Jesus Suarez is a Motion Designer originally from Venezuela. He shares moving the the US to make a career and life for his family. An inspiring discussion. Host Blair Walker also discusses his work for Prophets of Rage and his approach to learning 3D.

**Show Notes:** Compiled by [Matt Lloyd](http://inkmotor.com/)

00.41 - Jesus introduces himself and his work at [Battle Media Lab](https://www.battlemedialab.com/)

03.20 - [Prophets Of Rage music video](http://jesussuarez.tv/prophets-of-rage-music-video)

04.15 - Discussion of [Behance](https://www.behance.net)

04.45 - [Mitch Myers on School Of Motion](https://www.schoolofmotion.com/podcast/mitch-meyers-interview)

05.30 - The challenge of keeping current on social media

05.55 - How [Slack](https://slack.com/) groups can help you connect, and help others solve problems

07.30 - Jesus is heading in to more cinematic 3d work now

08.25 - Jesus’s approach to learning C4D

09.17 - [Jordan Jack animation](https://vimeo.com/254516259)

09.55 - [EJ Hassenfratz](http://www.eyedesyn.com/), the Sketch n Toon guru

10.30 - [Fusion 360](https://www.autodesk.com/products/fusion-360/students-teachers-educators): problems getting a good mesh in to C4D

11.10 - Jesus loves [Substance Painter](https://www.allegorithmic.com/products/substance-painter)

11.30 - How motion designers can have the role of educating clients/creatives as to what’s possible with the software

15.00 - Blair asks about the challenge of learning and connecting with the motion industry with English as a second language

16.00 - About the [Full Sail University](https://www.fullsail.edu/) course Jesus did

19.00 - Jesus’s short term goals: to work on short films and title sequences

19.50 - The enormous workload Jesus put himself under in order to get involved with making title sequences as a freelancer on top of his day job.

20.20 - The influence of [Elastic](https://elastic.tv/) on Jesus, especially the [Westworld titles](https://elastic.tv/project/westworld/)

21.50 - About Florida as a motion design community

25.10 - The Venezuela motion graphics scene, and why it is a small community

26.50 - The great challenge of being far from one’s homeland.

28.00 - What Jesus hopes to gain from making a short film

29.20 - **Pro Video Picks:**

[The French Monkey](https://www.tfmstyle.com/)

31.25 - **Following Online:**

[Ash Thorpe](https://www.behance.net/ashthorp)

[Mitch Myers](https://www.mitchmyers.tv/)

[Elastic](https://elastic.tv/)

32.00 - **Sources of Inspiration:**

Ash Thorpe again

[Collective Podcast](http://www.thecollectivepodcast.com/)

[Akira Tribute](https://www.behance.net/gallery/65092569/AWAKEN-AKIRA)

33.07 - **Follow Jesus Online:**

[instagram](https://www.instagram.com/j.ssuarez/)

[twitter](https://twitter.com/j_ssuarez?lang=en)

33.28 - **Who should we have on the show?**

[Friendly Robot](https://www.behance.net/friendlyrobot)

**Pro Video Podcast Online:**

[Blair Walker - Twitter](https://twitter.com/blairwalker)

[Pro Video Podcast - Slack](https://join.slack.com/t/provideogroup/shared_invite/enQtMzcwODc1ODE1OTc0LTEwZGE1OGY5ZGQ5YTAzYjZiN2VjY2YyODBjNDFmMTAzYjEwMzViMTFkNjc0MzcyZGVjNGY0MThiMjVhNTkyNDk)

[Pro Video Podcast - Facebook Group](https://www.facebook.com/groups/provideopodcast/)

[Pro Video Podcast - Twitter](https://twitter.com/provideopodcast)

[Pro Video Podcast - Website](http://worldpodcasts.com/pro-video-podcast/)

Ben Buchanan and Matt Lloyd. Pivoting Careers, Motion Design, 2D, 3D, Community, Education and more. Both Ben and Matt moved into Motion Design later in their careers. Host Blair Walker discusses the challenges and rewards of doing so. They share how they have done so to become successful freelancers.

