Listen up! When Quincy Jones speaks he may be imparting Yoda-like wisdom or talking about his collaborations with Steven Spielberg, Frank Sinatra, Michael Jackson, or Hal Ashby, to name just a few. His film credits range from The Pawnbroker and In Cold Blood to The Color Purpleand the must-see documentary Keep on Keepin’ On. As a musician, arranger, film composer, and entrepreneur he is without peer, and arguably the coolest guy on the planet. It’s been four years since Leonard and Jessie spent a lively hour with him and they still marvel at the experience. Keep On Keepin’ On, is now streaming on Amazon Prime, iTunes and other platforms.

Revisiting Quincy Jones

Legendary film critic Leonard Maltin and his daughter Jessie are the ultimate movie fans. They love talking about movies, especially with people who share their enthusiasm—from living legends like Mel Brooks, Carl Reiner, and Quincy Jones to such contemporary artists as Amy Adams, Viggo Mortensen, Laura Dern, and Bryan Cranston. You’ll meet all kinds of interesting people and hear their recommendations of unsung movies you ought to know...

TV & Film

Comedy

Nick Stahl has been working in front of the camera since he was 13 years old and winning young admirers like Jessie because he’s so believable in every part he tackles. Mel Gibson chose him to costar in The Man Without a Face, which put him on a fast track to success. His widely varied credits include The Terminator 3, In the Bedroom, The Thin Red Line, andSin City. After a break he returned to acting and quicky landed guest shots on such series as Fear the Walking Dead and Let the Right One In. He can be seen in the recent VOD release What You Wish For.

Nick Stahl

This week we introduce you to two more Emmy contenders for their exceptional work. Cian O’Clery directed, executive produced and photographed) the heartfelt documentary seriesLove on the Spectrum, which shows how people with autism search for love just like all of us. Mac Quayle is a busy composer of music for film and television who has become a favorite of the prolific producer Ryan Murphy (Scream Queens, American Crime Story, Feud, et al) who already has an Emmy to his credit for Mr. Robot, for which he scored 45 episodes. His latest effort is The Great Lillian Hall, now playing on HBO.

More Emmy Contenders

This week, we’re meeting more fascinating people who are Emmy contenders for their work on high-end television, which nowadays has the production quality of feature films. An Emmy contender in the realm of limited series, All the Light We Cannot See has been adapted from the Pulitzer Prize-winning book by the brilliant writer Steven Knight. It draws on the talents of many people, among them our guests, sound man Craig Henighan, cinematographer Tobias Schliessler, and casting directors Lucy Bevan and Emily Brockman.  

BEHIND THE SCENES: ALL THE LIGHT WE CANNOT SEE

The brilliant writer-director Steven Zaillian (Searching for Bobby Fischer) is a strong Emmy contender for his eight-part adaptation of Patricia Highsmith’s Ripley novels, along with the collaborators we spoke to: composer Jeff Russo (an Emmy winner for Fargo), Oscar-nominated production designer David Gropman, and editors David Rogers and Joshua Lee. Even if you haven’t yet watched the series on Netflix it’s fascinating to listen to these creative people talk about what they bring to every film or show they take on. 

BEHIND THE SCENES: RIPLEY

Avy Kaufman’s name should be familiar to anyone who reads credits, as we do. She has cast scores of films and television series, from The Ice Storm to Succession, and launched many a career along the way. You can hear the pride in her voice when she recounts how she brought young Haley Joel Osment to meet the star and director of The Sixth Sense. Recent credits include some of the most talked-about television shows of our time: Mare of Easttown, Under the Banner of Heaven, Billions, and Fellow Travelers, which could earn her a fourth Emmy Award. (She has three: one for Damages and two for Succession). Avy wears her passion on her sleeve and that makes for great conversation.

Revisiting Quincy Jones

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