In this episode of Parenting Is a Joke, Ophira Eisenberg sits down with longtime friend and comedian Jon Fisch to talk about becoming the parent he always knew he wanted to be—just not in the order he expected—starting with the moment he learned his girlfriend was pregnant while sitting across from his mother at a Cheesecake Factory in the Natick Mall. They trade stories about raising young kids during COVID, from how lockdown accidentally turned Jon’s son into an early, voracious reader thanks to curbside bookstore recommendations, to navigating a preemie birth amid constantly shifting hospital rules that changed by the nursing shift. The conversation drifts easily between creative life and parenting logic, including Jon’s observation that stand-up used to provide “purpose” at night until kids rewired the entire day, and how slowing down during the pandemic made comedy feel more enjoyable again. The heart of the episode lands on a darkly funny family legend involving his niece’s beloved owl lovey—one of many identical backups—which Jon confirms his brother once decapitated in a moment of exhausted bedtime brinkmanship, a parenting move so extreme it later came full circle when that same niece gifted her remaining owls to Jon’s newborn daughter.

📍February Shows are in Anchorage, Alaska, Pine Plains, NY, Nashville, NT, KY, Chicago, IL, Madison, WI

Follow Jon Fisch: https://www.instagram.com/jdfisch

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In this episode, Ophira Eisenberg reconnects with author, dad, and tattoo artist Phuc Tran for a conversation that zigzags from Star Wars as a childhood lifeline to parenting philosophies shaped by motorcycles, rotary phones, and letting kids touch the metaphorical hot pipe. Tran talks about growing up Vietnamese in a town where missing one TV network meant missing cultural shorthand, and how Star Wars became a rare common language that let him belong, a feeling he’s intentionally recreating with his own daughters by showing them the films before they develop a critical eye. They get into raising kids amid microlabeling culture, with Tran explaining why he wrote “labels are for jars” on the family chalkboard, as well as his years teaching Latin, Greek, and German, arguing that Latin slows kids down in a way modern life rarely does. The conversation moves easily between creative work and parenting ethics, from why he stopped talking tattoo clients out of bad ideas after becoming a parent to how children’s books often serve adult anxieties more than kids’ curiosity. Throughout, Tran frames creativity as something lived rather than branded—whether it’s daughters trading sketchbooks at restaurants instead of phones, apprenticing at the tattoo shop, or his own belief that punk rock shouldn’t be a lifelong personality—before landing on the story of calmly watching his toddler pick herself up in public while a stranger yelled, a moment that neatly captures his faith in letting kids learn by standing back.

📍January Shows are in Las Vegas, NV, Beacon, NY and New York, NY

Follow Phuc Tran: https://www.instagram.com/phucskywalker/

See Ophira LIVE: https://www.ophiraeisenberg.com/events/

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Ophira Eisenberg sits down with author, tattoo artist, and Maine-based dad Phuc Tran for a wide-ranging, grounded conversation that moves from frantic school drop-offs and topping off windshield wiper fluid before a storm to the deeper anxieties of becoming a parent after trauma, bullying, and immigration. Tran talks candidly about growing up as a Vietnamese refugee in small-town America, finding safety in classrooms when home wasn’t safe, and how punk rock, tattoos, and books became both armor and language. The two bond over raising kids while making creative work that pays unevenly, advocating half-jokingly for plumbing and electrical careers, and embracing Maine’s culture of the multi-hyphenate as a survival skill rather than a branding exercise He also reflects on fearing he’d be a bad father, how therapy reframed imperfection as necessary, and why parenting teenage daughters now feels like his area of expertise after decades teaching middle and high school. They also get into luck versus merit in publishing, how his memoir Sigh, Gone led—almost accidentally—to a bestselling children’s book series about big feelings, and why emotional batteries, not discipline charts, determine household peace. The episode circles back to physical objects as emotional anchors, landing on Tran’s red rotary phone—kept for Maine power outages and the unmatched satisfaction of slamming down a receiver when a conversation is truly over.

