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Kirsty Young's guest on Desert Island Discs this week is Richard Ingrams. Former editor and a founder of the satirical magazine Private Eye, he's one of the godfathers of contemporary British satire. Pseud's Corner, Dear Bill, and Colemanballs all originated with him at the helm. Now editor of The Oldie, he's still taking part in regular ideas meetings at Private Eye and says he wouldn't know what to do if he stopped working.
From a privileged and well-connected background he seemed an unlikely outsider, yet he's spent a lifetime pulling the rug from under the feet of the great and the good. It's often proved a risky route, bringing him into conflict with army recruiting sergeants, cabinet ministers and billionaire industrialists alike. One of four boys, his favourite childhood memories are of accompanying his mother on the piano while she played the violin. He met Willie Rushton at school when they worked on the school magazine and at Oxford he met Paul Foot and other Private Eye regulars contributing to more magazines - Parson's Pleasure and Mesopotamia.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: The Gloria from Mass in B Minor by Johann Sebastian Bach
4.6
14181,418 ratings
Kirsty Young's guest on Desert Island Discs this week is Richard Ingrams. Former editor and a founder of the satirical magazine Private Eye, he's one of the godfathers of contemporary British satire. Pseud's Corner, Dear Bill, and Colemanballs all originated with him at the helm. Now editor of The Oldie, he's still taking part in regular ideas meetings at Private Eye and says he wouldn't know what to do if he stopped working.
From a privileged and well-connected background he seemed an unlikely outsider, yet he's spent a lifetime pulling the rug from under the feet of the great and the good. It's often proved a risky route, bringing him into conflict with army recruiting sergeants, cabinet ministers and billionaire industrialists alike. One of four boys, his favourite childhood memories are of accompanying his mother on the piano while she played the violin. He met Willie Rushton at school when they worked on the school magazine and at Oxford he met Paul Foot and other Private Eye regulars contributing to more magazines - Parson's Pleasure and Mesopotamia.
[Taken from the original programme material for this archive edition of Desert Island Discs]
Favourite track: The Gloria from Mass in B Minor by Johann Sebastian Bach
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