
Sign up to save your podcasts
Or


Respighi occupies a strange place in musical history. He is almost never considered to be one of the "greats," though his mastery of orchestral color is never doubted by anyone. Today on this Patreon sponsored episode, we'll look at his Pines of Rome. We'll talk about Respighi's extremely detailed program notes, his Strauss like gifts at portraying real life in his music, and the fact that Respighi, for all his innate conservatism, was actually the first composer to use electronic music in one of his works.
By Joshua Weilerstein4.9
21272,127 ratings
Respighi occupies a strange place in musical history. He is almost never considered to be one of the "greats," though his mastery of orchestral color is never doubted by anyone. Today on this Patreon sponsored episode, we'll look at his Pines of Rome. We'll talk about Respighi's extremely detailed program notes, his Strauss like gifts at portraying real life in his music, and the fact that Respighi, for all his innate conservatism, was actually the first composer to use electronic music in one of his works.

43,838 Listeners

38,482 Listeners

6,822 Listeners

3,965 Listeners

355 Listeners

5,475 Listeners

301 Listeners

3,661 Listeners

267 Listeners

6,404 Listeners

292 Listeners

16 Listeners

2,514 Listeners

223 Listeners

634 Listeners