RadioWest

Thursday we’re talking RBG, aka Supreme Court Justice Ruth Bader Ginsburg, with filmmakers Betsy West and Julie Cohen. Their new documentary is part of this year’s Sundance Film Festival.

Wednesday, we're talking about the big bucks business of the contemporary art world with director Nathaniel Kahn. His new documentary film examines the role of art and artistic passion in today's money-driven, consumer-based society.

Tuesday, we continue our coverage of the 2018 Sundance Film Festival with Don Argott’s documentary film about Mormon rock ‘n roll star Dan Reynolds and his efforts to find some kind of middle ground between his church and the LGBT community.

Monday, we kick off our Sundance Film Festival with the documentary Won’t You Be My Neighbor? Director Morgan Neville joins us to talk about the life and philosophy of television icon Fred Rogers.

Friday, we’re rebroadcasting our conversation with Utah journalist Matthew LaPlante about life and survival in one of the world’s most dangerous place, El Salvador.

As state legislators gear up for another 45 days on Capitol Hill, we’re handicapping the 2018 Utah Legislative session and gauging the state’s political winds with the help of a panel of local reporters.

Wednesday, we’re talking about new LDS Church President Russell M. Nelson, other changes in the First Presidency, and how the Church may meet the challenges of a global faith in the 21 st century.

The reporter McKay Coppins joins us to talk about his profile of Vice President Mike Pence. Coppins investigates why Pence and Christian conservatives have created an unlikely alliance with Donald Trump. Pence believes it's all part of a divine plan.

The Black Panther party emerged from the tumult of the 1960s, and it gave African-Americans a new voice and a new posture. Filmmaker Stanley Nelson's film about the Panthers is told through the experiences of those who supported and opposed it.

The 1952 film High Noon is a Hollywood classic about a man standing up for what he believes, even as his community abandons him. For the man who wrote the screenplay, it's a political parable about his personal struggles during the Red Scare.