**Show Notes:** Compiled by [Matt Lloyd](http://inkmotor.com/)

01.00 - Ben and Matt introduce themselves

03.30 - Ben has been a TA for School Of Motions [Design Bootcamp](https://www.schoolofmotion.com/design-bootcamp)

05.00 - How Ben reached out to [Rich Nosworthy](http://www.richnosworthy.tv/) for tips on what to learn

06.50 - How Ben’s brother’s connection to [Matt Von Trott](http://www.assemblyltd.com/resident/matt-von-trott) eventually landed him a meeting with [Jonny Kofoed](http://www.assemblyltd.com/resident/jonny-kofoed) of Assembly

08.25 - Matt’s biggest mistake early on: not understanding the importance of connecting with people when building a career

09.20 - Motion designers seem to be “falling over themselves” to help each other. [See Matt’s blog about this.](http://inkmotor.com/blog/2014/6/30/why-are-cinema-4d-maestros-so-nice)

12.00 - How doing tutorials can boost your confidence in the early stage of learning motion design

14.00 - [FXPHD](https://www.fxphd.com/) students’ reels tended to stand out because of the emphasis there on creating your their work using techniques they’d learned.

17.00 - How Matt started out learning C4D: [Vertex Pusher](http://www.c4dlounge.eu/forum/showthread.php?t=4691) Hrvoje Srdelic

22.35 - How passion for animation is palpable to people doing the hiring

24.00 - School Of Motions [Animation Bootcamp](https://www.schoolofmotion.com/animation-bootcamp) course

27.00 - Finding the time to work on motion design around having a family

29.10 - Ben’s latest [reel](http://ben.buchanan.io/reel)

33.00 - Ben and Matt talk about their plans for the future

36.30 - Ben is looking to create something “scalable” for the future, so he doesn’t have to be seeking freelance gigs “at 55”

37.16 - **Pro Video Picks:**

[Blender](https://www.blender.org/) which is undergoing a huge upgrade thanks to the [Blender Codequest](https://www.blender.org/2-8/quest/)

For Ben’s picks, see below

39.15- **Inspirational Video:**

[Looking Out My Back Door](https://vimeo.com/97426637) by Ariel Costa

[Forms in Nature](https://vimeo.com/155263612)

[Anchor Inside Out](https://vimeo.com/208039522)

[Cosmos Laundromat](https://gooseberry.blender.org/)

[Jamie XX Gosh](https://youtu.be/WjNssEVlB6M) Official Music Video

41.07 - **Sources of Inspiration:**

Vimeo

Dribble

Mimicry, accents, voices, language

45.06 - **Who should we have on the show?**

[Sean Kennedy](https://openvisualfx.com/)

[Mathijs Luijten](http://www.mathijsluijten.com/)

43.04 - **Follow Lee Online:**

Ben: [Ben.buchanan.io](http://ben.buchanan.io/)

Matt: [twitter](https://twitter.com/printomattic), [inkmotor.com](http://inkmotor.com/)

**Pro Video Podcast Online:**

[Blair Walker - Twitter](https://twitter.com/blairwalker)

[Pro Video Podcast - Slack](https://join.slack.com/t/provideogroup/shared_invite/enQtMzcwODc1ODE1OTc0LTEwZGE1OGY5ZGQ5YTAzYjZiN2VjY2YyODBjNDFmMTAzYjEwMzViMTFkNjc0MzcyZGVjNGY0MThiMjVhNTkyNDk)

[Pro Video Podcast - Facebook Group](https://www.facebook.com/groups/provideopodcast/)

[Pro Video Podcast - Twitter](https://twitter.com/provideopodcast)

[Pro Video Podcast - Website](http://worldpodcasts.com/pro-video-podcast/)

Lee shares his approach to Directing and the relationships that make for a better result. Host Blair Walker discusses with Lee how they work as a team with everyone at FCB New Zealand. A lot of discussions about Cinematography, lighting approaches and career development.

