Pilar and Aadip evaluate log lines sent in by listeners. Who will get a consider, recommend or pass?

TV literary agent Davina Hefflin (The Gersh Agency) talks about her work with writers and the storytelling and character development that moves her on the page.

Writer Scotty Mullen returns to the podcast to talk about his upcoming holiday movie, the Christmas tropes he loves and what it's like to work with Donna Mills.

Writer/Directors Emily Dell and Hannah Macpherson talk about their productive year creating horror/thriller content and their interesting advice to "come at storytelling sideways."

Announcement of the deadline and rules for the 2019 Logline Competition. Plus 10 patterns to help build your logline.

Writer/Directors Etta Devine, Barbara Stepansky and April Wright return to talk about a year writing on Outlander, getting a blacklist script produced, creating an award winning documentary and much more.

Writer and television journalist Michael Grebb returns to discuss "Five Big Trends Writers Should Know About" including a new take on "peak TV," the death of the television season and the fact that almost everything in the industry is motivated by CYA.

Kelsey Calaitges, development executive at Frederator Studios (Adventure Time, The Fairly Odd Parents) and writer on GO! Cartoons Bravest Warriors shares wisdom about pitching and writing for character-driven animation.

Pilar and writer Jake Morgan discuss ways to combine genre, tone and intention to create the perfect "genre mash" television show.

Hear how, after seventeen years of stops and starts, Matt Harris's script "The Starling" was produced with actors Melissa McCarthy, Kevin Kline, Chris O'Dowd, Timothy Olyphant and director Ted Melfi.