Paul Copp‘s new book, The Body Incantatory: Spells and the Ritual Imagination in Medieval Chinese Buddhism (Columbia University Press, 2014), focuses on Chinese interpretations and uses of two written dharani during the last few centuries of the first millennium. Based on extensive research on the material forms that these dharani took, Copp departs from a tradition of scholarship that focuses on the sonic quality and spoken uses of these spells, drawing our attention instead to how written and inscribed dharani were used to adorn and anoint the body. A central theme is Copp’s assertion that the diffuse dharani practices that appeared centuries prior to the flowering of a high Esoteric Buddhism in the eighth century were not simply a crude precursor to the later development of a fully systematized Esoteric Buddhism, but rather were a set of loosely related practices and ideas that continued to develop alongside Esoteric Buddhism. Through rich descriptions of dharani use and interpretation, and liberal use of Dunhuang materials, he shows that dharani were ubiquitous in all sectors of Chinese Buddhism: before, during, and after the eighth century. In this way Copp challenges the teleological view of early dharani-based practices as being but one stage leading to the eventual triumph of a comprehensive Chinese Esoteric Buddhism. In addition, Copp demonstrates how material dharani practices were a product of both Chinese and Indic input.

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