W. Kamau Bell, Emmy and Peabody Award-winning comedian and filmmaker, joins us to talk about what it actually looks like when the industry that rewarded you for doing the right thing quietly decides it's done doing that. We get into the real math of basic cable money, and what happens to a career built on diversity and inclusion when DEI becomes a liability. Three kids. Nine jobs. Every dollar, he has to go grab. Still making his own gravy.

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Los Angeles-based photographer Kim Newmoney has shot for HBO, Showtime, Vogue, and Comedy Central. We get into what it actually takes to build a freelance photography career from the ground up, how a nail salon a 600,000 chickens play a role, and what all of it taught her about how to walk onto any set and make anyone comfortable in front of a lens.

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To celebrate one year of Past Due, Ana and Mike look back at the conversations that changed them — featuring Baron Vaughn, Ian Danskin, and Mary Robinette Kowal — and wrestle with what it means to make work that matters in an economy that keeps moving the goalposts. (Part 2 of 2)

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To celebrate one year of Past Due, Ana and Mike look back at the conversations that changed them — featuring Paul F. Tompkins, Siri Doll, and Rhett Miller — and wrestle with what it means to make work that matters in an economy that keeps moving the goalposts. (Part 1 of 2)

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Comedian Chris Gethard joins us to talk about walking away from the version of success he spent years chasing, and why that might be the reason he's still standing. We get into the grief of giving up the big dream, the joy of making weird stuff for the people who get it, and the radical act of building a career that actually fits your life.

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Adam Gurri, co-founder and editor-in-chief of Liberal Currents, joins us to talk about eight years of building a publication nobody paid him to make, and what happened when the world finally caught up. We get into how you raise half a million dollars from a community you built on trust, what it actually costs to pay yourself in New York City without betraying your principles, and why the most important job in journalism right now might be the one nobody sees: editing.

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Comedian and speechwriter Chandler Dean joins us to talk about building a streaming show without burning down his career to do it. We get into why keeping a day job might be the most radical creative decision you can make, how Abolish Everything went from a monthly live show to the Nebula's most-watched new series, and why deadline-based work is secretly a gift.

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Actors and comedians Mary Holland and Matt Newell survived the WGA strike, the SAG strike, and a newborn... more or less simultaneously. They join Ana and Mike to talk about what going all-in on a creative life actually looks like, what improv teaches you about listening, and what happens when there is no plan B..

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