**Show Notes:** Compiled by [Matt Lloyd](http://inkmotor.com/)

00.40 - Lee introduces himself and explains his role as a content director

04.50 - Discussion of problem solving as a fundamental creative process across all aspects of a production

06.00 - “Stress is contagious”

07.00 - [Metrofilm](http://metrofilm.co.nz/)

07.15 - Shooting: with quality gear and expertise, much time and money is saved: you can craft your film, instead of having to rescue shoddy footage

08.45 - [Imaginarium](http://www.imaginariumuk.com/)

09.00 - Discussion of in-camera effects, such as contact lighting, which are then supplemented by VFX.

10.00 - How open conversations between director and crew during pre-production can make for a happy production (listen to [Hugo Guerra](https://worldpodcasts.com/hugo-guerra-award-winning-director-and-visual-effects-supervisor-pro-video-podcast-51/) on this topic)

14.00 - How being transparent about the limits of your knowledge and abilities as opposed to trying to hide them (e.g. with a technique you have never used before) can garner extra support and appreciation for you.

16.10 - An overview of Lee’s role

18.00 - “Editing in your head”: shooting with the edit front and centre in your mind.

21.00 - Always have backup e.g. audio and cutaway shots

23.20 - Building relationships with producers, and Lee’s preference for being on top of budgets

27.00 - “Never stinge on kit”

28.05 - [Imagezone](http://www.imagezone.co.nz/), [Kingsize](http://kingsize.co.nz/) film gear rental

28.20 - [Arri Alexa Mini](http://www.arri.com/camera/alexa_mini/camera_details/alexa-mini/subsection/features_alexamini/) camera

28.55 - [Sony A7S II](https://en.wikipedia.org/wiki/Sony_%CE%B17S_II) camera

30.23 - Lighting tips, including cutting light

33.19 - Fun fact about the Raiders of The Lost Ark sword fight scene

34.33 - Lee’s career, including a stint in the porn industry

36.45 - Lee learned most of what he knows about lighting in the porn industry

37.46 - **Pro Video Picks:**

“Keep it in-camera” see [Mad Max effects breakdowns](https://www.fxguide.com/featured/a-graphic-tale-the-visual-effects-of-mad-max-fury-road/#dayfornight)

39.15 - **Inspirational Video:**

[Fresh Guacamole](https://www.youtube.com/watch?v=dNJdJIwCF_Y) by Pes

40.43 - Audio and video are 50/50 in any video project. “Make sure you spend just as much time on the audio as you do on the video”

41.07 - **Sources of Inspiration:**

Theatre

42.11 - **Who should we have on the show?**

[James Solomon](https://www.nzonscreen.com/person/james-solomon)

43.04 - **Follow Lee Online:**

[Lee Stapleton - Instagram](https://www.instagram.com/lee_stapleton/)

Not long into his career he is inspirational in the work he’s creating and his passion. Aaron shares his progression from being a student, internships and then working full time at Stink Studios in New York City.

**Show Notes: Compiled by [Matt Lloyd](http://inkmotor.com/)**

00.45 - Aaron introduces himself

01.20 - [Stink Studios](https://www.stinkstudios.com/) NYC

02.10 - [Game Of Thrones Wynalda Packaging](http://aaroncovrett.com/work/got-2/) piece

05.30 - How Aaron’s creative take on the GOT titles won him an internship

07.20 - Aaron’s strategic choices of internships

07.45 - About Stink Studios

10.10 - Aaron’s 3d experiments

14.00 - Specialist vs generalist discussion

17.10 - Aaron’s trial by fire working as the sole motion designer on [Google National Park Service Centennial](https://www.stinkstudios.com/work/google-the-hidden-worlds-of-the-national-parks) by Stink

22.10 - Aaron’s deep dive into eGPUs, and the global shift in motion design from Apple to PC

26.00 - The utility of comping in footage for VFX (for eg particles) rather than trying to run a sim

27.50 - Posting WIPs [Kingston Throop Avs](https://www.instagram.com/p/BiviqWcgpyf/?hl=en&taken-by=aaroncovrett) piece

30.00 - Skating around burnout, and the boost that can come from posting wips.

