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Physical Graffiti is Zeppelin unleashed. Fifteen tracks, four sides, no rules. From the sleaze of “Trampled Under Foot” to the desert sprawl of “Kashmir”, from their shortest son ever "(“Bron-Yr-Aur”) to their longest (“In My Time of Dying”), it’s the full Zeppelin spectrum.
Along the way: Bonham’s cough left in the mix, a jam with the Stones’ Ian Stewart (“Boogie With Stu”), a royalty check mailed to Ritchie Valens’ mom, and even a passing airplane on “Black Country Woman.” It’s raw, indulgent, and bigger than any band had dared.
And on our podcast, we’ve got it all: Best Track, MVP, Kate’s Rate, Matthew’s Headphone Moment, Ryan’s A&R Guy take and the full McGuigan debate over which side of Physical Graffiti really wins.
By Billy McGuigan4.8
3636 ratings
Physical Graffiti is Zeppelin unleashed. Fifteen tracks, four sides, no rules. From the sleaze of “Trampled Under Foot” to the desert sprawl of “Kashmir”, from their shortest son ever "(“Bron-Yr-Aur”) to their longest (“In My Time of Dying”), it’s the full Zeppelin spectrum.
Along the way: Bonham’s cough left in the mix, a jam with the Stones’ Ian Stewart (“Boogie With Stu”), a royalty check mailed to Ritchie Valens’ mom, and even a passing airplane on “Black Country Woman.” It’s raw, indulgent, and bigger than any band had dared.
And on our podcast, we’ve got it all: Best Track, MVP, Kate’s Rate, Matthew’s Headphone Moment, Ryan’s A&R Guy take and the full McGuigan debate over which side of Physical Graffiti really wins.

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