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Jefre Cantu-Ledesma is a multi-instrumentalist and composer, Zen priest, and hospice chaplain based in the Hudson Valley. Since his first foray into experimental music in the 1990s, he has been a pillar of the American music underground, collaborating with a variety of artists including Liz Harris, Félicia Atkinson, and Ilyas Ahmed. Although his music has often been labeled experimental or ambient, he himself describes it as personal liturgy.
Cantu-Ledesma’s latest album, Gift Songs, takes inspiration from the forms of liturgy and ritual he has found meaningful as a Zen priest and hospice chaplain, as well as from the Shaker notion of “gift drawings,” where art is seen as a gift from God. Through minimalist acoustic arrangements and evocative improvisations, Gift Songs foregrounds chance and collaboration, putting forth a vision of art as an offering.
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Cantu-Ledesma to discuss what first brought him to Buddhism, the role of devotion in his work and practice, the synergies between creative practice and chaplaincy work, and why he views his music as an offering.
By Tricycle: The Buddhist Review4.6
342342 ratings
Jefre Cantu-Ledesma is a multi-instrumentalist and composer, Zen priest, and hospice chaplain based in the Hudson Valley. Since his first foray into experimental music in the 1990s, he has been a pillar of the American music underground, collaborating with a variety of artists including Liz Harris, Félicia Atkinson, and Ilyas Ahmed. Although his music has often been labeled experimental or ambient, he himself describes it as personal liturgy.
Cantu-Ledesma’s latest album, Gift Songs, takes inspiration from the forms of liturgy and ritual he has found meaningful as a Zen priest and hospice chaplain, as well as from the Shaker notion of “gift drawings,” where art is seen as a gift from God. Through minimalist acoustic arrangements and evocative improvisations, Gift Songs foregrounds chance and collaboration, putting forth a vision of art as an offering.
In this episode of Tricycle Talks, Tricycle’s editor-in-chief, James Shaheen, sits down with Cantu-Ledesma to discuss what first brought him to Buddhism, the role of devotion in his work and practice, the synergies between creative practice and chaplaincy work, and why he views his music as an offering.

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