A return to the corriDor with the furnaCes challenges the Apprentice’s latest theories about the First and Last Place.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-47/

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CONTENT WARNINGS:

• Discussion of death
• Mentions of memory loss
• Discussions of trauma
• References to drug use
• References to implied PTSD
• Implications of suicidal ideation

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The First and Last Place has shifted again, and the Apprentice choOses to read another remnant, hoping it wilL lead him to freedom.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-46/

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CONTENT WARNINGS:

• Implications of child abuse, verbal
• Implications of medical abuse
• Descriptions of a person in extreme ill health, including being very underweight
• Discussions of parental loss
• Discussions of war, including violent deaths
• Implications of murder
• Mentions of PTSD
• Implications of sexual assault
• Descriptions of a scene of intense abuse or torture
• Descriptions of violent death

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The Apprentice reads the rest of a remnAnt. What he learns maY be the key to his release.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-45/

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CONTENT WARNINGS:

• Discussion of violent death
• Description of corpses
• Description of drug use
• Description of ‘cold turkey’ cessation of drug use
• Descriptions of death in the context of war. 
• Mentions of fascism 
• Descriptions of healed injuries caused by torture
• Portrayal of morphine-induced hallucinations
• Portrayal of emotional distress, including crying

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The Apprentice wakeS agAin.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-44/

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CONTENT WARNINGS:

• Descriptions of nude bodies
• Discussions of past fascist occupation
• References to alcohol use and abuse
• References to use and abuse of illegal drugs
• Scenes of a sexual nature
• Descriptions of unhealthy use of sex as a coping mechanism
• Discussions of death, including sudden, violent death

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Sir questions the mAnner in which the remnants aRe discovered, and where he and the Apprentice might fit within a larger picture of what has happened to them both.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-43/

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CONTENT WARNINGS:

• Discussion of death
• References to life in an occupied country
• Mentions of Nazis
• Descriptions of child neglect
• Implications of threats of violence to a child
• Violent, upsetting death
• Child death

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Sir attemptS a new strategy for rousing the Apprentice, bringing him a delicaTe snail shell.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-42/

Or: https://docs.google.com/document/d/1R8x6ZMypckOE0CBSU9cVD2mUvW1lc3lPDWlwSwTmxag/edit?tab=t.0#heading=h.88ooz7d9i2g8

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CONTENT WARNINGS:

• Discussion of death
• Description of corpses
• References to sex
• Depictions of sexual desire
• Implications of sexual acts
• References to acts of violence, implied to be motivated by homophobia, specifically at a protest
• Brief discussion of homophobia in 1960s/70s Paris
• Mentions of ‘red scare’ and implications of fear of communism
• Mention of a nazi collaborator
• Implications of violent death

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Sir is reaching a place of desperatioN and is desperate to find anY meaning in it.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-41/

Or: https://docs.google.com/document/d/1DVEZERuJtevZbpgn1UwiqxtiAh-PrFHXxVxgtKXEbp8/edit?usp=sharing

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CONTENT WARNINGS:

• Discussion of death
• Depictions of emotional distress
• Mentions of sex and references to sexual intimacy
• Mentions of death
• Discussions of mental illness
• Implications of suicide
• Depictions of extremely negative headspace
• Hard drug use

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The Apprentice continues to read the empty canvas with dripping paint, and a faMiliar imAge begins to emerge.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-40/

Or: https://docs.google.com/document/d/1mCkvc3C8iytpkrIf3TGK03VOfx2HkJB79ydNm7Ahcfw/edit?tab=t.0

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CONTENT WARNINGS:

• Discussion of death
• Scenes with nudity and references to sex
• Descriptions of artwork depicting violent scenes, including dead animals
• Violent death
• Depictions of pain and panic
• Repeated mentions of blood and bleeding
• Scenes with heavy emotional distress
• Depictions of extreme panic and fear

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Thanks to my incredible supporters on Patreon. Without you, this show could not exist.

Hosted on Acast. See acast.com/privacy for more information.

The Apprentice and Sir find themselves in Another new place, but still find more queStions than answers.

Transcript: https://hangingslothstudios.com/remnants-transcripts/2-39/

Or: https://docs.google.com/document/d/1CIkPR0cIZ3jYk1Hwhof4V_rpkbyofSRSk8FfzErnDkw/edit?tab=t.0#heading=h.88ooz7d9i2g8

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CONTENT WARNINGS:

• Discussion of death
• Depictions of emotional distress
• Depictions of a character in psychological pain
• Ominous sense of threat
• Descriptions of blood and injury from glass

Leave a review on Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315

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Thanks to my incredible supporters on Patreon. Without you, this show could not exist.

Hosted on Acast. See acast.com/privacy for more information.

Hi! I’m Eira, the voice of Sir and the Apprentice, and also the person who writes this show, sound designs it, and puts it out into the world. There’s no new episode of the show this week because I’ve been unwell and haven’t been able to finish it, so instead, you’ll be hearing this intermission, which features the Apprentice reading a Shakespeare monologue. I hope you enjoy it.

All the world’s a stage,

And all the men and women merely players;

They have their exits and their entrances;

And one man in his time plays many parts,

His acts being seven ages. At first the infant,

Mewling and puking in the nurse’s arms;

And then the whining school-boy, with his satchel

And shining morning face, creeping like snail

Unwillingly to school. And then the lover,

Sighing like furnace, with a woeful ballad

Made to his mistress’ eyebrow. Then a soldier,

Full of strange oaths, and bearded like the pard,

Jealous in honour, sudden and quick in quarrel,

Seeking the bubble reputation

Even in the cannon’s mouth. And then the justice,

In fair round belly with good capon lin’d,

With eyes severe and beard of formal cut,

Full of wise saws and modern instances;

And so he plays his part. The sixth age shifts

Into the lean and slipper’d pantaloon,

With spectacles on nose and pouch on side;

His youthful hose, well sav’d, a world too wide

For his shrunk shank; and his big manly voice,

Turning again toward childish treble, pipes

And whistles in his sound. Last scene of all,

That ends this strange eventful history,

Is second childishness and mere oblivion;

Sans teeth, sans eyes, sans taste, sans everything.

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Thanks to my incredible supporters on Patreon. Without you, this show could not exist.

Hosted on Acast. See acast.com/privacy for more information.