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Yasi Gerami is an Iranian-Canadian artist, founder of Bluearth Films, and a world wanderer. She was born in Shiraz, Iran and is based in Toronto, Canada. Her enthusiasm in topics such as socio-political justice for world refugees and women's rights nominated her two short documentaries Away From The Walls and A Day With Lev at The CineSiege Film Festival. She edited Rice Balls in the same year which was also nominated at The CineSiege Film Festival. Yasi is the editor of the award-winning short documentary Guerilla. Yasi’s first feature length documentary, Sustenance, is about food's journey around the world, exploring controversies revolving around food and its interconnectedness with justice, climate change, and sustainability.Yasi co-produced her second feature documentary, Age of Iron, with her brother Davoud. Age of Iron takes viewers on a journey through Asia in its poetic critique of global capitalism, dissecting the system's inherent byproducts along the way: exploitation of the masses in the political South and alienation of the masses in the affluent North.
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Yasi Gerami is an Iranian-Canadian artist, founder of Bluearth Films, and a world wanderer. She was born in Shiraz, Iran and is based in Toronto, Canada. Her enthusiasm in topics such as socio-political justice for world refugees and women's rights nominated her two short documentaries Away From The Walls and A Day With Lev at The CineSiege Film Festival. She edited Rice Balls in the same year which was also nominated at The CineSiege Film Festival. Yasi is the editor of the award-winning short documentary Guerilla. Yasi’s first feature length documentary, Sustenance, is about food's journey around the world, exploring controversies revolving around food and its interconnectedness with justice, climate change, and sustainability.Yasi co-produced her second feature documentary, Age of Iron, with her brother Davoud. Age of Iron takes viewers on a journey through Asia in its poetic critique of global capitalism, dissecting the system's inherent byproducts along the way: exploitation of the masses in the political South and alienation of the masses in the affluent North.
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