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Little Gold Men co-host Richard Lawson reunites with Katey to look at the long list of films opening this Christmas, from the tiny Italian drama that was one of Richard's favorite movies of the year to, yes, Mufasa. Then Katey talks to Glen Powell from his new, temporary home in London, where he reflects on a very busy 2024 and what he learned about Hollywood by making something as unique — and actually good! — as the Richard Linklater-directed Hit Man
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Returning guest Tyler Coates joins Katey to break down the Oscar shortlists in 10 categories, with insight on the ever-chaotic best original song race, the major competition in international feature, and the impossible to predict short films.
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With Golden Globes and Critics Choice TV nominations out there and SaG right around the corner, Joe Reid joins Katey to look at the state of TV awards buzz, from last year's Emmy holdovers still holding court to exceptional fall shows like Nobody Wants This and The Penguin that might go the distance. Then, Katey talks to writer and director Steve McQueen about diving into the past — and into a child's point of view — for his stirring World War II drama Blitz, now streaming on Apple TV+.
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Listen to our first-ever Substack Live, in which Esther Zuckerman, author of the new book Falling in Love at the Movies, and Katey break down Monday's Golden Globe nominations. Then hear Katey's conversation with Marianne Jean-Baptiste, recorded mere minutes after her performance in Hard Truths won her the best actress prize from the New York Film Critics Circle.
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With the New York Film Critics Circle and Los Angeles Film Critics Association set to make their picks this weeks, The Atlantic's Shirley Li joins to explain why critical buzz is so important in this part of the awards race, and maybe even help Katey fill out her own Critics Choice Awards ballot. Then John Magaro, a proud "journeyman" actor who has nonetheless become a major arthouse movie draw, talks about his role in the tense thriller September 5.
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Matt Patches, Katey's old friend and co-host on the Fighting in the War Room podcast, joins to explain the emergence of the Game Awards, why the video game industry cares so much about them, and what Hollywood's awards shows might be able to learn from a much newer version of the format. Then Katey talks to Eddie Redmayne, who is spearheading the ambitious new spy series The Day of the Jackal but also reflecting on the 10 years that have passed since his Oscar win, and what he's learned about his own taste in movies in the process.
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Katey reunites with her former Little Gold Men co-host Rebecca Ford to recap the highlights of Sunday's Governors Awards, where Oscar hopefuls rubbed elbows and the Quincy Jones tribute had everybody in tears. Then Jesse Eisenberg talks about his inspirations for his film A Real Pain, why he only wants to write characters who are different from him, and when he'll find the time to write a song about South Sudan.
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Katey and Richard Rushfield join forces to pick movies from across movie history that are guaranteed to leave you feeling hopeful, no matter what the news has in store. Then Katey talks to The Piano Lesson star Danielle Deadwyler about everything that goes into her tremendous performances, from her knack for stillness to how she built trust with The Piano Lesson director Malcolm Washington.
Katey's list of Movies For Hope on Letterboxd: https://letterboxd.com/kateyrich/list/movies-to-give-you-hope/
Richard's list: https://letterboxd.com/rrushfield/list/movies-to-make-you-feel-ok-when-the-world/
Tyler Coates joins Katey to talk about why the Oscars and politics are so eternally entwined, and how no matter what happens in Tuesday's election, the impact will be felt throughout the season. The episode also includes a conversation with June Squibb, the 94-year-old star of the summertime hit Thelma, who has a lot of wisdom about tackling physical challenges small and large and putting her trust in a first-time director.
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Katey talks to Civil War star Kirsten Dunst about her powerful work in the Alex Garland thriller, and how she decides when it’s worth taking on a movie when she’s got two young boys demanding her attention at home. The episode also features a conversation with New Yorker staff writer and author Michael Schulman about the big narratives driving this year’s awards season, from the breakout stars to the movie that’s a metaphor for the Oscars themselves.
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