📍January Shows are in Las Vegas, NV, Beacon, NY and New York, NY

Follow Phuc Tran: https://www.instagram.com/phucskywalker/

See Ophira LIVE: https://www.ophiraeisenberg.com/events/

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Carole Montgomery and Ophira Eisenberg zoom out from early parenting to talk about what happens after the kid grows up, moves out, and then… moves back in. Carole describes her son’s room as a frozen time capsule—albums, toys, and CDs untouched—while explaining how his first attempt at college lasted six months before the classic millennial boomerang returned him home, a pattern she sums up as “they leave, they come back; I moved—he found me.” She reflects on the anxiety that followed him into adulthood, her belief that anxiety is practically the baseline setting now, and the emotional whiplash of touring for weeks before constant phone contact existed, including the moment her six-year-old calmly told her she was “solid” and could go back on the road. The conversation weaves through parenting philosophies shaped by Vegas cul-de-sacs and open-door houses, her resistance to overscheduled childhoods, the reality that almost no kids actually go pro despite intense sports pressure, and the great trophy purge that left only signed baseballs and, somehow, her husband’s awards. Carole also digs into the creation of Funny Women of a Certain Age, venting about theaters that expect comics to sell tickets, sweep floors, and manage social media while still questioning whether women-led comedy events can sell, all before landing on the oddly satisfying moment she told a woman in her mid-30s she was simply too young for the show.

📍January Shows are in Las Vegas, NV, Beacon, NY and New York, NY

Follow Carole Montgomery: https://www.instagram.com/carolemontgomerycomic/

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In this New Year’s episode of Parenting Is a Joke, Ophira Eisenberg talks with mystic, Reiki practitioner, and parent Jennifer Wai about raising kids while trusting intuition in a culture obsessed with rules, experts, and productivity. Jennifer explains what it actually means to be a mystic—describing herself as a human antenna fine-tuning static—and traces that sensitivity back to a childhood marked by literal thinking, bullying, and parents who didn’t quite know what to do with a kid who felt everything. They compare notes on parenting highly perceptive children, including how Jennifer’s early ability to anticipate her kids’ needs sometimes backfired by discouraging them from speaking up, and how her own children have been “socialized out” of mystical thinking, even as they casually tolerate card pulls and energy talk. The conversation moves easily from Reiki as “gentle jumper cables” for the nervous system to the emotional labor of rejecting people-pleasing while doing psychic readings, before landing on practical parenting ideas for the year ahead—like offering kids a “third option” instead of a hard no, or sitting through Fortnite matches just to stay connected. The episode closes on Jennifer’s big theme of grace—grace around self-care that looks like binge-watching, grace around messiness, and grace delivered with a laugh as Ophira admits she’s now calling “grace” her personal Pantone color.

📍January Shows are in Las Vegas, NV, Beacon, NY and New York, NY

Follow Jennifer Wai: https://www.instagram.com/thejenniferwai/

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Comedian Carole Montgomery joins Parenting Is a Joke to talk with Ophira Eisenberg about raising a kid while building a stand-up career that never paused, even when everyone told her it should. Carole traces her path from starting comedy at 21 in male-dominated Brooklyn clubs to touring relentlessly as a new mom, pumping breast milk backstage and leaving her six-month-old with a six-foot-five tattooed bouncer who didn’t know how to remove a baby from a car seat. She reflects on the blunt warning from a manager who said pregnancy would ruin her career—followed almost immediately by a Showtime taping—and the practical choices that shaped her parenting, like stopping road trips only when her son needed his own airline seat. The conversation moves through her years hosting a topless revue in Vegas while serving as PTA vice president, her zero-nonsense style as team mom who swore at line-cutting kids, and the strange mix of guilt, stamina, and pride that comes from doing school drop-offs after midnight shows. Throughout, Carole and Ophira trade observations about creative work, class differences in parenting, and how kids remember presence more than perfection, circling back to the image of a tiny Lane being rocked by a nervous nightclub bouncer—an early sign he’d grow up completely at home backstage.

📍Remaining December Shows are in New York, NY

Follow Carole Montgomery: https://www.instagram.com/carolemontgomerycomic/

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Comedian Mike Feeney joins Ophira Eisenberg in the thick of brand-new fatherhood, talking through life with his 15-month-old son Leo while juggling touring, illness roulette from daycare, and a self-imposed creative gauntlet that included shooting, directing, and editing a high-concept Comedy Cellar special when his baby was just ten weeks old. Feeney gets specific about the early months—the shock of sleep deprivation, the grim honesty of telling each other “we made a terrible mistake,” and the strange relief when sleep training worked so fast it felt suspicious, complete with his mom stepping in while he and his wife hid out at a nearby hotel. The conversation moves through IVF logistics, postpartum preeclampsia that sent his wife back to the hospital days after delivery, and the whiplash of supporting a partner’s health while hopping on the subway to make stage time. Feeney’s comic brain shines in granular parenting moments: the deep-crib back pain of sliding an arm out from under a sleeping baby, screen-recording bedtime attempts like wildlife footage, and the quiet dread of being turned away from daycare because of “a little gunk” that turned out to be pink eye. He reflects on how parenting has narrowed his creative window in a way that sharpened his writing, forced clearer priorities, and made him ruthless about which projects survive, all while admitting that FaceTiming from the road thrills Leo for ten minutes before it completely backfires. The episode lands on a perfectly lived-in note with Feeney describing that heart-stopping morning scream when his bedroom door opens and Leo charges in “like a bat out of hell,” a wake-up call that’s both terrifying and somehow the best part of the day.

