We're starting 2024 off by talking about....Metal Gear!?  Does the PlayStation classic still hold up? Join us as we discuss memorable boss fights, campy writing, and the prospects of a long-rumored remake.

Note: The music track at the start of the episode is “ENCOUNTER”, composed by Kazuki Muraoka for the Metal Gear Solid Original Soundtrack. We in no way have or claim ownership of this music.

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Time for a break! This time we kick back, relax, and argue about The Game Awards. Join us as we discuss the winners, the losers, and how 2023 will be viewed as a year of gaming in the future. Happy Holidays everyone!

Note: The music track at the start of the episode is “Fanfare”, originally composed by Nobuo Uematsu for the Final Fantasy XVI Original Soundtrack. We in no way have or claim ownership of this music.

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Time to spiral out of control! This time we deliberate on one of the most critically successful games of 2023. Did it deserve it? Join us as we discuss unsolved mysteries, annoying jump scares, and how we never thought this would be our most contentious episode yet.

Note: The music track at the start of the episode is “Dark Ocean Summoning”, composed by Old Gods of Asgard (Poets of the Fall) for a nighttime concert at Cauldron Lake (the Alan Wake 2 Original Soundtrack). We in no way have or claim ownership of this music.

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Jameson said he wanted podcasts about Spider-Man, so we delivered! Wait, he said pictures? Too bad! This time, we dive, fly, and swing into the latest game about everyone's favorite web-slingers. Join us as we discuss surprise playable characters, cooldown timers, and how delicious a chopped cheese sounds to a Philadelphian.

Note: The music track at the start of the episode is “Swing (feat. Benji)”, composed by EARTHGANG for the Marvel's Spider-Man 2 Original Soundtrack. We in no way have or claim ownership of this music.

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In space, no one can hear you - wait, this isn't Alien! In this very spoooooooky episode, we discuss something else set in space - both its original and remade forms. Join us as we discuss sci-fi character names, great atmosphere, and how Mark is apparently the only one who didn't mind the flamethrower.

Also, we totally forgot to record the Kwasnicki rating! Jason gave it an 8.7. Pretty good!

Note: The music track at the start of the episode is “The Leviathan”, composed by Jason Graves & Trevor Gureckis for the Dead Space (2023) Original Soundtrack. We in no way have or claim ownership of this music.

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Time for another DLC spoilercast! Capcom gave us what we all expected - a side-story focused on everyone's favorite spy donned in red. How does it compare to the base game? Join us as we discuss confusing exposition, iffy voice acting, and what's likely next in the "remake" saga.

Note: The music track at the start of the episode is “The Drive ”, composed by Kota Suzuki for the Resident Evil 4 (2023) Original Soundtrack. We in no way have or claim ownership of this music.

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Nearly a year ago, we announced we'd be doing this episode without realizing it was only on the new generation consoles, and Jason didn't have a PS5 yet. Whoops! But the time has finally come - was it worth the wait? Join us as we discuss historical inaccuracies, misleading progression systems, and The End of Evangelion.

Note: The music track at the start of the episode is “A Plague Tale: Requiem”, composed by Olivier Deriviere for the A Plague Tale: Requiem Original Soundtrack. We in no way have or claim ownership of this music.

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The legacy of podcasting has shaped our history for long enough...but we're gonna keep at it anyway! This time, we tackle Mark and Jason's most anticipated game. Did it deliver? Join us as we discuss a heavily interpretative ending, MMO design philosophies, and how there's so many memorable characters that we forgot some of their names.

Note: The music track at the start of the episode is “Hide, Hideaway”, composed by Takafumi Imamura for the Final Fantasy XVI Original Soundtrack. We in no way have or claim ownership of this music.

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When you're lost in the darkness...look for this episode of Reap the Spoils! This time we try something new - instead of talking about a video game, we talk about a show based on a video game. Join us as we discuss the simple gameplay of navigating a streaming service, changes made from source material, and what is probably the best video game adaptation in a group where the bar is set admittedly pretty low.

Note: The music track at the start of the episode is “The Path (A New Beginning)”, composed by Gustavo Santaolalla for the The Last of Us Original Soundtrack. We in no way have or claim ownership of this music.

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We sense something...a presence we've not felt since...2019? Cal Kestis is back in a new Star Wars Jedi game, and we're here to break it down. Join us as we discuss the highs and lows of the narrative, unfair enemy encounters, and how weird it is to get a goatee from a chest.

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