33.00 - Resources and community for those working as the lone motion designer within a company.

34.30 - [Shape layers wiggle transform](https://www.youtube.com/watch?v=YwuSd8-EyEo)

35.00 - [John Dickinson C4D modelling](https://twitter.com/Motionworks)

35.10 - [Allegorithmic Substance on Discord](https://discordapp.com/invite/010JCPblJTh3d6CXe)

35.50 - The days of hoarding your knowledge for competitive advantage are over

37.45 - Substance FAQ: how to UV unwrap a model

38.00 - Aaron uses [3DCoat’s auto UV unwrap](https://www.youtube.com/watch?v=NdiyFkuNHh0) function

39.10 - How, as a graduate, do you survive in NYC? You have to shift your expectations: life is really expensive here, but making connections is much easier in a huge city.

41.24 - **Pro Video Picks:**

[Substance Painter Live Link](https://gumroad.com/l/fTRFN) by Xolotl

44.10 - **Following Online:**

[Reply All](https://www.gimletmedia.com/reply-all)

45.45 - **Sources of Inspiration:**

[Archillect](https://twitter.com/archillect?lang=en)

50.46 - **Inspirational Video:**

[Mattis Dovier](https://vimeo.com/mattisdovier)

52.34 - **Who should we have on the show?**

[Art by Rens](http://www.artbyrens.com/)

54.45- **Follow Aaron Online:**

[Twitter](https://twitter.com/aaroncovrett?lang=en)

[Gumroad](https://gumroad.com/aaroncovrett)

[Web](http://aaroncovrett.com/)

**Pro Video Podcast Online:**

[Blair Walker - Twitter](https://twitter.com/blairwalker)

[Pro Video Podcast - Slack](https://join.slack.com/t/provideogroup/shared_invite/enQtMzcwODc1ODE1OTc0LTEwZGE1OGY5ZGQ5YTAzYjZiN2VjY2YyODBjNDFmMTAzYjEwMzViMTFkNjc0MzcyZGVjNGY0MThiMjVhNTkyNDk)

[Pro Video Podcast - Facebook Group](https://www.facebook.com/groups/provideopodcast/)

[Pro Video Podcast - Twitter](https://twitter.com/provideopodcast)

[Pro Video Podcast - Website](http://worldpodcasts.com/pro-video-podcast/)

The Vision Feast Film Festival is an opportunity for Filmmakers and Motion Designers to enter the numerous categories. Jonathan explains the focus of the festival and the prizes that are on offer.

**Show Notes: Compiled by [Matt Lloyd](http://inkmotor.com/)**

00.45 - About [The Vision Feast](https://filmfreeway.com/TheVisionFeast)

04.25 - [Te Makutu](http://zsofipictures.com/temakutu/) short film

07.50 - Planned live events for The Vision Feast in 2019

13.35 - Jonathan’s film-making background

13.55 - Te Makutu was shot in four blocks, one in each season

14.22 - It has just won best film 2018 at [NZ International Film Festival](https://www.nziff.co.nz/)

17.00 - The background of the movie: Rhiannon Harata’s dreams

18.30 - Editing process for Te Makutu: from 2 hours down to a short

22.41 - Vision Feast 2018 judges: [Chris Graham](http://goodlifefilms.co.nz/), director, [Juliette Furness](https://www.julietfurness.com/), acting coach

26.05 - **Pro Video Picks:**

Fasting to help with focus and productivity

29.15 - **Inspirational Video:**

[Suraya, Seed of Light](https://vimeo.com/239799545) a submission to [Festival Des Histoires](https://filmfreeway.com/FestivalofTime), Canada

