Sir attemptS a new strategy for rousing the Apprentice, bringing him a delicaTe snail shell.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-42/

Or: https://docs.google.com/document/d/1R8x6ZMypckOE0CBSU9cVD2mUvW1lc3lPDWlwSwTmxag/edit?tab=t.0#heading=h.88ooz7d9i2g8

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CONTENT WARNINGS:

• Discussion of death
• Description of corpses
• References to sex
• Depictions of sexual desire
• Implications of sexual acts
• References to acts of violence, implied to be motivated by homophobia, specifically at a protest
• Brief discussion of homophobia in 1960s/70s Paris
• Mentions of ‘red scare’ and implications of fear of communism
• Mention of a nazi collaborator
• Implications of violent death

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Sir is reaching a place of desperatioN and is desperate to find anY meaning in it.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-41/

Or: https://docs.google.com/document/d/1DVEZERuJtevZbpgn1UwiqxtiAh-PrFHXxVxgtKXEbp8/edit?usp=sharing

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CONTENT WARNINGS:

• Discussion of death
• Depictions of emotional distress
• Mentions of sex and references to sexual intimacy
• Mentions of death
• Discussions of mental illness
• Implications of suicide
• Depictions of extremely negative headspace
• Hard drug use

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The Apprentice continues to read the empty canvas with dripping paint, and a faMiliar imAge begins to emerge.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-40/

Or: https://docs.google.com/document/d/1mCkvc3C8iytpkrIf3TGK03VOfx2HkJB79ydNm7Ahcfw/edit?tab=t.0

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CONTENT WARNINGS:

• Discussion of death
• Scenes with nudity and references to sex
• Descriptions of artwork depicting violent scenes, including dead animals
• Violent death
• Depictions of pain and panic
• Repeated mentions of blood and bleeding
• Scenes with heavy emotional distress
• Depictions of extreme panic and fear

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The Apprentice and Sir find themselves in Another new place, but still find more queStions than answers.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-39/

Or: https://docs.google.com/document/d/1CIkPR0cIZ3jYk1Hwhof4V_rpkbyofSRSk8FfzErnDkw/edit?tab=t.0#heading=h.88ooz7d9i2g8

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CONTENT WARNINGS:

• Discussion of death
• Depictions of emotional distress
• Depictions of a character in psychological pain
• Ominous sense of threat
• Descriptions of blood and injury from glass

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Hi! I’m Eira, the voice of Sir and the Apprentice, and also the person who writes this show, sound designs it, and puts it out into the world. There’s no new episode of the show this week because I’ve been unwell and haven’t been able to finish it, so instead, you’ll be hearing this intermission, which features the Apprentice reading a Shakespeare monologue. I hope you enjoy it.

All the world’s a stage,

And all the men and women merely players;

They have their exits and their entrances;

And one man in his time plays many parts,

His acts being seven ages. At first the infant,

Mewling and puking in the nurse’s arms;

And then the whining school-boy, with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress’ eyebrow. Then a soldier,

Full of strange oaths, and bearded like the pard,

Jealous in honour, sudden and quick in quarrel,

Seeking the bubble reputation

Even in the cannon’s mouth. And then the justice,

In fair round belly with good capon lin’d,

With eyes severe and beard of formal cut,

Full of wise saws and modern instances;

And so he plays his part. The sixth age shifts

Into the lean and slipper’d pantaloon,

With spectacles on nose and pouch on side;

His youthful hose, well sav’d, a world too wide

For his shrunk shank; and his big manly voice,

Turning again toward childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness and mere oblivion;

Sans teeth, sans eyes, sans taste, sans everything.

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Hosted on Acast. See acast.com/privacy for more information.

Sir and the Apprentice find in a half-familiar plaCe, and the Apprentice triEs to bargain for something, though he’s not sure what he’s asking for.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-38/

Or: https://docs.google.com/document/d/1THkSjJ84qdV4QTO9mjcCOmfLym57jhUYyxWEb5LvyCQ/edit?tab=t.0#heading=h.88ooz7d9i2g8

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CONTENT WARNINGS:

• Discussion of death
• Depictions of emotional distress
• Depictions of a character in psychological pain
• Ominous sense of threat
• Descriptions of blood and injury from glass

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Follow the show on Tumblr: https://remnantspod.tumblr.com/

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Thanks to my incredible supporters on Patreon. Without you, this show could not exist.

Hosted on Acast. See acast.com/privacy for more information.

Sir struggles when his experiences mirror those of his Apprentice, and he Wonders what it means if the power in his possessIon is so far beyond his understanding.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-37/

Or: https://docs.google.com/document/d/12rfkOQVbtBYmZASGpsKQ-nigETYkpaVgPgiUCQPyAkw/edit?usp=sharing

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CONTENT WARNINGS:

• Discussion of death, including the death of a child
• Descriptions of life in a war zone
• Sound effects mimicking distant gunfire (quiet)
• Depictions of mourning
• Depictions of lasting trauma
• Mention of potential people-trafficking (vague, non-specific)

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Thanks to my incredible supporters on Patreon. Without you, this show could not exist.

Hosted on Acast. See acast.com/privacy for more information.

Sir takes the reins aGain, but it’s not clear whether things are back to normal, or whether they have become someThing new.

Transcript with content warnings:

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-36/

Or: https://docs.google.com/document/d/1ohrTCN1d6TFV7w6pFVsx7dyYoUFMlpy-iKI4w4xanDs/edit?usp=sharing

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CONTENT WARNINGS:

• Discussion of death
• Amnesia
• Mentions of severe sickness
• Discussions of complex grieving processes
• References to casual racism, specifically anti-black racism
• Mentions of ableism typical of the 1930s-40s, with regard to autism
• Discussions of war, specifically references to WW1 in both France and Uganda, and descriptions of life in occupied France during WW2
• Descriptions of explosions, smoke and gunfire
• Depictions of characters in pain and emotional distress
• Deliberate psychological harm

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Hosted on Acast. See acast.com/privacy for more information.

The Apprentice wanders in the dust, and spots somethIng familiar in the distaNce.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-35/

Or: https://docs.google.com/document/d/138XTk5TvnC_1LzbmOv8sAw1T_78Jy5sbyOHTVj2D8eQ/edit?tab=t.0

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CONTENT WARNINGS:

• Amnesia
• Surreality
• Manipulation

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Follow the show on Tumblr: https://remnantspod.tumblr.com/

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Hosted on Acast. See acast.com/privacy for more information.

AnothEr remnant is found half-submergEd in sand.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-34/

Or: https://docs.google.com/document/d/137BjXvk2hrbpIOCKaIb64Bl4KHwy0sI8C9YEUhFwuUw/edit?usp=sharing

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Support the show on Patreon: https://www.patreon.com/hangingslothstudios

CONTENT WARNINGS:

• Discussion of death
• Description of corpses
• Child labour
• Gaslightlighting
• Descriptions of sex
• Violent death

Leave a review on Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315

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Follow the show on Tumblr: https://remnantspod.tumblr.com/

Follow Eira on Bsky: https://bsky.app/profile/hangingsloths.bsky.social

Thanks to my incredible supporters on Patreon. Without you, this show could not exist.

Hosted on Acast. See acast.com/privacy for more information.