LOOP 6.3: Documentary research takes you down a lot of unexpected avenues. If you’re recreating something like the Chicxulub impact and the K-Pg mass extinction, then you need to be able to provide answers for things you didn’t even know were questions. What colour was the asteroid? How bright was the flash? How long does it take to cook a Triceratops to death? Silverback Films researcher Edd Dyer returns to discuss the difficulties of finding such information.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 6.2: Dr Anjan Bhullar, Yale University, returns to speak further about dinosaurs. He’s pressed on where he’d draw the line between dinosaur and bird, or whether there should even be a distinction between them at all. At what point does flight evolve and was it ‘ground up’ or ‘tree down’? We find out that none of these questions are simple.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 6.1: Dave and Tom introduce us to episode 6 of Life On Our Planet and the pair touch upon the Chicxulub impact and the radiation of birds into the Cenozoic. Dave curtails the introduction with one of his worst puns yet.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 5.3: We’re exploring feather evolution with Dr Anjan Bhullar, University of Yale. We trace feathers up the theropod family tree and question whether or not they would be present in ALL dinosaurs. Anjan does NOT sit on the fence with this question or any other. Were dinosaurs brightly coloured? How intelligent were they? Do not miss some of these mind-blowing insights!

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 5.2: Producer Barny Revill returns to talk about his second episode. With the public spotlight firmly fixated on the dinosaurs, how much effort had to go into their GCI models and does the reputation of the series depend on getting them right? In light of this, how much room is there for telling the stories of other groups of organisms?

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 5.1: It’s episode 5 and Dave and Tom are pronouncing dinosaur names all wrong. Does any actually pronounce it “Deinonychus”? Dave reveals why Netflix chose Morgan Freeman as narrator over himself, Tom talks about the complexity of producing CGI feathers and we address T. rex controversies. Finally, we’re served up a confusing ‘dinosaur sandwich’ metaphor.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific rese arch dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 4.3: Prof. Peter Falkingham, Liverpool John Moores University, was the consultant biomechanist for the series. He introduces us to the importance of biomechanics in CGI, but more widely in determining the physical capabilities of different animals. You need to have a full understanding of the anatomy of the animal, yes, but also the context on the media through which it is moving.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 4.2: We get down to details with Producer Barny Revill and analyse some of the different elements of episode 4: What were the challenges of working in such inhospitable environments? How do you recreate a flood of biblical proportions? How did you guide Industrial Light and Magic in the creation of their CGI models?

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 4.1: Against the odds, we’ve all made it through the PTME. It’s now time to focus on episode 4, with the reptiles and their adaptation to different environments. We touch upon biomechanics and crank up the VFX dial to 11.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 3.4: With researcher Ida-May Jones, we explore the Venn diagram of academic and documentary research. She introduces us to the strawberry dart frogs and the extraordinary lengths that mothers will go to to care for their young. With such high-tech equipment to record behaviours, it’s unsurprising that something new might be encountered!

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.