30.00 - **Sources of Inspiration:**

Visiting art galleries while travelling

31.45 - **Following Online:**

Podcasts:

[No Such Thing As A Fish](http://qi.com/podcast/)

[My Dad Wrote A Porno](http://www.mydadwroteaporno.com/)

33.00 - **Follow Jonathan Online:**

[Web](http://zsofipictures.com/)

[Te Makutu](https://www.youtube.com/watch?v=aASlHOjdGAEhttps://vimeo.com/sixteencorners)

[Facebook](https://www.facebook.com/JonathanZsofi)

**Pro Video Podcast Online:**

[Blair Walker - Twitter](https://twitter.com/blairwalker)

[Pro Video Podcast - Slack](https://join.slack.com/t/provideogroup/shared_invite/enQtMzQ5NDcxODg5MzEzLTgyMWFkODQwNmEyMTk2Yjc2YjE2NTJlOWRmYzQxMDA2NzA4ZGZlODFhZjM0ZGIyMTE0ODViNWZhZTBkZTllMGE)

[Pro Video Podcast - Facebook Group](https://www.facebook.com/groups/provideopodcast/)

[Pro Video Podcast - Twitter](https://twitter.com/provideopodcast)

[Pro Video Podcast - Website](http://worldpodcasts.com/pro-video-podcast/)

At Sixteen Corners, they unapologetically create video from an 'audience-first' perspective. They believe no video should ever be boring, nor fail to provide that emotional payoff. This approach is discussed as well as some key projects by Mike and the team at Sixteen Corners.

**Show Notes: Compiled by [Matt Lloyd](https://twitter.com/printomattic)**

00.44 - About [Sixteen Corners](https://www.sixteencorners.com/)

03.15 - Origin of the name

04.30 - Composition of the team: small and nimble with plenty of trusted freelancers

07.15 - [Mint Films](https://www.mintfilms.com.au/)

08.35 - Blair: Success is solely driven by motivation and passion

09.00 - Mike’s bio

10.00 - Mike’s part time job fell through, at which time he began interning at post houses, where he met...

10.30 - Martin Taylor, now head of production at [StartVR](https://startvr.co/), who hooked him up with his first freelance jobs.

11.40 - In 2003 Began work in the “Broadband Department” at ABC tv, Australia.

13.00 - [Blink TV](http://www.blinktv.com.au/)

14.00 - How getting into the industry has changed with the ever increasing accessibility of video tech, and how certain useful processes/strategies can easily be overlooked by younger people.

17.00 - How linear editing on a [Steenbeck](https://en.wikipedia.org/wiki/Steenbeck) informs Mike’s editing style

18.51 - [Terence Malick](https://en.wikipedia.org/wiki/Terrence_Malick)’s creative process

20.20 - [Adobe Premiere morph cut](https://helpx.adobe.com/premiere-pro/using/morph-cut.html)

21.45 - The increasing intuitiveness of UI design

23.30 - Mike’s blogpost: [Enough With Your Shitty Videos Already](http://www.bandt.com.au/opinion/enough-shitty-videos-already)

25.24 - [Martin Weigel](https://martinweigel.org/2014/04/22/reclaiming-plannings-radicalism/) of [Wieden Kennedy](http://www.wkams.com/) “our primary task is not the nurturing enthusiasm of the few, but overcoming the indifference of the many”

27.00 - Mike’s “audience first” approach to generating content

27.12 - [Michael Hauge](https://en.wikipedia.org/wiki/Michael_Hauge): “The reason people go to the movies isn’t to think, it’s to feel”

28.48 - “Don’t get your idea out there, get the emotion associated with that idea out there.”