📍Remaining December Shows are in New York, NY

Follow Mike Feeney: https://www.instagram.com/iammikefeeney/

See Ophira LIVE: https://www.ophiraeisenberg.com/events/

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In this episode of Parenting Is a Joke, comedian Emily Walsh talks to Ophira Eisenberg about becoming a parent later in life and being labeled “advanced maternal age” by New York doctors while taking “nightly little baby aspirin” she was told “sometimes works” for reasons no one could explain. She describes meeting her tiny five-pound newborn who arrived a month early with “newborn fuzz” on her ears and back and a full head of hair that proved her pregnancy heartburn was accurate karma for marrying a very “hairy man.” Parenting for the first time at 40 means learning everything on the fly — sometimes quoting TikToks as if they were books — while hoarding three different “booger-sucking robots,” including a hospital-grade model she gleefully uses every morning. She shares postpartum rage (“Don’t kill your husband” turned out to be wise advice), frustration with breastfeeding (“barbaric,” she says), and the absurdity of pumping in Times Square between comedy sets because the manager can’t comprehend her need to schedule pumping. A broken ankle took away her baby-calming outdoor walks, she hasn’t made a “mom friend” yet, and her social circle is still figuring out she’s “not dead,” even as she continues podcasting, stand-up, and raising a baby who dressed as Jeff Goldblum from Jurassic Park with her bassinet converted into the Jeep and her husband in an inflatable T-Rex suit.

📍December Shows are in Boulder, CO, Westchester, NY, and good ol’ New York, NY

Follow Emily Walsh: https://www.instagram.com/thefunnywalsh/

See Ophira LIVE: https://www.ophiraeisenberg.com/events/

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In this episode, Ophira talks with comic and new mom and comedian Emily Walsh, who shares how she spent her twenties and thirties convinced she didn’t want kids, only to find herself writing an Edinburgh show about that exact ambivalence and then trying to conceive between gigs in Atlantic City. Emily describes entering stand-up at 30 after years painting sets for Blue Bloods—so many beige walls she started an Instagram called “Beige Bloods”—and navigating a scene of young men who only acknowledged her existence after she did well onstage. She and her husband weighed whether comedy’s unpredictable grind should dictate their future, eventually trying minor-science fertility help because their work schedules kept missing the 18-hour ovulation window. Emily recounts giving birth a month early with the flu, spending twelve hours in a triage room where nurses kept losing the baby’s heart rate, avoiding a balloon induction only because she was already three centimeters dilated, and delivering after an emergency episiotomy followed by the infamous “puppet moment” when a surgeon had to reach in by hand to remove her placenta—much to her husband’s horror when he asked if she’d please double-check with an ultrasound.

📍December Shows are in Boulder, CO, Westchester, NY, and good ol’ New York, NY

Follow Emily Walsh: https://www.instagram.com/thefunnywalsh/

See Ophira LIVE: https://www.ophiraeisenberg.com/events/

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In this Snack episode, Ophira catches up with author and storyteller Katy Strange, who talks about the very specific chaos of raising two tweens while publishing her debut novel The Manly Man of God. Katy explains how her book’s bold, saint-like cover—complete with a mysteriously floating eggplant—has sparked confusion among some readers, including a man at her book launch who sincerely asked if the story involved a farmers’ market subplot. She and Ophira dig into the megachurch culture that inspired the book, including the time a stranger on a Vancouver bus tried to flirt with Katy only to pivot into trying to convert her, not realizing she understood church history well enough to corner him with questions about communal living. Katy also shares how writing the novel began during nap-time marathons, how a women’s business incubator with drop-in childcare became her creative lifeline, and how her family’s “Yes Day” tradition has evolved from toddlers eating crackers on the couch to tweens burning through budgets on Shake Shack, fancy haircuts, and sneaker hunts. And at the end, Katy describes how her 13-year-old now treats Warhammer figurines as a non-negotiable expense, as well as expensive haircuts from the mall salon that is covered in ring lights.

📍December Shows are in Boulder, CO, Westchester, NY, and good ol’ New York, NY

Follow Katy Strange: https://www.instagram.com/realstrangekaty/

See Ophira LIVE: https://www.ophiraeisenberg.com/events/

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