Editors - Glenn Garland ACE, Bob Ducsay ACE, Paul Swain, Shaheed Qaasim

The POKER FACE editing team of Garland, Ducsay, Qaasim and Swain might sound like a formidable name for a law firm, but their real talents lie in making a great "howcatchem" show with noted director and series creator, Rian Johnson.

POKER FACE is a murder mystery series stylized as a character-driven, case-of-the-week mystery, with each episode adapting the inverted detective story format popularized by COLUMBO. The series centers around Charlie Cale, a casino worker with an innate ability to detect lies, traveling across the United States on the run from a casino boss following a suspicious death. Along the way, she encounters colorful characters and solves homicides in a variety of settings.

GLENN GARLAND, ACE

Accomplished editor Glenn Garland, ACE has over three decades of experience plying his skills on fan favorite tv series such as; STAN AGAINST EVIL, PREACHER and THE VAMPIRE DIARIES, as well as feature films like; HALLOWEEN (2007), KING OF CALIFORNIA and the infamously unreleased THE FANTASTIC FOUR (1994).

BOB DUCSAY, ACE

Editor Bob Ducsay ACE has forged a tight collaborative bond with director Rian Johnson, going back to their first film, LOOPER (2012). And although POKER FACE is only their first tv series together, the quality of their feature work has already been recognized by audiences, critics and the industry at large. The pair were recently honored with the inaugural Variety Creative Collaborators Award at the 10th annual Middleburg Film Festival.

PAUL SWAIN

Rock drummer turned editor Paul Swain has brought his natural sense of rhythm to such projects as; THE UNICORN, THE EX-PM and THE MOODYS, for which he won an Australian Screen Editors ASE award in 2014.

SHAHEED QAASIM

Editor by day, swing dancer by night, Shaheed Qaasim's storytelling chops can be seen in shows like; MODERN FAMILY, THE WALKING DEAD: WORLD BEYOND and FUTURE MAN.

Editing POKER FACE

In our discussion with the POKER FACE editing team, we talk about:

• Paying homage to 70's procedurals
• Going from swing dancing to swings in tone
• Reinventing the audio and visual languages throughout
• Teaching your audience how to watch the show
• Holding off on temp score until you really need it

The Credits

Visit Extreme Music for all your production audio needs

Learn about Avid's new Media Composer for Students program

Hear Bob's interviews about his work on Rian Johnson's; KNIVES OUT, GLASS ONION and THE LAST JEDI.

Subscribe to The Rough Cut podcast and never miss an episode

Visit The Rough Cut on YouTube