On the 151st Episode of Dorm Damage With Tom & Zeus the guys discuss gambling and sports betting.

Gambling and sports betting is everywhere now. Long gone are the football cards we would get weekly or the trips to Las Vegas just to gamble.

Casinos are now everywhere and sports betting advertisement are non-stop and intertwined with sports themselves.

Is this new world of gambling, better, worse or manageable. The guys break it all down SIOL style.

What's the over/under on how many episodes SIOL has left?

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We are happy to welcome Metal Walt from Metal Mayhen ROC to talk about one of his first concert experiences from his teenage years - seeing David Lee Roth on the Eat Em And Smile Tour in 1986. Walt, like most kids from the MTV generation, saw Dave hamming it up in Van Halen videos like Panama and Hot For Teacher. Then Dave capitalized on that fame and decided to do a solo album, complete with fun MTV videos. So when Dave and his band came to New Jersey in October of 1986, Walt had to be there.

We discuss with Walt where he fell on the David Lee Roth/Van Halen split in 1986, a few years later and now as everyone was forced to choose sides. He felt opening band Cinderella’s style and image weren’t equivalent to their musical style but that they were a good band. And he enjoyed the noodling of Billy Sheehan (bass) and Steve Vai (guitar) before DLR himself made his presence known and then the night was really On Fire!

Dave did more VH1 to 1984 cuts than Van Halen did on the 5150 Tour and seemed to have a lot of fun doing it. He confirmed that he was the showman that Walt and the rest of us had seen on MTV. He even celebrated his 32nd birthday at the end of the set (I bet he didn’t go to be that night, if you need proof listen to First Concert Memories 15 with Mick Wall who stayed up all night with him in 1988). It not only prompted Walt to see Dave 20+ times over the years solo and with the reunited Van Halen but to dress up like

Dave on his famous album cover for Halloween three weeks later.

Who would do that? The kind of rock fan we want on First Concert Memories - that’s who!!

Visit Walt & Vernomatic at ⁠MetalMayhemROC.com⁠

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This week, we grab the reins on a discussion of self-produced albums; that is, records on which the artist takes control over their own vision and not only performs the music, but takes responsibility for the final production as well.

Joining us on this an exploration is a singer/songwriter/multi-instrumentalist and pop craftsman who has been a vital part of the New York City music scene, George Usher.   George was a member of Beat Rodeo on their second and final album from 1986, Home in the Heart of the Beat, he’s written with Richard Barone from The Bongos, and has led or played in bands like The Decoys, The Schramms, and House of Usher during the ‘80s & ‘90s.  It only takes one listen to his two disc anthology, The End and The Beginning 1990-2009, to recognize that George Usher has amassed a jaw-droppingly great catalogue of Byrdsy folk-rock jangle, melodic power pop, and brilliant chamber pop over the years.  After a couple of gorgeous records with singer/songwriter Lisa Burns over the past decade, George is back with Stevensonville, a multi-media project that’s a long time in the making - a 12-part illustrated song-cycle moving through a fictional town and its residents.  But don’t go looking for Stevensonville on streaming services right now - this is an experience to be enjoyed on vinyl LP and its accompanying 28 page booklet through georgeusher.bandcamp.com. 

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Geekwire Ep. 681 brings the noise with a quick-hit look at hard rock headlines, tour disruptions, and blunt rock-star admissions.
Here is what is packed into this episode:

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BJ goes down an eighties hardcore rabbit hole.

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Thank you all for all the love we received via email and socials on our 300th! We are as grateful as ever for your support and humbled by your enthusiasm for our rock n roll conversations and interviews. We have more up our sleeves so please stay tuned - now back to #301....

Abacab was released in fall of 1981 after the debut of Phil Collins' first solo album, Face Value, which had gone mulit-platinum thanks to radio staples like In the Air Tonight and I Missed Again. Collins sang more personal songs and utilized players from different genres including The Phenix Horns from Earth, Wind & Fire to get a poppier sound. When Genesis reconvened at The Farm, their Surrey estate with their own studio converted from an old barn, they had already begun to evolve from their proggy past. Their 1980 effort Duke showed that they were leaning towards shorter and more radio friendly songs like Turn It On Again. Abacab is the next step in that direction.

