi journalists have fought to tell their stories over the last twenty years. Plus, what coverage of the Disney v. Florida lawsuits is missing, and a theory to account for the internet’s creeping demise.

1. Mark Joseph Stern [@mjs_DC], a senior writer covering courts and the law for Slate, on Disney taking Ron DeSantis to court. Listen.

2. OTM producer Suzanne Gaber [@SuzanneGaber] takes a closer look the troubles and triumphs of Iraqi journalism, twenty years after George W. Bush delivered his famous “Mission Accomplished” speech. Listen.

3. Cory Doctorow [@doctorow], journalist, activist, and the author of Red Team Blue, on his theory surrounding the slow, steady descent of the internet. Listen.

Music from this week's show:

I’m Not Following You - Michael Andrews

I'm Forever blowing bubbles

We Insist - Zoe Keating

The Glass House - David Bergau 

The Hammer of Los - John Zorn

On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing [email protected].

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.