Arabella delights with its lyric comedy and fascinates with its depth of psychological insight. This sixth and final collaboration between composer Richard Strauss and librettist Hugo von Hofmannsthal, a society opera set in nineteenth century Vienna, continuously surprises as the story unfolds. Is that a trouser role or a humorous play on operatic convention? Exactly who is doing the plotting in this marriage plot? When is a glass of water more than just a glass of water? With special guest co-host Greg.

Join us for Gaetano Donizetti’s exquisite Bel Canto comic opera, La Fille du Régiment. Found as a baby on the battlefield, Marie was raised by the regiment. Her true love, Tonio, enlists to be by her side, but it’s complicated. Pavarotti, as Tonio, in the role that made him Pavarotti. Dame Joan Sutherland as Marie.

Rossini’s La Cenerentola is subtitled “Goodness Triumphant,” and in this opera we see a joyful celebration of goodness. It is the familiar Cinderella story, but without the magical elements. Magic is unnecessary for the larger-than-life characters in this Bel Canto Opera Buffa. Join us for this delightful opera, with special guest Christine Goodman.

Adriana Lecouvreur, by composer Francesco Cilea and librettist Arturo Colautti, is an opera that exquisitely dramatizes the life of the great French actress Adrienne Lecouvreur of the Comédie Française. Adriana Lecouvreur’s story is based on the play by Eugène Scribe, and as well as being the central character of Cilea’s soaring and heart-breaking opera, she has been portrayed on screen by such acting greats as Sarah Bernhardt and Joan Crawford. Join us for the twists and turns of this beloved, dramatic woman’s life. Hosted by Pat Wright and Keely Herron.

Richard Wagner’s earliest opera in repertoire, The Flying Dutchman: once every seven years, the black ghost ship with blood-red sails enters port, and its captain goes ashore in search of faithful love to redeem his curse. With special guest, Greg.

In describing La Traviata, Verdi called it “a subject for our time.” Though the pressures and expectations of the mid-19th century opera world required setting it in the previous century, La Traviata is a timeless and tuneful look at some of the most raw and enduring emotions of humankind. It is justifiably one of the most frequently performed operas worldwide. In the spirit of Opera for Everyone, if you liked Rent or Moulin Rouge, listen to the story of this opera of “the fallen woman” who was part of the inspiration for both. In this episode, host Pat and special guest-co-host Grant take a close look at the story and that is both behind and within it. And if that’s not enough, this opera boasts one of the world’s great drinking songs!

In this second annual Holiday Special, host Pat Wright is joined by frequent guest co-host Grant Wright to take a close look and listen to that long-standing Christmas favorite, Handel’s Messiah. Neither an opera, nor Christmas music (it was an oratorio written for the Easter season), Messiah tells a sweeping story using words selected and compiled entirely from the Bible by Charles Jennens, and set to the magnificent and enduring music that George Frideric Handel composed in the mid-eighteenth century. Learn the context of the spectacular Hallelujah Chorus, and enjoy this baroque masterpiece.

La Fanciulla Del West, The Girl of the Golden West, is a three-act opera by Giacomo Puccini that premiered at New York’s Metropolitan Opera in 1910. Set in gold rush California, this is the story of a saloon owner, the desperado she loves, and the sheriff who loves her and wants him dead. With special guest, Greg.

La Fanciulla Del West, The Girl of the Golden West, is a three-act opera by Giacomo Puccini that premiered at New York’s Metropolitan Opera in 1910. Set in gold rush California, this is the story of a saloon owner, the desperado she loves, and the sheriff who loves her and wants him dead. With special guest, Greg.

Roberto Devereaux, from 1837, is a Bel Canto opera by Gaetano Donizetti set at the end of the end of the reign of Elizabeth I of England. The opera is the third of Donizetti’s “Tudor Queen Operas,” preceded by Anna Bolena (1830) and Maria Stuarda (1835). The man, Roberto Devereaux, is the last in a series of courtiers favored by the famous Virgin Queen. However, Roberto has seriously disappointed both Elizabeth and Parliament. Matters of state and matters of the heart provided inspiration for both librettist Salvatore Cammaramo and composer Donizetti. English history was a starting point, but the story is not limited to the facts. Invention and imagination soar with the beautiful Bel Canto tunes. Hosted by Pat Wright and Keely Herron.