Los Angeles-based photographer Kim Newmoney has shot for HBO, Showtime, Vogue, and Comedy Central. We get into what it actually takes to build a freelance photography career from the ground up, how a nail salon a 600,000 chickens play a role, and what all of it taught her about how to walk onto any set and make anyone comfortable in front of a lens.

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To celebrate one year of Past Due, Ana and Mike look back at the conversations that changed them — featuring Baron Vaughn, Ian Danskin, and Mary Robinette Kowal — and wrestle with what it means to make work that matters in an economy that keeps moving the goalposts. (Part 2 of 2)

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To celebrate one year of Past Due, Ana and Mike look back at the conversations that changed them — featuring Paul F. Tompkins, Siri Doll, and Rhett Miller — and wrestle with what it means to make work that matters in an economy that keeps moving the goalposts. (Part 1 of 2)

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Comedian Chris Gethard joins us to talk about walking away from the version of success he spent years chasing, and why that might be the reason he's still standing. We get into the grief of giving up the big dream, the joy of making weird stuff for the people who get it, and the radical act of building a career that actually fits your life.

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Adam Gurri, co-founder and editor-in-chief of Liberal Currents, joins us to talk about eight years of building a publication nobody paid him to make, and what happened when the world finally caught up. We get into how you raise half a million dollars from a community you built on trust, what it actually costs to pay yourself in New York City without betraying your principles, and why the most important job in journalism right now might be the one nobody sees: editing.

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Comedian and speechwriter Chandler Dean joins us to talk about building a streaming show without burning down his career to do it. We get into why keeping a day job might be the most radical creative decision you can make, how Abolish Everything went from a monthly live show to the Nebula's most-watched new series, and why deadline-based work is secretly a gift.

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Actors and comedians Mary Holland and Matt Newell survived the WGA strike, the SAG strike, and a newborn... more or less simultaneously. They join Ana and Mike to talk about what going all-in on a creative life actually looks like, what improv teaches you about listening, and what happens when there is no plan B..

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Six-time James Beard Award-winning food critic Dara Moskowitz Grumdahl joins Ana and Mike to make the case that food isn't a soft beat, it's the whole story. From ICE raids gutting Twin Cities restaurants to the real wage gap hiding in daycare costs, Dara connects the dots between what's on your plate and everything that actually matters. She also gets into why there are fewer working restaurant critics in America than prima ballerinas and what non-competes do to creative careers.

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Ben Collins, CEO of The Onion, joins Ana and Mike to talk about what happens when you stop trying to fit into a box, and accidentally end up running one of the biggest newspapers in America. From burning out covering extremism at NBC News to buying The Onion for less than you'd expect, Ben gets into what it actually cost him to bottle up his personality on cable news, and why the humans-first approach is what's saving the thing he loves.

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