Brooklyn-based flutist Roberta Michel is dedicated to the music of our time. She has commissioned and premiered hundreds of new works and has worked with many notable composers of our day.

Roberta is the flutist and Co-Director of Wavefield Ensemble and is a member of PinkNoise and Duo RoMi.

Roberta's debut solo flute album, Hush, was released on November 1st with New Focus Recordings. Host Stephen Anthony Rawson talks with her about pieces and composers featured on the new album. 

Alarm Will Sound is a ground-breaking 20-member chamber orchestra that challenges and reshapes musical conventions through performances of music by today's composers.

Artistic Director Alan Pierson talks with Seth Boustead about 25 years of music-making with Alarm Will Sound and their latest recording: Land of Winter by Donnacha Dennehy.

The latest in our recurring feature On the Radar features new music currently top of mind for hosts Austin Williams, Neve Jahn, Stephen Rawson and Matthew Dosland.

Featuring music by Dakn, Kinan Abou-Afach, Laurie Anderson, Dai Fujikura and Peni Candra Rini.

Tobias Picker is a celebrated American composer of operas and orchestral music called by BBC magazine "one of the most consistently interesting among the present generation of US theatre composers."

Seth Boustead talks with him about three of his seminal operas, Awakenings, Lili Elbe and Fantastic Mr. Fox.

In this live taping of Access Contemporary Music’s award-winning podcast Relevant Tones we'll talk with John McWhorter about the development of language and perform several new pieces of music inspired by and incorporating language and created especially for this evening.

McWhorter teaches linguistics, philosophy, and music history at Columbia University, and writes for the New York Times on language and race issues. His book The Power of Babel is the first book written for the layperson about the history of language.

Host Austin Williams speaks with composer and theorist Reiko Futing about his latest album brokenSong. Austin and Dr. Futing had some pointed conversation regarding post modern thought and the use of existing materials. You may even hear Austin's brain expanding as Dr. Futing imbues some incredibly powerful knowledge regarding his process and compositions. Congrats to Dr. Futing on the success of this truly marvelous album.

Bonnie Whiting is a percussionist, composer, and educator based in Seattle. She's the Chair of Percussion Studies at the University of Washington and the Co-Artistic Director of the Seattle Modern Orchestra. In her work, she seeks out projects involving the speaking percussionist, non-traditional notation, improvisation, and interdisciplinary performance.

Stephen Anthony Rawson sits down with Bonnie at her studio at the University of Washington. They talk about pieces from her speaking percussionist repertoire, the music of John Cage, narratology in music, her project Through the Eye(s), and more!

Established in New York City in 1998, the string quartet ETHEL has been described as “indefatigable and eclectic” (The New York Times), “vital and brilliant” (The New Yorker). Composer performers—Ralph Farris (viola), Kip Jones (violin), Dorothy Lawson (cello), and Corin Lee (violin)—fuse uptown panache with downtown genre mashup. ETHEL has performed across the United States and worldwide; released 10 feature albums; guested on 50+ recordings; won a GRAMMY® with jazz legend Kurt Elling; and toured with Todd Rundgren & Joe Jackson. ETHEL champions the art and music of today, forging human connections across sound and style.

Access Contemporary Music's Thirsty Ears Festival is Chicago's only classical music street festival. For two days we close Wilson Ave. in front of our music school for stellar music performances, craft beer and wine, food trucks and community vendors. We feature a small sample of the contemporary music performed on this year's festival.

Composer, improviser, and producer David Crowell speaks with host Austin Williams about their new album Point/Cloud. This post minimalist gem explores collaborations with a variety of arts that David has worked with previously. "...the work’s pointillistic texture and thick counterpoint, amassing over time into “clouds” of sound.