35.00 - “What you’re selling to your clients is not a video, it’s the experience of making a video”

36.35 - [Market City Cinema Ad](https://vimeo.com/141011102)

38.04 - [Edgar Wright](https://en.wikipedia.org/wiki/Edgar_Wright)

39.00 - The importance of shot composition

42.30 - [iiNet rollercoaster](https://vimeo.com/237853365) piece by Sixteen Corners

48.33 - **Pro Video Picks:**

Learning a new, unrelated skill, in Mike’s case: playing drums

51.16 - **Following Online:**

[Heavyweight](https://www.gimletmedia.com/heavyweight/)

53.34 - **Sources of Inspiration:**

Being a dad

54.54 - **Inspirational Video:**

[The Good, The Bad And The Ugly](https://en.wikipedia.org/wiki/The_Good,_the_Bad_and_the_Ugly)

58.50 **- Who Should Be On The Show:**

[Stu Willis](http://www.stuwillis.com/pages/)

01.00.06 - **Follow Mike Online:**

[Web](https://www.sixteencorners.com/)

[Vimeo](https://vimeo.com/sixteencorners)

[Facebook](https://www.facebook.com/SixteenCorners/)

[Instagram](https://www.instagram.com/16corners/)

**Pro Video Podcast Online:**

[Blair Walker - Twitter](https://twitter.com/blairwalker)

[Pro Video Podcast - Slack](https://join.slack.com/t/provideogroup/shared_invite/enQtMzQ5NDcxODg5MzEzLTgyMWFkODQwNmEyMTk2Yjc2YjE2NTJlOWRmYzQxMDA2NzA4ZGZlODFhZjM0ZGIyMTE0ODViNWZhZTBkZTllMGE)

[Pro Video Podcast - Facebook Group](https://www.facebook.com/groups/provideopodcast/)

[Pro Video Podcast - Twitter](https://twitter.com/provideopodcast)

[Pro Video Podcast - Website](http://worldpodcasts.com/pro-video-podcast/)

Hilarious comedy TV shows, Films, Music Videos. Chris and the team at Late Night Films cover all areas from Directing, Writing, Filming, Editing, Visual Effects. How do you get funding for a series or prioritise making cool work. Chris discusses how.

Show Notes: Compiled by [Matt Lloyd](https://twitter.com/printomattic)

01.40 - about [LateNiteFilms](https://latenitefilms.com/)

04.00 - Chris’s career history

05.30 - [The Butchery](http://www.thebutchery.com.au/), [The Refinery](http://www.therefinery.net.au/)

06.10 - [Swinburne](https://www.swinburne.edu.au)

08.00 - [Guy Pearce music video “Storm”](https://latenitefilms.com/portfolio/storm/) by Michael Shanks

08.50 - Discussion of the making of Storm (accessible on the same page)

10.35 - [Wizards of Aus](https://latenitefilms.com/portfolio/the-wizards-of-aus/)

12.00 - How Wizards was funded, [Screen Australia](https://www.screenaustralia.gov.au/)

13.20 - The post production process: Premiere Pro using ProRes 444 UHD codec, compositing all done in After Effects, with 3d elements provided by other members of the team “in Michael’s mum’s basement”

15.00 - [Gareth Edwards crowd compositing techniques](https://www.fxphd.com/details/92/)

16.10 - Reception of Wizards of Aus

17.30 - Technical challenges tackled by LateNiteFilms eg in the making of [The Swell](https://latenitefilms.com/portfolio/the-swell/)

23.10 - Red Dragon camera, used under water on The Swell

23.40 - The family and friends core of LateNiteFilms

25.20 - Striking a balance between corporate and self-initiated work

27.00 - Their long term goal is to create feature films and big-budget Netflix series, rather than advertising, hence the emphasis on creative work.

27.30 - Avoiding debt in order to have more creative freedom

28.15 - Go for big bucks, or creative freedom: avoid the “middle ground” projects where you have neither.

29.00 - TVC for post production “can be hell”

30.00 - The changing economics of post-production

31.00 - The great creative fulfilment afforded by the loose process and tight-knit team behind Wizards Of Aus.