The single version of the title track has a driving beat and modern melody provided by Tony Banks and the latest synth toys of the day, despite the nonsensical title (there is a reason, we'll get there). But true to their prog roots the album version is 7 minutes with an extended jam/exploration bit. No Reply At All featured The Phenix Horns, the first time non-band members played on a Genesis album. Those hits would eventually help push the album to double platinum in the US and 7 on the Billboard chart. But much of the rest of the album are laments about opportunities missed or relationships that changed or electronic symphonies that ebb and flow. One song may be the worst in the entire Genesis catalog.

in 1983, they would release their self titled album which was their biggest yet and then in 1986 Invisible Touch made them one of the biggest bands on the planet. Phil Collins solo career would explode through the mid-80s and was everywhere. But on Abacab they weren't there yet. They were coming in to jam together to discover the directions they could go and evolving with the times. It's an interesting phase for the band as they were on the cusp of great success.

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In the late 1960's, a group of London teenagers emerged from the blues-rock underground to form Free, a band that would prioritize emotional weight and groove over flashy speed. Led by the soulful, hyper-masculine vocals of an 18-year-old Paul Rodgers, Free created a sound that felt massive yet remarkably sparse. This episode deconstructs the song "Mr. Big" from their 1970 breakthrough album, Fire and Water, highlighting the interplay between Paul Kossoff’s legendary guitar vibrato and the melodic counter-melodies of bassist Andy Fraser.

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Host Jesse Jackson thanks Patreon supporters, then welcomes returning guest Steve Rosen, a veteran music journalist and author. Rosen recounts growing up in Culver City, his early radio influences, discovering Jeff Beck through the Yardbirds, and seeing the Jeff Beck Group in 1969, calling Beck the most profoundly gifted and creative guitarist. He explains how learning guitar and a love of writing pushed him into journalism, from high school and UCLA papers to the LA Free Press and major magazines, and describes meeting Eddie Van Halen in 1977 and their 26-year friendship, later chronicled in Tone Chaser. Rosen discusses rewriting his Japan-only 1978 Jeff Beck biography into a new book released on Beck’s birthday, why Beck remained underwritten, and stories about Beck’s difficult bandleading. He also answers the “Thunder Road” question: Mary gets in the car.

https://a.co/d/00mtOqXI

00:00 Patreon Thanks

01:28 Meet Steve Rosen

02:02 50 Years Writing Music

02:48 Rewriting the Jeff Beck Book

04:54 Growing Up in Culver City

05:37 Beach Boys and Early Radio

07:53 Discovering Jeff Beck

11:13 Deep Dive Into Guitar Heroes

14:25 First Byline Breakthrough

16:56 From School Papers to Creem

20:41 Meeting Eddie Van Halen

26:11 Why Write About Beck

29:09 Rewriting the Beck Book

29:47 Why Beck Stayed Underrated

32:27 Artists on Beck’s Genius

33:05 Band Leader Chaos Tales

34:52 Making It in Music

37:31 Tech Changed Everything

40:02 YouTube as a Teacher

45:06 Does Mary Get In

50:07 Book Plug and Farewell

52:14 Listener Outro and Links

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This week Tom & Zeus welcome back Gene Simmons Band extraordinary drummer and lifelong KISS fan, Brian Tichy!

Brian Tichy is considered one of today's greatest rock drummers. He is part of the Gene Simmons band that is on tour currently. He has played for and with Whitesnake, Ozzy Osbourne, Billy Idol, Foreigner, Don Felder, The Dead Daisies and his new band, Led By Vultures!

Brian shares his thoughts on the Gene Simmons, the tour the setlist and his KISStory. Brian also gives us all the details on his exciting new project, Led By Vultures, where he plays almost all of the instruments and sings.

Make sure you pick up "Led By Vultures." a kick ass guitar driven album that we believe is heavily influenced by Led Zeppelin, Soundgarden and more. The link is below.

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Even though it's Labor Day, we think every day is a Manic Monday. We're Takin' Care of Business over here at What Difference Does It Make, so we say, Let's Work!, as we recognize songs that salute the Working Class Hero. What a way to make a livin'!

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