In this episode of Hawthornden's Como Conversazione, another session of practical translation: the reading and comparing of many renditions of one passage, to see how translators make their choices.  
But the text we’ll be examining, 1001 Nights, presents an unusual challenge. Unlike with the Proust that we discussed in the first episode, there is not one fixed source text to work with. There were many retellings of Scheherazade’s tales over the centuries, which were then written down as many different manuscripts. What, then, does it mean for a translator to “take liberties,” or to be “faithful to the text”?See Privacy Policy at <a href="https://art19.com/privacy" rel="noopener noreferrer" target="_blank">https://art19.com/privacy</a> and California Privacy Notice at <a href="https://art19.com/privacy#do-not-sell-my-info" rel="noopener noreferrer" target="_blank">https://art19.com/privacy#do-not-sell-my-info</a>.

In this episode of Hawthornden's Como Conversazione, another session of practical translation: the reading and comparing of many renditions of one passage, to see how translators make their choices. But the text we’ll be examining, 1001 Nights, presents an unusual challenge. Unlike with the Proust that we discussed in the first episode, there is not one fixed source text to work with. There were many retellings of Scheherazade’s tales over the centuries, which were then written down as many different manuscripts. What, then, does it mean for a translator to “take liberties,” or to be “faithful to the text”? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Hawthornden's Como Conversazione, another session of practical translation: the reading and comparing of many renditions of one passage, to see how translators make their choices.&nbsp; 
But the text we’ll be examining, 1001 Nights, presents an unusual challenge. Unlike with the Proust that we discussed in the first episode, there is not one fixed source text to work with. There were many retellings of Scheherazade’s tales over the centuries, which were then written down as many different manuscripts. What, then, does it mean for a translator to “take liberties,” or to be “faithful to the text”?See Privacy Policy at <a href="https://art19.com/privacy" rel="noopener noreferrer">https://art19.com/privacy</a> and California Privacy Notice at <a href="https://art19.com/privacy#do-not-sell-my-info" rel="noopener noreferrer">https://art19.com/privacy#do-not-sell-my-info</a>.

Practical Translation: 1,001 Nights

Welcome to Season Three of The Critic and Her Publics: On Translation.In 1999, twelve distinguished writers gathered at Casa Ecco, a villa on Lake Como, to discuss the art of translation. Twenty-five years later, their ideas are still apt and powerful. Last October, Merve Emre convened a group of translators and publishers at the same villa to return to those ideas and to examine a field at an inflection point.In this series, you’ll hear from the translators Maureen Freely, Daisy Rockwell, Virginia Jewiss, Jeremy Tiang, and Tiffany Tsao, as well as publishers Adam Levy (Transit Books) and Jacques Testard (Fitzcarraldo Editions). Hosted by Merve Emre • Edited by Michele Moses • Music by Dani Lencioni • Art by Leanne ShaptonThis Como Conversazione season of The Critic and Her Publics is a co-production between the Hawthornden Foundation, New York Review of Books, and Lit Hub.

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Welcome to Season Three of The Critic and Her Publics: On Translation. In 1999, twelve distinguished writers gathered at Casa Ecco, a villa on Lake Como, to discuss the art of translation. Twenty-five years later, their ideas are still apt and powerful. Last October, Merve Emre convened a group of translators and publishers at the same villa to return to those ideas and to examine a field at an inflection point. In this series, you’ll hear from the translators Maureen Freely, Daisy Rockwell, Virginia Jewiss, Jeremy Tiang, and Tiffany Tsao, as well as publishers Adam Levy (Transit Books) and Jacques Testard (Fitzcarraldo Editions). Hosted by Merve Emre • Edited by Michele Moses • Music by Dani Lencioni • Art by Leanne Shapton This Como Conversazione season of The Critic and Her Publics is a co-production between the Hawthornden Foundation, New York Review of Books, and Lit Hub.

Welcome to Season Three of The Critic and Her Publics: On Translation.In 1999, twelve distinguished writers gathered at Casa Ecco, a villa on Lake Como, to discuss the art of translation. Twenty-five years later, their ideas are still apt and powerful. Last October, Merve Emre convened a group of translators and publishers at the same villa to return to those ideas and to examine a field at an inflection point.In this series, you’ll hear from the translators Maureen Freely, Daisy Rockwell, Virginia Jewiss, Jeremy Tiang, and Tiffany Tsao, as well as publishers Adam Levy (Transit Books) and&nbsp;Jacques Testard (Fitzcarraldo Editions). Hosted by Merve Emre • Edited by Michele Moses • Music by Dani Lencioni • Art by Leanne ShaptonThis Como Conversazione season of The Critic and Her Publics is a co-production between the Hawthornden Foundation, New York Review of Books, and Lit Hub.

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