33.35 - **Pro Video Picks:**

[Commandpost](http://commandpost.io/) for FinalCutPro X

36.07 - **Following Online:**

[Lost In Space](https://en.wikipedia.org/wiki/Lost_in_Space_(2018_TV_series))

37.25 - **Sources of Inspiration:**

[FXPHD](https://www.fxphd.com/) back catalogue

[Andrew Kramer](http://www.videocopilot.net)’s old tuts

41.15 - **Inspirational Video:**

[Lumberjack Builder](https://www.youtube.com/watch?time_continue=15&v=IIiYlR1BFX8)

43.40 - **Follow Chris Online:**

[Twitter](https://twitter.com/latenitefilms)

[Facebook](http://facebook.com/latenitefilms)

44.50 **- Who Should Be On The Show:**

[Philip Hodgetts](http://www.philiphodgetts.com/)

**Pro Video Podcast Online:**

[Blair Walker - Twitter](https://twitter.com/blairwalker)

[Pro Video Podcast - Slack](https://join.slack.com/t/provideogroup/shared_invite/enQtMzQ5NDcxODg5MzEzLTgyMWFkODQwNmEyMTk2Yjc2YjE2NTJlOWRmYzQxMDA2NzA4ZGZlODFhZjM0ZGIyMTE0ODViNWZhZTBkZTllMGE)

[Pro Video Podcast - Facebook Group](https://www.facebook.com/groups/provideopodcast/)

[Pro Video Podcast - Twitter](https://twitter.com/provideopodcast)

[Pro Video Podcast - Website](http://worldpodcasts.com/pro-video-podcast/)

Never Sit Still is a world class Motion Design Studio based in Sydney. Mike Tosetto Director & Founder discusses with host Blair Walker Branding, Networking, Motion, 3D, Community, Process, Collaboration and how the studio has evolved.

The OFFF London 2017 titles are breathtakingly beautiful. The Character Design, Animation and Rendering are uniquely stylized. The Particle animations are mesmerizing in how they move, look and feel. Designed, Directed & Produced by FutureDeluxe. Adrian is the Director on this. Host Blair Walker delves into the creative process behind the work FutureDeluxe creates.

**Show Notes: Compiled by [Matt Lloyd](https://twitter.com/printomattic) **

01.00 - [Future Deluxe](http://futuredeluxe.co.uk/)

02.19 - [PVP Episode 7](https://worldpodcasts.com/adrien-lawrence-associate-creative-director-at-future-delux-pro-video-podcast-7/)

03.00 - [OFFF London 2017](http://futuredeluxe.co.uk/work/offf-london)

05.30 - The OFFF London 2017 team: James Callahan and Andrew Jones, owners of Future Deluxe, Andre (main art director), Nick and Thomas (Particle work in Houdini), Josef from Poland? (character animators), Liam Gabor, Igor (compositing),

09.40 - The team wanted to do the piece because they are not known for doing character animation and wanted to challenge themselves.

10.24 - Inspiration for the aesthetic of the piece

13.10 - Use of colour in the piece

15.50 - African tribal clothing, jewellery and adornment as inspiration

21.30 - The challenge of working with remote freelancers

22.30 - Process behind capturing the essence of a gesture

24.10 - Digital Kitchen titles for True Blood

28.00 - Particles made in Houdini, driven by live action shot by Davey Evans

28.36 - Future Deluxe piece for Intel with photography by him

31.00 - “Top down” photographic angles can be ignored when using CG

31.56 - Felix typographer on OFFF London

33.55 - Diadora Blushield

36.00 - How working direct with the client (rather than through an agency) proved advantageous on this project

41.00 - Housni (compositor)

41.55 - [Vitaly Grossman](https://www.vitalygrossmann.com/)

43.10 - [Foam studio](http://foam.studio/)

43.45 - **Pro Video Picks:**

Have a break from the computer: Time management and unwinding

47.40 - **Inspiration:**

[This Is Colossal](http://www.thisiscolossal.com/)

[Nowness](https://www.nowness.com/)

[https://hifructose.com/](https://hifructose.com/)

