Writer James "Doc" Mason digs into the elements of the logline as discussed in his book, Mastering the Logline: How To Excite Hollywood in a Single Sentence.

From getting stuck in a Zoom room to working in hospice, everything that writer Lauren Glover (Chicago Med, Fight Night) thought was an obstacle, came full circle to help her in her writing career.

Barbara Stepansky, writer/producer on Outlander and head writer on Woman of the Dead, talks about how the rules of the shows she writes on present creative challenges that make her job even more interesting.

Writer/Director Marie-Emmanuelle Hartness comes from a personal place in her work and asks the same of her students at Emerson College.

Writer and "good witch," Glenda L. Richardson describes her process for capturing voices and crafting stories for celebrities such as Kevin Hart, Tiffany Haddish and Taraji P. Henson.

Entertainment attorney and composer Corey Field sees his work as helping writers and creators achieve their dreams. Here he explains the difference between sales, options and work-for-hire and discusses potential gains and traps along the way.

Writer Delondra Mesa (American Rust, Pretty Little Liars) talks about her approach to discovering story and creating content even as the industry experiences "The Great Contraction."

Director Dans Karagannis and Writer Liz Renner discuss their journey meeting in an On the Page class and joining together to make their short film Damned If You Do, currently screening in major festivals.

Writer Suha AL Khalifa is a senior writer at the Saudi Giant MBC Studios (Rashash, Devil's Promise) and also wrote the region's first female super-hero film. She talks about how her experience as a psychotherapist and as a "cultural hybrid" (Bahrain, UK, and US) has informed her writing and storytelling.

Joe Gold's "Shakespeare Inc." offers sixteen variations of a story. Hear how he wrote it, how "choose your own adventure" storytelling is structured and how this approach can work for video-game and screenwriting.