LOOP 2.3: Hydrodynamicist Dr Tom Fletcher, Silverback Films, returns to explore the science behind Dunkleosteus. How much of the fossil is known? How does the model compare to the latest reconstruction of the animal? How much of the design is dictated by hydrodynamics? and is Dave ironically cool?

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 2.2: Prof. Christian Klug, University of Zurich, is our first academic guest. He introduces us to the Cambrian explosion, the Great Ordovician Biodiversification Event and the Late Ordovician Mass Extinction. Christian is an expert on cephalopods and he tells us more about their biology and his thoughts on the vertical orientation of Cameroceras in this series.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

LOOP 2.1: We introduce episode two of Life On Our Planet and discuss our roles in its creation. We’re down deep in the geological time with all the “crunchy and squishy” organisms. We talk about our favourite scenes, jellyfish reproduction and the proper pronunciation of cephalopod.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this unofficial series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. Each day, we will be releasing batches of interviews, each relating to a specific episode of LOOP.

Image courtesy and copyright of Netflix.

In LOOP 1.2 we are joined by showrunner Dan Tapster. He’s the one responsible for pulling everything together, designing the story and creating the best production team. We learn about how LOOP first got started, why both CGI and modern footage was used, and how to cram billions of years of evolution into just 8 episodes.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP.

Images courtesy of Netflix.

Life On Our Planet (LOOP) is a new 8-part series created for Netflix by Silverback Films and Amblin Television. This Steven Spielberg produced series, narrated by Morgan Freeman, is hugely ambitious in its scope, telling the story of life throughout the whole Phanerozoic Eon. Ancient organisms and environments are painstakingly recreated by the supremely talented Industrial Light and Magic, whilst modern natural history scenes add vital context to the story.

This show has been worked on for six years, during which time countless papers were read and around 150 different palaeontologists contributed their time and knowledge. The whole production had culture of letting the scientific research dictate scenes, resulting in one of the most accurate on-screen representations of prehistoric life there has ever been.

And how do we know all this? Well, our very own team members Tom Fletcher and Dave Marshall have been embedded within the LOOP team since day one! We are therefore in a totally unique position to reveal to you the work that went into this series, from both the production and research side of things.

In this series, we’ve been granted exclusive access to many of the people responsible for creating LOOP, we explore what it takes to create a palaeontological documentary and we delve deeper into the science with some of the show’s academic advisors. We will be releasing batches of interviews, each relating to an episode of LOOP.

In episode 1.1, we introduce ourselves and explain our roles in the documentary. We look forward to the release of the series and discuss the scope of episode 1 and some of the 'rules of life'. Images courtesy of Netflix.

Following up on an initial discovery of ice-age remains in Byron, New York, in the 1950's, Dr Richard Laub took on the task of systematically excavating the 'Hiscock Site' for the Buffalo Museum of Science. Fieldwork commenced in 1983, but as more and more fossils were discovered at the site, the 'Byron Dig', as it became known, would continue for almost three decades. In that time, countless numbers of significant Late Pleistocene and Holocene discoveries were made, including those of mastodon, caribou and bird remains, as well as a rich record of Paleoindian tools.

The Hiscock site proved to be incredibly challenging, not just in terms of physical excavation in its water-logged sediments, but also in developing an understanding of how this complex deposit had formed and evolved over the last ≈13,000 years. In many cases, it took years to figure out some of the details and whilst we have a good understanding of the site 40 years on, several questions still remain unanswered.

In the second part of this interview, Dick continues to look back at his time leading the Byron Dig. As we work our way through each distinct layer of the deposit, he reconstructs the local environment for us and paints a picture of the flora and fauna of the relatively recent past.

Further details about the Hiscock Site, the Byron Dig and the history of its study can be found in Dick's recent book: Two Acres of Time.

Following up on an initial discovery of ice-age remains in Byron, New York, in the 1950's, Dr Richard Laub took on the task of systematically excavating the 'Hiscock Site' for the Buffalo Museum of Science. Fieldwork commenced in 1983, but as more and more fossils were discovered at the site, the 'Byron Dig', as it became known, would continue for almost three decades. In that time, countless numbers of significant Late Pleistocene and Holocene discoveries were made, including those of mastodon, caribou and bird remains, as well as a rich record of Paleoindian tools.

The Hiscock site proved to be incredibly challenging, not just in terms of physical excavation in its water-logged sediments, but also in developing an understanding of how this complex deposit had formed and evolved over the last ≈13,000 years. In many cases, it took years to figure out some of the details and whilst we have a good understanding of the site 40 years on, several questions still remain unanswered.

In this interview, Dick joins us to look back at his time leading the Byron Dig. As we work our way through each distinct layer of the deposit, he reconstructs the local environment for us and paints a picture of the flora and fauna of the relatively recent past.

Further details about the Hiscock Site, the Byron Dig and the history of its study can be found in Dick's recent book: Two Acres of Time.

A new Ordovician lagerstätte (site of special fossil preservation) has just been described from Llandrindod Wells, Wales. The site contains the remains of well over 150 different species, most of which are entirely new to science. It is dated to around 461 million years old, placing it at a critical point in life's evolution: the Great Ordovician Biodiversification Event. This is even more significant, considering the relative sparsity of lagerstätten of this time.

We are joined in this interview by Drs Joe Botting and Lucy Muir, who discovered the Castle Bank site a short walk from their house whilst fossil collecting during covid lockdown in 2020. From them, we're able to learn what it's like to discover a new site of international significance and we question why the fossil from this site are so small.

Part 2. Caecilians, sometimes known as ‘blind worms’, are a lesser-known group of lissamphibians (all living amphibians). Most modern caecilians are all fossorial (burrowing) and are restricted to the moist soils and leaf litter of tropical forests. Adaptation to this specific ecology has led to radical modification of their bodies, from fusion of the bones in the head and the function of the jaw, to the loss of limbs and development of unique sensory organs.

The fossil record of caecilians is incredibly poor, with only 10 specimens available for researchers to piece together their evolutionary history with. This is further problematic because without a firm understanding of caecilian evolution, we can’t understand the origins of lissamphibians, which includes the ecologically significant groups of frogs and salamanders.

Published in Nature today, a new study led by Ben Kligman, Petrified Forest National Park and Virginia Tech, details numerous specimens of a new fossil caecilian. Discovered within a Triassic deposit, Funcusvermis gilmorei is not only the oldest known caecilian, but it also displays a unique combination of anatomical characteristics that helps illuminate the evolutionary origins of caecilians and all lissamphibians.

Whilst this discovery goes some way to answer some of the bigger questions, other problems that are raised, most notably why there is such an over-representation of Funcusvermis‘s lower right jaw.