[SlimeSunday - Instagram](https://www.instagram.com/slimesunday/?hl=en)

[Isle of Dogs Movie](http://www.isleofdogsmovie.com/)

50.30 - Fine dining food Pinterest boards provide inspiration: form and colour

50.55 - **Following online:**

Joaquin Phoenix movies

[Slime Sunday instagram](https://www.instagram.com/slimesunday/?hl=en)

52.10 - **Inspirational Video:**

Isle of Dogs by Wes Anderson. [Isle of Dogs behind the scenes video](https://www.youtube.com/watch?v=idv4ZQYTZ7k)

53.30 - Justin animatronics for Isle of Dogs

55.10 - Follow Adrian online

[Adrian's Website](http://adrianlawrence.co.nz)

[Adrian's Instagram](https://www.instagram.com/a_m_lawrence/?hl=en)

55.30 - **Who should we have on the show?**

[Vitaly Grossman](https://www.vitalygrossmann.com/)

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Jon Barrie from Adobe discusses with Blair the recent updates to After Effects, Premiere Pro, Audition and Character Animator. Find out all of the new features & improvements for animation, motion design, editing, colour grading, audio mixing & much more.

**Show Notes: Compiled by [Blair Walker](https://twitter.com/blairwalker?lang=en)**

00.42 - Jon Barrie at [NAB 2018](https://www.nabshow.com/)

01.30 - Adobe Pro Video CC 2018.1 Update

02.20 - Plan your update because it will overwrite 2018.0

02.37 - After Effects [Master Properties](https://www.youtube.com/watch?v=ZjAW70_kePI&list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb&index=5) and [Essential Graphics](https://www.youtube.com/watch?list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb&v=JBUhFA01YmU)

11.24 - After Effects [Cinema 4D Lite R19](https://helpx.adobe.com/nz/after-effects/using/c4d.html)

12.18 - After Effects [Advanced Puppet Engine](https://www.youtube.com/watch?v=MOFuNeVg1To&list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb&index=6)

14.23 - After Effects and Premiere [Enhanced Adobe Immersive Environment.](https://helpx.adobe.com/premiere-pro/using/immersive-video.html)

15.02 - After Effects Skybox Mettle’s integration into After Effects

15.31 - After Effects Nulls from paths script

16.04 - After Effects GPU speed improvements

17.17 - After Effects Pick Whip for all properties

18.50 - Premiere Pro Shot Comparison and Match Grade

24.07 - Premiere Pro [Autoducking](https://www.youtube.com/watch?v=rSRZx_3Ph-g&list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb&index=16)

26.20 - [Open Premiere Pro projects](https://www.youtube.com/watch?v=U1Giyh9OWaQ&list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb&index=9) directly in Audition

28.12 - Premiere Pro Timecode Panel

29.44 - New format support: Camera RAW Sony X-OCN (Venice), Canon Cinema RAW Light (C200), and RED IPP2.

33.56 - Audition

34.40 - Audition Tracks Panel

34.55 - Audition Performance improvements

35.42 - [Adobe Feature Request and Bug Report Submission Form](https://www.adobe.com/products/wishform.html)

37.02 - [Adobe video and audio feedback pages](https://adobe-video.uservoice.com/)

39.30 - [Audition Clips Spotting](https://www.youtube.com/watch?v=n1-kDWE_0Sk&index=11&list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb)

41.06 - Character Animator [New Tools](https://www.youtube.com/watch?v=y9aztZ0dIF4&index=12&list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb) and [improved trigger workflows](https://www.youtube.com/watch?v=IWgWDg5f_ww&index=13&list=PLD8AMy73ZVxUxU4fZA4DjhBVlYmqWUdNb)

41.28 - Premiere Pro Hardware accelerated H.264 decoding

43.10 - Premiere Pro New Video Limiter

44.28 - After Effects & Media Encoder export gifs

45.26 - After Effects shy layers

45.59 - Centre anchor point for shape layers

**Pro Video Podcast Online:**

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