We spoke about Mills & Boon last week and now we're onto Harlequin. While we go through the history of Harlequin, we continue with the lens of how gatekeepers influence the romance genre. While writing this script, I was influenced by John Markert’s book Publishing Romance where he argues that gatekeepers often use their own tastes as a barometer for what readers want. Markert argues another driver for gatekeepers is what they perceive market conditions to be. This often results in gatekeepers acting conservatively as they try and find a product that is similar to yet slightly different from what’s on the market. We talk about a few editors again and how they influenced their authors, Vivian Stephens and her time at Harlequin, how heroines having jobs has been editorial policy since the 80s, and how mass market paperbacks will be dramatically scaled down in the upcoming year.

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When we look at the history of romance novels, often people pin the start of modern romance history to the 1972 publication of The Flame and the Flower by Kathleen Woodiwiss. By doing this, people erase a key evolution and influence in romance, which is the category romance. If you’re from the UK then you already know that the category publisher there is Mills & Boon, and they’ve been a publisher for a little over a century. First starting out as a general publisher in 1908, over the decades Mills & Boon gradually specialized in romance novels. Harlequin, first seeking to re-print their medical romances, eventually bought Mills & Boon in 1971. While we look at the history of the company, we also focus on publishing gatekeepers and how they’ve influenced the romance genre.

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Pamela Morsi’s books were different than the typical historical romance of the time. Writing stories set in rural America, with poor or working class characters, Morsi was hailed as the “the Garrison Keillor of romance fiction,” by Publishers Weekly. When demand for the Americana subgenre waned after 2000, Morsi switched over to contemporary romance and women’s fiction with 2002’s Doing Good. She continued to write through 2014, publishing 29 books in her long career. She died this past December. Garters, published in 1993, is one of Morsi’s most beloved books. Following Esme Crab, a poor hill girl who wants to marry up, and Cleavis Rhy, a storeowner with aspirations of being a gentleman, Garters is an unusual tale about class, love, and ambition that is goofy, tender, and at times heartbreaking.

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Chasing Cassandra by Lisa Kleypas is the sixth book in the Ravenel series. The Ravenels are the most recent series in Kleypas’ extended universe—going back to the Gamblers of Craven. The Ravenels are a family made up of two sets of cousins: Devon, Earl of Trenear and West Ravenel, then Helen Ravenel and her twin sisters Pandora and Cassandra. Cassandra’s main goal is to have a family and she feels particularly lonely on the day of her twin’s wedding. Tom Severin, an industrialist and sometimes friend to Devon and West and Ravenel, offers to marry her after he overhears her express her anxieties about ever getting married. He’s immediately taken with her beauty and pragmatic interest in running a home, two things he is seeking in a wife. But when Tom reveals to Cassandra that he can never love her because he insists he is incapable, she puts distance between them. This book is one of Kleypas’ more recent publications, from 2020. She has a long backlist and while this book definitely reads like a romance from the 2020s, there are many tell-tale signs of a Kleypas original.

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Emma uses her lawyer powers to teach Chels and Beth about the history of obscenity law in the United States. The impetus for this episode came about because sometimes well-meaning people misapply these laws or standards to current book banning resistance. Emma shows us how "but what about the children" has been there from the very beginning. How people in the past have talked about sex in books is Very Familiar unfortunately. (Even in current bookish spaces!) And, most importantly, how often suppressing sex in books is really hiding political motivations.

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In Bed with the Devil by Lorraine Heath is the first in the Scoundrels of St. James series. The series is Oliver Twist fanfiction, as it follows Fagin’s crew of child thieves as grown ups. The first book features Lucian Langdon, referred to as the devil earl as it’s common knowledge he murdered his supposed uncle. I say supposed, because Luke was adopted by the Earl of Clayborne. This earl is the father of the man who Luke killed. Because of Luke’s silver eyes, the earl believes him to be his long lost grandson who disappeared as a child. Luke struggles to believe he’s really his grandson, but says the right things to become adopted. The romance is between him and Catherine, the daughter of a duke. She’s looking for someone to murder on her behalf. She chooses Luke for his reputation and refuses to say who it is until he agrees to it and the time is right.

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Murmur of Rain is a Gothic-tinged historical romance set in France and Haiti in the 1890s by Patricia Vaughn. Lauren Dufort is the daughter of a descendent of enslaved people in French Guiana and a white Frenchman. Her parents were deeply in love, but their marriage estranged them from society, so when Lauren is orphaned as a teen, she is raised by her paternal aunt, Claude, who runs a gentleman’s club, knowing that her mixed-race identity may keep her from ever making a love match in 19th century France. But when handsome Haitian Roget de Martier arrives at Claude’s club, Lauren is immediately smitten and he seems to reciprocate interests. There are hints of secrets about his past and family in Haiti, but when the rich gentleman proposes marriage instead of a mistress arrangement, Lauren’s head and heart both feel like this is her best chance at happiness.

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The Rakes discuss The Moon in the Palace by Weina Dai Randall. In response to the question what inspires or interests Dai Randall about a time period, she said: “To me, the period of time is not as important as the historical figure or the event itself.” This focus is evident in her the book that imagines the early years of Empress Wu. Known as Mei, she enters the palace as a teenager in 639 and becomes a concubine to Emperor Taizong. She falls in love with one of his son’s Li Zhi. As their lives are dictated by the emperor, they hide their relationship. Join our discussion about how we should characterize historical figures, how we define romance, political violence, and happy endings.

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Previously released as a bonus episode on Patreon, Emma and Beth discuss the books they loved and hated from 2024:

Raves

The Hidden Moon by Jeannie Lin

One Burning Heart by Elizabeth Kingston

The Secret Pearl by Mary Balogh (related article by Emma “why now? why this duke?”)

A Splendid Defiance by Stella Riley

Fast Women by Jennifer Crusie

Medievals series by Madeline Hunter

Rants

Reading the Romance by Janice Radway (Longer rant by Beth “Is this 1984 romance scholarship the root of all the arguments I hate?”)

Don’t Forget to Smile by Kathleen Gilles Seidel

The Earl Takes All by Lorraine Heath

Seducing Mr. Knightly by Maya Rodale

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Notorious Pleasures is the second book in Elizabeth Hoyt’s Maiden Lane series. Elizabeth Hoyt came onto the historical romance scene with her 2006 debut The Raven Prince. She writes strong characters who have opposing ideological centers to generate conflict. Lady Hero, the daughter of a duke, is set to marry Lord Mandeville, Thomas, in an advantageous society marriage. They will consolidate lands and interests and Hero can strengthen his parliamentary position . Her desire to marry Thomas comes about mostly so she can appease her brother, the one who arranged the match. Yet, it’s Thomas’ brother, Griffin, that catches Hero’s eye. The feeling is reciprocated and made all the more complicated by the gossip that Griffin seduced Thomas’ first wife.

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Beth’s TikTok

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